Reader's Guide
The reader is invited to travel through the historical Los Angeles metropolis along multiple paths and networks of textual, visual, and spatial narratives. Ghost Metropolis has a spatial-temporal-textual structure that is modeled on the metropolis itself. Ghost Metropolis attempts to make the ghostly presence of the past visible, so it literally visualizes the past, as a three-dimensional form of mapping. Those three dimensions are 1) the linear chronological narrative, recounting actions by actors; 2) our visual encounter with the past in photographs, graphic arts, and motion pictures; and 3) the cartographic, which is a special, spatial medium that visualizes the topography of human action. Each of these dimensions is historical and chronological, but there is no single, privileged timeline or narrative.
Readers may follow many different paths through this work. It can be read chronologically from 13,000 years ago until the present; it can be read by narrative pathways that follow the course of a general area of social and political life; it can be read between subject areas, along a relatively consistent time-depth: in more familiar terms, in the same chronological period. It can also be read via intersections and networks through and between the textual and visual narratives.
The forty textual essays of Ghost Metropolis are grouped into five thematic narrative paths:
1) Ab Urbe Condita (From the Origins of the City)
2) Inscribing Los Angeles: Governing, Producing, and Living Landscapes
3) Manna From Hell: Petroleum, Militarism, Counterrevolution, and World Wars
4) White Shadows: Power and Passion of Global Hollywood
5) Richard 37th: Global Regimes of Los Angeles
6) Segregated Diversity: The Political Geography of Race