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Ghost Metropolis: Los Angeles from Clovis to Nixon Main Menu Regimes: Ruling the Los Angeles Region from the Late Pleistocene to the 21st Century Places and Paths of Los Angeles Manna From Hell: Power and Politics from Region to World Power Shadows: Visual Cultures and Mass Media of a Regional and Global Power Segregated Diversity: The Geosocial Formation of Social Justice in the Late Twentieth Century Richard 37th: Nixon, Los Angeles, and World Power The American 1989: Los Angeles at the Climax of the 20th Century Narrative Essay Bibliographies, Filmographies, Gazeteers, Indexes Mapping the Past: Theory, Methods, Historiography Path Credits Root

Reader's Guide

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Ghost Metropolis is a hybrid work composed of multiple genres designed to follow narrative pathways, and geospatial and visual forms of the past, structured along networks of intersections, both geometric and metaphoric. Because all human action takes and makes place, the object of Ghost Metropolis is to map the past into the present, using many interwoven textual and visual genres together, ensemble.

Form of Ghost Metropolis
      Following Cervantes, Mercatur, and Melville, I've constructed a large-scale work of many different components, and many different genres. Most of the components of Ghost Metropolis are, like the short stories Cervantes folded into Don Quijote, free-standing. Ghost Metropolis is composed of forty-two (42) essays, all of narrative form, hundreds of photographs, maps, montages, videos.

Narrative Essays
      Textually, Ghost Metropolis takes the form of narrative storytelling largely on the model of Plutarch or Livy, but also on the model of Braudel. I have included forty-two (42) short "narrative essays," averaging 12 typewritten pages, these narrative essays are much shorter than a traditional book "chapter." These essays, in turn, are presented sequentially in different "Narrative Pathways." Cross-cutting groupings of narrative essays are presented in "Synchronic Pathways" across subject areas. In the narrative essay and narrative pathways I narrate and analyze deeds of the great and the powerless alike, to assess their contributions to the inscribed lifeways and regimes of power from their generation to our own, 21st-century generation. These are "essays" in the tradition of Montaigne, they are literally essais, tries or attempts, to solve a particular problem. While they are mostly story in form, each also analyzes the sources of action and the relative responsibility of different actors, to arrive at an accountability for that cross-section of the historical world. Hence the designation "narrative essay." A sub-genre genre is that of the a narrated social-scientific study. My studies of social segregation, conducted with several interdisciplinary collaborators, are adapted here to the narrative form Ghost Metropolis. Another sub-genre woven through Ghost Metropolis is the first-voice narratives. These are documentary presentation of the voices of those who lived and made Los Angeles.

Visual Genres
Genres
-Genres are all stand-alone units of expression in Ghost Metropolis. Each of the nodal genres were created according to their own logics and (in the case of my own creations) in parallel with the creation of the works in the other genres.

-Narrative Essays
-Stand-alone short or long essays in narrative prose form.   Forty-two in number.

Photography and Graphics

Photographs
-Still images recorded to photosensitive films and digital devices.

Panoramas
Sweeping views of multiple directions outward from a single position, forming a circle of varying wide degrees, to a maxium of 360˚.

Stereographs

Montages/Photomontages
Assemblages of photographs and graphic arts, including cartography.

Maps
-Pictorial cartography. A special case of annotated pictorial form, it usually carries semantic symbols that index or reference a depiction of some region of the Earth’s surface.

Ghost Maps
--See Presner essay for this text

Video
-All motion pictures. All photographic representations produced with equipment desgned to capture motion in discrete frames and to edit those frames and re-present them at rates too frequent to be detected by the visual perception and cognition of the human mind. Frame still can be isolated from these sequences, but they were never intended to be displayed in a frozen, single-frame format, except for promotional purposes in static formats of magazines and posters. Presentations of frame stills (not to be confused with production stills) beyond their makers’ original intent include critical studies by scholars, and displays by collectors.

Audio
-All soundtracks lacking moving images. Includes but is not limited to the subgenres of music, radio, recorded voice of any kind, from oral histories to dramatic narratives, and the sound-tracks of movies and videos of any kind.

Paths:
-Groupings of Nodes with common themes or concerns, presented sequentially in roughly chronological order.

-Narrative Pathways
-Narrative Essays by common subject in rough chronological order.

Pictorial Narratives
-Curated sequences of static images (including both photographs and graphics)

Cinematic Narratives
-Curated sequences of film stills or clips taken directly from cinematic sources. Does not include “production stills” taken by still camera equipment during the making of movies. Cinematic narratives are only taken from motion photography—in whatever format, film to digital.

Cartographic Narratives
-Curated sequences of maps. Note, this is distinguished from “narrative cartography,” which is any deliberate case of sequential storytelling within a pictorial map.

Audio Narratives
-Includes voice-overs, curated sequences of discrete musical works (as in the “Soundtrack” of a film), and curated sequences of any form of audio that can be played independently (even if in synchronized conjunction with) any other narrative form.

Networks

Time and Space

This page is referenced by:

Ghost Metropolis: Los Angeles Since 13,000
Note: This edition of Ghost Metropolis can be sampled with free access to this page, the Preface, Reader's Guide, Narratives, Genres, Theory and Methods, and Credits, and the entire essay Crossroads of the LA Metropolis: The Four-Level Interchange and Bunker Hill. Full unrestricted access to the entire forty-two visual-spatial-narrative essays, paths, and networks, is available for the price of 0.99 cents.
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Ghost Metropolis is a global history of Los Angeles since the earliest human habitation, presented as a hybrid of textual, cartographic, and photographic representation, in print and online formats. It aspires to make the deep and global past visible in the limitless landscapes of present-day Metropolitan Los Angeles. Past actors inscribed their labors into the landscape and left the scene; their actions haunt every subsequent inhabitant--shaping later lives invisibly. The spirits of our creative predecessors, whose who did great and just things, are also celebrated in Ghost Metropolis. They haunt us as friendly helpers.Other spirits haunt us not with a retrospective dream, but as an ever-present nightmare: brought to us by the spirits of the unquiet dead, whose justice remains to be served.

Simlodon californicus, the saber-toothed cat who ruled the region until conquered by the first humans, is the original demon haunting El Pueblo de Nuestra Señora, Reina de Los Ángeles, The town of Our Lady, Queen of the Angels. The past is the landscape of what took place. The present is the past of human labor inscribed and projected beyond the deaths of each generation, haunting every global landscape. Historians make the ghosts of the past visible. Ghost Metropolis maps the past to give the living a guide into it, not merely for the sheer pleasure of reading narratives in text, cartography, photography, and video, but ultimately for the goal of accountability. The blood of countless generations stains the streets of Los Angeles. Ghost Metropolis seeks to make the ghosts of The Angels visible, readable, knowable, and therefore accountable. This work follows several models: Livy's history of Rome, Ab urbe condita (53 BCE); Plutarch's Lives (c. 100 CE); Cervantes's Don Quijote (1601-15); Melville's Moby-Dick (1851), and Fernand Braudel's The Mediterranean (1949). Equally a visual work, Ghost Metropolis is a 21st-century “Atlas,” inspired by the Renaissance atlases of the 16th and 17th century: rich mixtures of typography, graphic arts, and cartography. It owes a deep debt to the Renaissance cartographers: Gerardus Mercatur, Abraham Ortelius, Joan Bleau. My own Ghost Maps are extensions of this tradition. This is also a work of the photographic and cinematic age. Ghost Metropolis draws these previous textual and visual traditions together into a multimedia work of storytelling and argumentation.

Ghost Metropolis is also a global history of a mightily influential global metropolis. Founded by conquering and imperial regimes, Los Angeles has shaped world history. The stories I tell are recounted at every scale: local, metropolitan, regional, national, and global. Please visit the Reader's Guide, which explains and maps the conceptual structure of paths and the weblike network intersections. Preamble Los Angeles, California, United States of America, is the heart of the Southern California region, a global metropolis so huge and complex that its weight in world history would be impossible to calculate. This graphic history attempts to tell its story, since the beginnings of the city as a permanent settlement. Los Angeles has devoured millions of immigrants, harbored millions of residents, birthed millions more. It breathes in and exhales tens of millions of visitors daily and yearly through its ports, airports, and highways. Its gargantuan human population--16.5 million in 2000--is drawn from all continents of the Earth. These teeming millions stand atop the shoulders of the many millions who preceded them as settlers and sojourners, each individual altering the region in some way, small or large. These millions--since the age of Smilodon the sabre-toothed cat and the long-tusked Mammoths, through the Age of Aerospace, of which Los Angeles served as founding global capital--have been drawn to Los Angeles for the riches and freedoms and pleasures that it promises, and has promised, for thousands of years. Los Angeles has been the site of joy and beauty for many, but it has also been a deadly siren, devouring its lovers in chronic and spectacular paroxysms of repression and social violence. The ghosts of the injustices of the past haunt us in the form of institutions of unequal power etched into the landscapes all around us. Also surviving among these ghosts are the institutional beginnings of human rights, the echos to our ears and reflections to our eyes, emanating from past champions of justice. While Ghost Metropolis lies on the cynical side of historical appreciation, it also shines a spotlight on those who have contributed creative spirit to the future triumph of peace and justice, so that hope may endure for a metropolis that promotes the human rights of all.

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