Ghost Metropolis: Los Angeles Since 13,000
Note: This edition of Ghost Metropolis can be sampled with free access to this page, the Preface, Reader's Guide, Narratives, Genres, Theory and Methods, and Credits, and the entire essay Crossroads of the LA Metropolis: The Four-Level Interchange and Bunker Hill. Full unrestricted access to the entire forty-two visual-spatial-narrative essays, paths, and networks, is available for the price of 0.99 cents.
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Simlodon californicus, the saber-toothed cat who ruled the region until conquered by the first humans, is the original demon haunting El Pueblo de Nuestra Señora, Reina de Los Ángeles, The town of Our Lady, Queen of the Angels.
The past is the landscape of what took place. The present is the past of human labor inscribed and projected beyond the deaths of each generation, haunting every global landscape. Historians make the ghosts of the past visible. Ghost Metropolis maps the past to give the living a guide into it, not merely for the sheer pleasure of reading narratives in text, cartography, photography, and video, but ultimately for the goal of accountability. The blood of countless generations stains the streets of Los Angeles. Ghost Metropolis seeks to make the ghosts of The Angels visible, readable, knowable, and therefore accountable.
This work follows several models: Livy's history of Rome, Ab urbe condita (53 BCE); Plutarch's Lives (c. 100 CE); Cervantes's Don Quijote (1601-15); Melville's Moby-Dick (1851), and Fernand Braudel's The Mediterranean (1949). Equally a visual work, Ghost Metropolis is a 21st-century “Atlas,” inspired by the Renaissance atlases of the 16th and 17th century: rich mixtures of typography, graphic arts, and cartography. It owes a deep debt to the Renaissance cartographers: Gerardus Mercatur, Abraham Ortelius, Joan Bleau. My own Ghost Maps are extensions of this tradition. This is also a work of the photographic and cinematic age. Ghost Metropolis draws these previous textual and visual traditions together into a multimedia work of storytelling and argumentation.
The past is the landscape of what took place. The present is the past of human labor inscribed and projected beyond the deaths of each generation, haunting every global landscape. Historians make the ghosts of the past visible. Ghost Metropolis maps the past to give the living a guide into it, not merely for the sheer pleasure of reading narratives in text, cartography, photography, and video, but ultimately for the goal of accountability. The blood of countless generations stains the streets of Los Angeles. Ghost Metropolis seeks to make the ghosts of The Angels visible, readable, knowable, and therefore accountable.
This work follows several models: Livy's history of Rome, Ab urbe condita (53 BCE); Plutarch's Lives (c. 100 CE); Cervantes's Don Quijote (1601-15); Melville's Moby-Dick (1851), and Fernand Braudel's The Mediterranean (1949). Equally a visual work, Ghost Metropolis is a 21st-century “Atlas,” inspired by the Renaissance atlases of the 16th and 17th century: rich mixtures of typography, graphic arts, and cartography. It owes a deep debt to the Renaissance cartographers: Gerardus Mercatur, Abraham Ortelius, Joan Bleau. My own Ghost Maps are extensions of this tradition. This is also a work of the photographic and cinematic age. Ghost Metropolis draws these previous textual and visual traditions together into a multimedia work of storytelling and argumentation.
Ghost Metropolis is also a global history of a mightily influential global metropolis. Founded by conquering and imperial regimes, Los Angeles has shaped world history. The stories I tell are recounted at every scale: local, metropolitan, regional, national, and global.
Please visit the Reader's Guide, which explains and maps the conceptual structure of paths and the weblike network intersections.
Preamble
Los Angeles, California, United States of America, is the heart of the Southern California region, a global metropolis so huge and complex that its weight in world history would be impossible to calculate. This graphic history attempts to tell its story, since the beginnings of the city as a permanent settlement. Los Angeles has devoured millions of immigrants, harbored millions of residents, birthed millions more. It breathes in and exhales tens of millions of visitors daily and yearly through its ports, airports, and highways. Its gargantuan human population--16.5 million in 2000--is drawn from all continents of the Earth. These teeming millions stand atop the shoulders of the many millions who preceded them as settlers and sojourners, each individual altering the region in some way, small or large.
These millions--since the age of Smilodon the sabre-toothed cat and the long-tusked Mammoths, through the Age of Aerospace, of which Los Angeles served as founding global capital--have been drawn to Los Angeles for the riches and freedoms and pleasures that it promises, and has promised, for thousands of years. Los Angeles has been the site of joy and beauty for many, but it has also been a deadly siren, devouring its lovers in chronic and spectacular paroxysms of repression and social violence. The ghosts of the injustices of the past haunt us in the form of institutions of unequal power etched into the landscapes all around us. Also surviving among these ghosts are the institutional beginnings of human rights, the echos to our ears and reflections to our eyes, emanating from past champions of justice. While Ghost Metropolis lies on the cynical side of historical appreciation, it also shines a spotlight on those who have contributed creative spirit to the future triumph of peace and justice, so that hope may endure for a metropolis that promotes the human rights of all.
Please visit the Reader's Guide, which explains and maps the conceptual structure of paths and the weblike network intersections.
Preamble
Los Angeles, California, United States of America, is the heart of the Southern California region, a global metropolis so huge and complex that its weight in world history would be impossible to calculate. This graphic history attempts to tell its story, since the beginnings of the city as a permanent settlement. Los Angeles has devoured millions of immigrants, harbored millions of residents, birthed millions more. It breathes in and exhales tens of millions of visitors daily and yearly through its ports, airports, and highways. Its gargantuan human population--16.5 million in 2000--is drawn from all continents of the Earth. These teeming millions stand atop the shoulders of the many millions who preceded them as settlers and sojourners, each individual altering the region in some way, small or large.
These millions--since the age of Smilodon the sabre-toothed cat and the long-tusked Mammoths, through the Age of Aerospace, of which Los Angeles served as founding global capital--have been drawn to Los Angeles for the riches and freedoms and pleasures that it promises, and has promised, for thousands of years. Los Angeles has been the site of joy and beauty for many, but it has also been a deadly siren, devouring its lovers in chronic and spectacular paroxysms of repression and social violence. The ghosts of the injustices of the past haunt us in the form of institutions of unequal power etched into the landscapes all around us. Also surviving among these ghosts are the institutional beginnings of human rights, the echos to our ears and reflections to our eyes, emanating from past champions of justice. While Ghost Metropolis lies on the cynical side of historical appreciation, it also shines a spotlight on those who have contributed creative spirit to the future triumph of peace and justice, so that hope may endure for a metropolis that promotes the human rights of all.
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- Reader's Guide
- Crossroads of the LA Metropolis: The Four-Level Interchange and Bunker Hill
- Theory and Methods
- Preface
- Genres
- Narratives
- Smilodon californicus. c. 13,000. Los Angeles County Natural History Museum.
- Gustave Doré, Don Quixote
- Geveronga - Yaanga / El Pueblo de Nuestra Senora Reina de Los Angeles / La Placita / Downtown / Los Angeles, California, USA, 0 CE - 2000 CE
- Models for Ghost Metropolis
- Mercatur 1595
- Credits