Exploding Tongues: Language, Art, and the Russian Avant-gardeMain MenuBack to Futurism: Russian Artist BooksIntroductory Page by Chris GilmanBookENDS: A Working Theory of Textuality as Cultural Dominant, 1912-An Introduction and Conclusion to a Semester's Investigation into the Book Arts as an Avant-garde PracticeBook Case StudiesCollaborative Research by Case StudiesBig Bang: Timeline of Russian Avant-Garde Book Arts and Their Cultural ImpactsA Timeline of Russian Avant-Garde Book Arts and Their Cultural ImpactsCoaRse CaLIBrationARTS 227 "Introduction to Letterpress Printing" (Pedersen) and CSLC134/RUSN334 "Exploding Tongues" (Gilman)NthOlogyA limited edition collaborative book arts project by students of ARTS 227 (Pedersen) and CSLC 134/RUSN 334 (Gilman), Spring, '17MANIFESTERS (AB & Kelly): A portfolio of process and productsAppendix: A Path Through Russian Avant-Garde BooksChristopher Gilman1985b99a2acd541caa12a10c3ebf6896565283abDexter Blackwell92e005ca94195f836c6089cf147faff4c74fa79eZoe Foster-La Duc1c8954189fb3ee4ab6e36bfb90fae86777eab97Stephen Heim7069d17c035042745c96bc6c7619096cd7b33da4Kelly Kirklande1805e502570d093d70f00df18f145c99290d0a3Ian Lehineb028c384a69e4b92166e7791b002fa3f2cee5818Timothy Lewis13880d3d99b4b71ce85be63e69a6d44e38853d68Jmedina29ac3fc10003fb639ac412984b59b01a5b826e161Taylor Robinsonaa08dd3939f1f1c6162c5518ae531385e51659afEvan Sarafian042e10782d9a6d3f0001a4b35abb02f58ad84684Craig Dietrich2d66800a3e5a1eaee3a9ca2f91f391c8a6893490ILiADS (Institute for Liberal Arts Digital Scholarship)
Kravtsov, Andrei. Nagoi sredi odetykh (Naked Among the Dressed), 1914
12017-04-29T08:19:35-07:00Christopher Gilman1985b99a2acd541caa12a10c3ebf6896565283ab120411PDF from Getty Digital Collectionsplain2017-04-29T08:19:36-07:002/26/1914Description based on print version record. Ill. attributed to Kamenskiĭ by Markov, to Kravt︠s︡ov by Compton (1978). Printed on paste side of leaves of colored wallpaper. Upper right corner of each leaf cut at 45-degree angle, producing 5-sided leaves with 3 short sides and 2 long. Title, place and publisher from Knizhnai︠a︡ letopisʹ. Date from Compton 1978 (Knizhnai︠a︡ letopisʹ has 1913). From an ed. of 300 (Knizhnai︠a︡ letopisʹ). Library's copy has 14 leaves, as does the copy reproduced in Compton 1977, rather than 18 as specified in Knizhnai︠a︡ letopisʹ and in Tarasenkov. Library's copy lacks first two leaves of copy in Compton 1977 (front cover with port. of Kravt︠s︡ov on verso, 1st leaf of text headed "Stikhi Kravt︠s︡ova"). It includes two leaves there absent, with Vasiliĭ Kamenskiĭ's ferroconcrete poems "Konstantinopolʹ" and "T︠S︡irk Nikitina". These poems are discussed by Janecek as part of Kamenskiĭ's Tango s korovami, another work on 5-sided sheets of wallpaper published in 1914. Both these leaves are printed on red-ground wallpaper like the others of the present copy, rather than on the ochre-ground wallpaper of Tango s korovami. The two versions of the two poems are typographically identical, except that "kamenskīĭ / vasilīĭ" appears at the upper left of "Konstantinopolʹ" in the present work.Christopher Gilman1985b99a2acd541caa12a10c3ebf6896565283ab
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1media/tango_w_cows.jpg2017-04-29T09:25:54-07:00Christopher Gilman1985b99a2acd541caa12a10c3ebf6896565283abAppendix: A Path Through Russian Avant-Garde BooksChristopher Gilman10gallery3911942017-05-03T06:29:00-07:00Christopher Gilman1985b99a2acd541caa12a10c3ebf6896565283ab