Film Studies in Motion: From audiovisual essay to academic research video

(Annotated) excerpt

In audiovisual study of film, the most rudimentary form of video is the simple act of quoting a film excerpt. Early examples can be found in Kevin B. Lee’s efforts from 2007, when he uploaded isolated scenes, sequences, or trailers to accompany his written blog posts (see chapter I). The mode of selection established here flows throughout subsequent incarnations: the excerpt basically functions as an enhanced or animated substitute for a traditional screen grab that commonly appears as a still inserted in a body of text. The film excerpt is a point of reference or can serve as mere illustration, and theoretically does not work as an autonomous instance. The context and intended focal point of such excerpts are explicated in the writing that is commonly referred to as an ‘accompanying article’ – while factually these textual write-ups are the dominant source of information, and the audiovisual excerpt is an ‘accompaniment’ to the text.
            ​Bringing the practice to the next level, psychologist and film scholar Tim J. Smith also moved from inclusion of stills in articles, to excerpt videos online. Illustrating the results of his eye-tracking research efficiently, Smith uses his visualization software to create a composite image that overlays the visual representation of the gaze of a viewer on the video being watched. Through their ‘The DIEM Project’[44] ​Smith and his colleagues started to post these enriched excerpts in 2010,[45] ​and made a breakthrough in 2011, certainly in the field of Film Studies, by a guest publication on David Bordwell’s blog about a research on a specific excerpt from Paul Thomas Anderson’s 2007 There Will Be Blood (Smith 2011). “The result” – as Bordwell claims in his introductory paragraph – “is almost unprecedented in film studies” (ibid), to which we could add that the audiovisual presentation mode of these results was rather exceptional too.

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