Film Studies in Motion: From audiovisual essay to academic research video

Videography

BAILEY, Jason. 2012. The Martin Scorsese Film School.

BERG, Thomas van den. 2013. (un)reliable (un)reliability: or, Perceptual Subversions of the Continuity Editing System.

BORDWELL, David. 2013. Constructive Editing in Robert Bresson’s Pickpocket.

BORDWELL, David. 2013. How Motion Pictures Became the Movies 1908-1920.

BORDWELL, David. 2013. Mildred Pierce: Murderer Twice Over.

CARVAJAL, Nelson. 2013. Academy Awards: Best Picture Oscar Winners.

CARVAJAL, Nelson. 2013. Press Play VIDEO ESSAY – Pacino: Full Roar.

CARVAJAL, Nelson. 2013. VIDEO ESSAY: Slow Burn.

CARVAJAL, Nelson. 2013. VIDEO ESSAY: I Love Chocolate.

CARVAJAL, Nelson. 2014. VIDEO ESSAY: Women in the Works of Martin Scorsese.

CinemaSins. 2014. Everything Wrong with Cloverfield in 8 Minutes or Less.

CLUBB, Issa. (prod. & editor). 2013. On the Waterfront: Aspect Ratio Visual Essay for The Criterion Collection.

DEVANEY, Megan. 2014. Wes Anderson / / Mirrored.

EBERTFEST 2013. – The Art of the Video Essay: How to Speak Through Movies. (mod. Omer Mozaffar) Rogerebert.com.

EMERSON, Jim. 2011. In the Cut, Part I: The Uninterrupted Action Sequence.

EMERSON, Jim. 2011. In the Cut, Part I: Shots in the Dark (Knight).

EMERSON, Jim. 2011. In the Cut, Part II: A Dash of Salt.

EMERSON, Jim. 2011. In the Cut, Part III: I Left My Heart in My Throat in San Francisco.

ERIKSSON, Thommy, and Inge Ejbye Sørensen. 2012. What is Academic Video?

FERGUSON, Kirby, and Robert Grigsby Wilson. 2011. Everything Is A Remix: KILL BILL.

Flaworwire.com. 2013. Gary Oldman Loses His Shit.

Flaworwire.com. 2013. John Goodman Loses His Shit.

Flaworwire.com. 2013. Robert De Niro Loses His Shit.

GRANT, Catherine. 2013. Re-born Digital?  (Slides and video for University of Sussex, School of Media, Film and Music Teachers Conference)

GRANT, Catherine. 2014. Intersection.

GRANT, Catherine. 2014. TenBMovies.

GRANT, Catherine. 2015. Carnal Locomotive.

HAVER, Ronald. 1984. Commentary audio-track on Merian C. Cooper and Ernest B. Schoedsack’s Criterion LaserDisc edition of King Kong (1933).

HESS, John. 2013. The Origins and Formatting of Modern Screenplays. FilmmakerIQ.com.

HESS, John. 2014. The History of Cutting – The Soviet Theory of Montage. FilmmakerIQ.com.

[in]Transition journal launch at SCMS 2014, Seattle. Part 1.

[in]Transition journal launch at SCMS 2014, Seattle. Part 2.

JAWED. 2005. Me at the Zoo.

KISS, Miklós. 2015. Creativity Beyond Originality: György Pálfi’s FINAL CUT as Narrative Supercut.

KOGONADA. 2012. Breaking Bad // POV.

KOGONADA. 2012. Ozu // Passageways.

KOGONADA. 2012. Sounds of Aronofsky.

KOGONADA. 2012. Wes Anderson // From Above.

KOGONADA. 2012. Tarantino // From Below.

KOGONADA. 2013. Malick // Fire & Water.

KOGONADA. 2013. What is Neorealism?

KOGONADA. 2014. Kubrick // One Point Perspective.

KOGONADA. 2014. Wes Anderson // Centered.

KORESKY, Michael (narr.), and Casey Moore (ed.). 2013. Bergman’s Dreams: An Original Video Essay for The Criterion Collection.

KORESKY, Michael (narr.), and Casey Moore (ed.). 2013. Blue Christmas: An Original Video Essay for The Criterion Collection.

LAURENTG. 2014. Peter Greenaway // Centered.

LEE, Kevin B. 2007. While the City Sleeps.

LEE, Kevin B. 2007. Shooting Down Pictures #933: Evil Dead 2 Video Essay.

LEE, Kevin B. 2007. Shooting Down Pictures #937: Il Posto – Sequence Analyses.

LEE, Kevin B. 2012. The Sight and Sound Film Poll: An International Tribute to Roger Ebert and His Favorite Films.

LEE, Kevin B. 2013. Elements of the Essay Film: A Critical Engagement with the ‘Essay Film.

LEE, Kevin B. 2013. The Essay Film: Some Thoughts of Discontent.

LEE, Kevin B. 2014. Andrei Tarkovsky’s Cinematic Candles.

LEE, Kevin B. 2014. The Career of Paul Thomas Anderson in Five Shots (excerpts).

LEE, Kevin B. 2014. Who Deserves the 2014 Oscar for Best Lead Actress?

LEE, Kevin B. 2014. What Makes a Video Essay Great?

LEE, Kevin B. 2015. Rohmer’s Guessing Games.

LAVIK, Erlend. 2012. Style in The Wire.

MARTIN, Adrian, and Cristina Álvarez López. 2014. A Key to ‘After Hours’.

MARTIN, Adrian, and Cristina Álvarez López. 2014. C for Concentration.

MARTIN, Adrian, and Cristina Álvarez López. 2014. Béla Tarr’s REPULSION: Fragments of a Lost Remake.

Oktopus Film Collective. 2015. Under the Skin of Gravity.

PISTERS, Patricia. 2014. Emoticons.

PREWITT, Zach. 2013. The Last Thing You See: Final Shots.

PROCTOR, Jennifer. 2013. Vertigo - Annotated with Popcorn Maker.

QUANDT, James. 2013 [2007]. The Face of Another for The Criterion Collection.

QUANDT, James. 2014 [2007]. Woman in the Dunes for The Criterion Collection.

RAYAS, Luis Enqire. 2014. Wes Anderson // Kaleidoscoped.

REDRUMUM. 2014. Videoensayo: Paisaje.

SEITZ, Matt Zoller. 2008. They Died with Their Boots On w/ Matt Zoller Seitz.

SEITZ, Matt Zoller (with Andrew Dignan and Kevin B. Lee). 2008. Extra Credit, Part 1.

SEITZ, Matt Zoller. 2009. The Substance of Style. (Series)

SEITZ, Matt Zoller. 2011. DEEP FOCUS: Mike Figgis’ STORMY MONDAY, as reviewed by Roger Ebert.

SHIRAZI, Ali. 2013. There Will Be Blood / Through Numbers.

SHIRAZI, Ali. 2014. Boogie Nights vs Taxi Driver.

SHIRAZI, Ali. 2014. P.T. Anderson // Close-ups.

Slacktory. 2014. The Claire Danes Cry Face Supercut.

SODERBERGH, Steven. 2014. Psychos. Extension 762.

STORK, Matthias. 2011. Chaos Cinema Part 1.

STORK, Matthias. 2011. Chaos Cinema Part 2.

STORK, Matthias. 2012. Chaos Cinema Part 3.

VILLAÇA, Pablo. 2013. Videocast Cenas Em Detalhes #12 – E.T. – O Extraterrestre.

ZHOU, Tony. 2014. Snowpiercer - Left or Right.

ZHOU, Tony. 2014. The Silence of the Lambs - Who Wins the Scene?

ZHOU, Tony. 2014. David Fincher - and the Other Way Is Wrong.

ZHOU, Tony. 2015. Akira Kurosawa - Composing Movement.

ZHOU, Tony. 2015. Lynne Ramsay - The Poetry of Details.

ZHOU, Tony. 2015. Drive (2011) - The Quadrant System.

ZHOU, Tony. 2015. F for Fake (1973) - How to Structure a Video Essay.

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