Film Studies in Motion: From audiovisual essay to academic research videoMain MenuIntroductionChapter I: From Scribe to ScreenChapter II: Current PracticeChapter III: Closing the GapFinal RemarksReferencesThomas van den Berg05debbe0c938b9e7170e68167598b10193a9540eMiklos Kissbab68bf9457e82557cb440971c8c3307eac46327
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12016-07-01T01:52:36-07:00Miklos Kissbab68bf9457e82557cb440971c8c3307eac4632781152plain2016-07-01T01:57:56-07:00Miklos Kissbab68bf9457e82557cb440971c8c3307eac46327According to Ben Sampson, who analyzed Zoller Seitz’s video in his presentation during the [in]Transition launch event, “Kim Morgan doesn’t read Ebert’s review, she performs it. She adds to the emotional atmosphere. She fits the scene” (at around 51:00).
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12016-06-02T02:38:36-07:00[in]Transition journal launch at SCMS 2014, Seattle: Part 21The website was officially launched on March 20th, 2014, as “the first [online] peer-reviewed academic journal of videographic film and moving image studies”, broadcasted live during a dedicated panel of that year’s SCMS conference in Seattle.plain2016-06-02T02:38:38-07:00Critical Commons2014VideoSCMS - Visualizing Media StudiesSCMS2016-06-02T08:53:43Z