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Critical InterfacesMain MenuIntroductionCritical MakingOrigins of VectorsVectors as interfaceDigital and social engagementCase Studies: Stolen Time Archive and Totality for KidsScalarCritical CommonsCritical Commons + ScalarConclusionWorks citedSteve Anderson3e015d75989f7e2d586f4e456beb811c3220a805
12015-08-16T15:12:09-07:00Steve Anderson3e015d75989f7e2d586f4e456beb811c3220a805Interfaces in Hollywood4plain2015-08-16T15:16:04-07:00Steve Anderson3e015d75989f7e2d586f4e456beb811c3220a805
12015-08-16T15:33:18-07:00Steve Anderson3e015d75989f7e2d586f4e456beb811c3220a805Vectors as interface1plain2015-08-16T15:33:18-07:00Steve Anderson3e015d75989f7e2d586f4e456beb811c3220a805
12015-08-16T15:36:10-07:00Steve Anderson3e015d75989f7e2d586f4e456beb811c3220a805Critical making and social engagement3plain2015-08-16T15:40:50-07:00Steve Anderson3e015d75989f7e2d586f4e456beb811c3220a805