Exploding Tongues: Language, Art, and the Russian Avant-garde Main Menu Back to Futurism: Russian Artist Books Introductory Page by Chris Gilman BookENDS: A Working Theory of Textuality as Cultural Dominant, 1912- An Introduction and Conclusion to a Semester's Investigation into the Book Arts as an Avant-garde Practice Book Case Studies Collaborative Research by Case Studies Big Bang: Timeline of Russian Avant-Garde Book Arts and Their Cultural Impacts A Timeline of Russian Avant-Garde Book Arts and Their Cultural Impacts CoaRse CaLIBration ARTS 227 "Introduction to Letterpress Printing" (Pedersen) and CSLC134/RUSN334 "Exploding Tongues" (Gilman) NthOlogy A limited edition collaborative book arts project by students of ARTS 227 (Pedersen) and CSLC 134/RUSN 334 (Gilman), Spring, '17 MANIFESTERS (AB & Kelly): A portfolio of process and products Appendix: A Path Through Russian Avant-Garde Books ILiADS (Institute for Liberal Arts Digital Scholarship)

Simultaneity

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An artistic element related to representations of fourth dimensionality in which the arrangement of words, phrases, objects, shapes, spaces, or planes suggest the existence of multiple possible readings, viewings, or interpretations. 

Contents of this tag:

  1. Malevich, K. "Death of a person simultaneously on an airplane and on a railroad," in Vzorval' (1913)
  2. Tango With Cows 2
  3. Glass
  4. Green and Blue Forest
  5. The Knife Grinder
  6. Samovar
  7. Kamenskii, Vasilli. Tango s korovami: Zheleznobetonnye poemy (Tango With Cows: Ferro-Concrete Poems), 1914