Post 1: Crouching Tiger, Hidden Dragon: Expanding the Scene (Literally)
I found the fighting of the scene itself to be absolutely fantastic, and, despite the confines of the battleground, I very much agree with Christina Klein’s positive review of Ang Lee in her writing “Crouching tiger, hidden dragon: A diasporic reading” as she cites his usage of space as one of his notable strengths in his directing of fighting scenes (pg. 28, “Cinema Journal” 43, No. 4). As Klein noted, the constraining of Jen’s movements while utilizing all of the horizontal and vertical space the scene had to offer brings a uniqueness to the scene and allow Jen to redefine the space to make it appear so much more abundant that it truly was. Lee’s usage of every staircase, furniture item, rafter, and table in the restaurant made the movements seem extremely fluid while his usage of different cuts and shots throughout Jen’s monologue and fighting allowed for the blows and cuts with the sword to seem all the more powerful. Ang Lee’s directing of this scene coupled with the importance of this scene as defining Jen as a true, combat-loving warrior help change my view of the noble daughter, and ultimately, it enhanced my love for Crouch Tiger, Hidden Dragon and made subsequent scenes involving Jen that much more amazing.
This page has paths:
- Midterm Media Project John Nimmers-Minor
- John Nimmers-Minor: ASPA Final Portfolio John Nimmers-Minor