Art in an Early Global World at WAM: A WAM/College of the Holy Cross Collaboration

Sources

Junyi Wu, College of the Holy Cross, Class of 2026
Bosselmann-Ruickbie, Antje. “Jewelry and Enamels.” In The Oxford Handbook of Byzantine Art and Architecture, edited by Ellen C. Schwartz, 575-592. New York: Oxford University Press, 2021. https://doi.org/10.1093/oxfordhb/9780190277352.013.42.

Byzantine Necklace. 500s-600s CE. Sapphire and emerald beads set with gold and small pearls. Mrs. Kingsmill Marrs Collection. 1925.522. Source: Steve Briggs.

Doxiadis, Euphrosyne. “Graeco-Roman Egypt.” In The Mysterious Fayum Portraits: Faces from Ancient Egypt, 34-46. London: Thames and Hudson Ltd., 1995.

Drauschke, Jörg. “Byzantine Jewellery? Amethyst Beads in East and West during the East Byzantine Period.” In The ‘Intelligible Beauty’: Recent Research on Byzantine Jewellery, edited by Chris Entwistle and Noël Adams, 50-60. London: The British Museum, 2010.

Fragment of a Floor Mosaic with a Personification of Ktisis, 500-550. Marble and Glass. Metropolitan Museum of Art, New York. https://www.metmuseum.org/art/collection/search/469960.

Garzoni, Tommaso. Goldschmiede, 1641. Copper Engraving Print on Paper. Deutsche Fotothek. https://commons.wikimedia.org/wiki/File:Fotothek_df_tg_0007208_Ständebuch_%5E_
Beruf_%5E_Handwerk_%5E_Goldschmied.jpg.

Gold Strap Necklace with Beechnut Pendants, 300 BCE. Gold. Metropolitan Museum of Art, New York. https://www.metmuseum.org/art/collection/search/253535.

Isidora Master (attributed to). Mummy Portrait of a Woman. 100 CE. Encauctstic on linden wood, gilt, and linen. Getty Museum Collection, Los Angeles. https://www.getty.edu/art/collection/object/103QSW.

Justinian I (detail of a 6th-century mosaic). c. 500s CE. Mosaic.Church of San Vitale, Ravenna, Italy. In Joan Mervyn Hussey "Justinian I," Encyclopedia Britannica Online. Last updated April 26, 2024. https://www.britannica.com/biography/Justinian-I#/media/1/308858/109837.

Justinian I. "Title 11: No One Shall be Permitted to Adorn the Bridles or Saddles of Their Horses or Their Own Belts with Pearls, Emeralds, or Hyacinths, and Concerning the Ratifiers of the Palace." In Book 11 The Enactment of Justinian. Translated by Samuel P. Scott. Cincinnati, 1932. https://droitromain.univ-grenoble-alpes.fr/Anglica/CJ11_Scott.gr.html#11.

Kaldellis, Anthony. “Chalcedonian Repression and the Eastern Axis (518-531).” in The New Roman Empire: A History of Byzantium, 253-268. New York: Oxford Academic, 2023. https://doi.org/10.1093/oso/9780197549322.003.0012

Metcalf, D. M. Byzantine Cyprus: 491-1191. Nicosia: The Cyprus Research Center, 2009.

Mosaic of a Vine Scroll Border with Peacocks. 526–540 CE. Computer reconstruction of the floor mosaic featuring interior floral design. Excavation of Antioch and Vicinity funded by the bequests of the Reverend Dr. Austin S. Garver and Sarah C. Garver. 1936.23.

Nikita, Efthymia., Mutri, Giuseppina., Roux, Petrus L., and Pilides, Despina. “Human Mobility in Byzantine Cyprus: A Case Study from the Hill of Agios Georgios, Nicosia.” Quaternary International 653-654 (2023): 103-113. https://doi.org/10.1016/j.quaint.2021.12.015.

Ogden, Jack. Ancient Jewellery: Interpreting the Past. Berkeley: University of California Press, 1992.

Stokstad, Marilyn. & Cothren Michael W. "Byzantine Art." in Art History, 237-267. Upper Saddle River: Pearson, 2018.

Thomas, Thelma K., “‘Ornaments of Excellence’ from ‘the Miserable Gains of Commerce’: Luxury Art and Byzantine Culture,” In Byzantine and Islam: Age of Transition 7th-9th Century, edited by Helen C. Evans and Brandie Ratiff, 124-133. New York: The Metropolitan Museum of Art, 2012.

Thompson, David L. "Portrait of a Lady​​." In The Mummy Portraits in the J. Paul Getty Museum, 32. Malibu: The J. Paul Getty Museum, 1982.

Walker, Alicia. "Adornment." In Byzantine Women and Their World, edited by Ioli Kalavrezou, 233-273. New Haven: Yale University Press, 2003. https://doi.org/10.37862/aaeportal.00029.017.

"WAM Medieval Object Information." Unpublished compilation, Worcester Art Museum, 2024. 

 

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