People, Place, and Power in Eighteenth-Century GhentMain MenuPeople, Place, and Power in Eighteenth-Century GhentWhat Festival Books Can Tell UsThe Festival Book: Narrative, Image, and RemembranceTimelineScroll-Over Locales in the Festival BookEarly 18th-Century map with locales mentioned in the Festival BookPersonnages and Pathways 1Personnages and Pathways 2Sounds and Sights in GhentMemorializationFurther ReadingContributorsRutgers University, Department of Italian
Frontispiece and Title-page M.T. de Hongrie
12019-04-14T19:08:11-07:00Maria Teresa De Luca183068fc9e122e312b7c443a54b76ceed8f54396319612Gand 1744plain2019-04-14T19:08:41-07:00Maria Teresa De Luca183068fc9e122e312b7c443a54b76ceed8f54396
This page is referenced by:
12019-04-26T20:48:52-07:00More Festival books from Ghent22plain2019-05-13T13:35:58-07:00Expenses for inauguration ceremonies and ceremonial entrances were usually supported by civic institutions, as was the case for the ceremonies organized for Charles VI in Ghent.
Prior to Charles VI’s entry into their towns, Ghent and other cities of the United Provinces negotiated their requests with the central authority (Van Gelder 2011). Ghent’s long-standing capacity to organize magnificent ceremonies testifies to its power and importance in such negotiation.
1582. Ghent had already hosted a grand ceremonial royal entry for Francis, Duke of Anjou in 1582, when a similar event was also organized by the city of Bruges. Despite the effort put into organizing such displays, the Catholic sovereign was never able to gain the favour of the United Provinces. He even opted to use force in order to take control of other cities of the region such as Antwerp where his proclaimed ‘joyous entry’ into the Flemish city was in fact a deceitful – yet ineffective – strategy to surprise the city with a military attack.
1744. Opposition to the succession of Charles VI by Maria Theresa, his second-born daughter, Archduchess of Austria, Queen of Hungary and Bohemia, as well as the ruler of the Habsburg Monarchy, led to the War of the Austrian Succession. Her questionably "victorious" entry into Ghent in 1744 was celebrated with the printing of a festival book whose layout and format are surprisingly similar to those of the festival book made some 30 years earlier for her father, even though the printers are different.