Film Studies in Motion: From audiovisual essay to academic research video

Videography

BERG, Thomas van den. 2013. (un)reliable (un)reliability: or, Perceptual Subversions of the Continuity Editing System.

BORDWELL, David. 2013. Constructive Editing in Robert Bresson’s Pickpocket.

BORDWELL, David. 2013. How the Pictures Became the Movies.

BORDWELL, David. 2013. Mildred Pierce: Murderer Twice Over.

CARVAJAL, Nelson. 2013. Academy Awards: Best Picture Oscar Winners.

CARVAJAL, Nelson. 2013. Press Play VIDEO ESSAY – Pacino: Full Roar.

CARVAJAL, Nelson. 2013. VIDEO ESSAY: Slow Burn.

CARVAJAL, Nelson. 2014. VIDEO ESSAY: Kubrick’s Kaleidoscope (NSFW).

CARVAJAL, Nelson. 2014. VIDEO ESSAY: Women in the Works of Martin Scorsese.

CINEMASINS. 2014. Everything Wrong with Cloverfield in 8 Minutes or Less.

CLUBB, Issa. (prod. & editor). 2013. On the Waterfront: Aspect Ratio Visual Essay for The Criterion Collection.

DEVANEY, Megan. 2014. Wes Anderson / / Mirrored.

EBERTFEST 2013. – The Art of the Video Essay: How to Speak Through Movies. (mod. Omer Mozaffar) Rogerebert.com.

EMERSON, Jim. 2011. In the Cut, Part I: The Uninterrupted Action Sequence.

EMERSON, Jim. 2011. In the Cut, Part I: Shots in the Dark (Knight).

EMERSON, Jim. 2011. In the Cut, Part II: A Dash of Salt.

EMERSON, Jim. 2011. In the Cut, Part III: I Left My Heart in My Throat in San Francisco.

ERIKSSON, Thommy, and Inge Ejbye Sørensen. 2012. What is Academic Video?.

FERGUSON, Kirby, and Robert Grigsby Wilson. 2011. Everything Is A Remix: KILL BILL. everythingisaremix.info.

Flaworwire.com. 2013. Gary Oldman Loses His Shit.

Flaworwire.com. 2013. John Goodman Loses His Shit.

Flaworwire.com. 2013. Robert De Niro Loses His Shit.

GRANT, Catherine. 2013. Re-born Digital? Slides and video for University of Sussex, School of Media, Film and Music Teachers Conference.

GRANT, Catherine. 2014. Intersection.

GRANT, Catherine. 2014. TENBMOVIES.

HESS, John. 2013. The Origins and Formatting of Modern Screenplays. FilmmakerIQ.com.

HESS, John. 2014. The History of Cutting – The Soviet Theory of Montage. FilmmakerIQ.com.

JAWED. 2005. Me at the Zoo.

KISS, Miklós. 2015. Creativity Beyond Originality: György Pálfi’s FINAL CUT as Narrative Supercut.

KOGONADA. 2012. Breaking Bad // POV.

KOGONADA. 2012. Ozu // Passageways.

KOGONADA. 2012. Sounds of Aronofsky.

KOGONADA. 2012. Wes Anderson // From Above.

KOGONADA. 2013. Malick // Fire & Water.

KOGONADA. 2013. What is Neorealism?.

KOGONADA. 2014. Kubrick // One Point Perspective.

KOGONADA. 2014. Wes Anderson // Centered.

KORESKY, Michael (narr.), and Casey Moore (ed.). 2013. Bergman’s Dreams: An Original Video Essay for The Criterion Collection.

KORESKY, Michael (narr.), and Casey Moore (ed.). 2013. Blue Christmas: An Original Video Essay for The Criterion Collection.

LAURENTG. 2014. Peter Greenaway // Centered.

LEE, Kevin B. 2007. While the City Sleeps.

LEE, Kevin B. 2007. Shooting Down Pictures #933: Evil Dead 2 Video Essay.

LEE, Kevin B. 2007. Shooting Down Pictures #937: Il Posto – Sequence Analyses.

LEE, Kevin B. 2011. Vertigoed: Star Wars: Episode I – The Phantom Menace. Press Play.

LEE, Kevin B. 2013. Elements of the Essay Film: A Critical Engagement with the ‘Essay Film.

LEE, Kevin B. 2013. The Essay Film: Some Thoughts of Discontent.

LEE, Kevin B. 2014. Andrei Tarkovsky’s Cinematic Candles.

LEE, Kevin B. 2014. The Career of Paul Thomas Anderson in Five Shots (excerpts).

LEE, Kevin B. 2014. Who Deserves the 2014 Oscar for Best Lead Actress? Fandor Keyframe.

LEE, Kevin B. 2014. What Makes a Video Essay Great?

LEE, Kevin B. 2015. Rohmer’s Guessing Games.

LAVIK, Erlend. 2012. Style in The Wire.

MARTIN, Adrian, and Cristina Álvarez López. 2014. A Key to ‘After Hours’.

MARTIN, Adrian, and Cristina Álvarez López. 2014. C for Concentration.

MARTIN, Adrian, and Cristina Álvarez López. 2014. Béla Tarr’s REPULSION: Fragments of a Lost Remake.

PISTERS, Patricia. 2014. Emoticons.

QUANDT, James. 2013 [2007]. The Face of Another for The Criterion Collection.

QUANDT, James. 2014 [2007]. Woman in the Dunes for The Criterion Collection.

RAYAS, Luis Enqire. 2014. Wes Anderson // Kaleidoscoped.

REDRUMUM. 2014. Videoensayo: Paisaje.

SEITZ, Matt Zoller. 2009. The Substance of Style. (Series), Moving Image Source.

SEITZ, Matt Zoller. 2011. DEEP FOCUS: Mike Figgis’ STORMY MONDAY, as reviewed by Roger Ebert. Indiewire Press Play.

SHIRAZI, Ali. 2013. There Will Be Blood / Through Numbers.

SHIRAZI, Ali. 2014. Boogie Nights vs Taxi Driver.

SHIRAZI, Ali. 2014. P.T. Anderson // Close-ups.

SODERBERG, Steven. 2014. Psychos. Extension 762.

STORK, Matthias. 2011. Chaos Cinema Part 1. Press Play.

STORK, Matthias. 2011. Chaos Cinema Part 2. Press Play.

STORK, Matthias. 2012. Chaos Cinema Part 3. Press Play.

The Criterion Collection. 2011. Three Reasons: The Sweet Smell of Success.

The Criterion Collection. 2012. Three Reasons: Rosemary’s Baby.

The Criterion Collection. 2013. Three Reasons: La Notte.

The Criterion Collection. 2014. Three Reasons: Blue is the Warmest Color.

VILLAÇA, Pablo. 2013. Videocast Cenas Em Detalhes #12 – E.T. – O Extraterrestre.

WILSON, Johnny. 2014. The Wes Anderson Mixtape. Eclectic Method.

ZHOU, Tony. 2014. Snowpiercer - Left or Right.

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