12019-09-26T13:21:54-07:00Christine Andersonc77a53254a311e84e59d25f85fa3d7df41e0d37f169103plain2019-09-26T13:41:06-07:00Christine Andersonc77a53254a311e84e59d25f85fa3d7df41e0d37fAprina Johnson is a musical communal activist who desires to educate people and motivate them to make social and economic change. Because she is a woman of faith, she is a crossover artist who is not necessarily a gospel artist, but neither is she secular. She chose to cover Margaret Janet Brace's song, because it allowed her to express her faith in a creative way. Learning about the hundreds of women who recorded at King Records, has inspired and excited her to share the energy of King women's music with young women in the Cincinnati community today. This Cincinnati music history can awaken us to the range of genres and sounds that are included in popular music.
The days of women in the background are over. This is similar to Wonky Tonk's perspective that women "don't believe they are secondary anymore."
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1media/ymmmom partial logo.png2019-09-26T12:02:03-07:00Christine Andersonc77a53254a311e84e59d25f85fa3d7df41e0d37fContemporary Women ArtistsChristine Anderson4Cincinnati Musicians on King Recordsimage_header2019-09-26T13:00:30-07:00Christine Andersonc77a53254a311e84e59d25f85fa3d7df41e0d37f
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12019-09-26T13:37:14-07:00Janet Brace - "Satan is waitin"1Old 78rpm record by Janet Brace with images added using Vegas Pro 8. The devil sequence is from "the Mascot" by Ladislas Starewicz.plain2019-09-26T13:37:15-07:00
12019-09-26T13:33:26-07:00Women at King: Aprina Johnson1Aprina Johnson performs "Satin is Waitin" and discusses crossover music, her familial connections to King, and the women who recorded at King Records in ...plain2019-09-26T13:33:26-07:00