Modern Architectures of North AmericaMain MenuHelp! Help! Help!SuburbiaArchitecture Relating to the Natural EnvironmentPatients, Prisoners, PoliticsIdentity: What Lies Beneath Style and FormChange and AdaptationErica Morawski - The Hotel Nacional de Cuba: Making Meanings and Negotiating NationalismsAmanda - Organic Architecture/F.L. WrightSteph - Moorish Revival ArchitectureBrittney - Sustainable Urban DesignsThe Shift: Art Deco & Modernismby Bayleigh BoganTransition to Streamline ModerneSydney - The Coppelia Ice Cream Shop in Havana, Cuba: A Cultural Moment ManifestedKatie - LevittownGenevieve - The Multifaceted Development of Creole ArchitectureThe Former Church of the Holy Communion: A Specific Example of Change and Adaptation of a Single Building Over TimeRe-Purposing a Religious BuildingZarah Ferrari: Tule Lake Segregation Center: Rising Above an Unjust SystemZarah FerrariLaura - The Suburban Kitchen in Levittown, PABy Laura Krok-HortonMarianna Mapes, Disease and the Body Politic: The National Leprosarium at Carville, LouisianaLiz - Eichler, Neutra, and the mid-century Californian SuburbV. Nash- Berkeley City Women's Club (1929), Berkeley, CA, Julia MorganJulia Morgan was a West Coast architect.Metropolitan Museum of Art: A Transition to ModernismBrendan - Academy of Music
Escape from reality to a tropical luxury.
12016-03-03T13:00:21-08:00Erica Morawskia7252cccd731863566ea2a97321995d06b6810e381806plain2016-03-25T11:13:15-07:00Erica Morawskia7252cccd731863566ea2a97321995d06b6810e3The design of the hotel and grounds reinforced the tourist's idea of a stay at the Hotel Nacional as an exotic escape. Guests approached the hotel from a grand driveway flanked with royal palms that ran off of Calle O. Unlike other urban hotels that had entryways that opened onto city streets, the Hotel Nacional was fashioned more after the idea of a country club or rural resort where the guest's removal from everyday life was symbolically represented in the physical retreat into the hotel. Through the movement down the drive to the front door, the line of palms rhythmically flashing past, the guest left the city and everything behind.
Contents of this annotation:
12016-03-03T12:55:27-08:00Erica Morawskia7252cccd731863566ea2a97321995d06b6810e3Brochure for the Hotel Nacional, ca. 19301Collection of the New-York Historical Societymedia/NacionalBrochInside.jpgplain2016-03-03T12:55:27-08:00Erica Morawskia7252cccd731863566ea2a97321995d06b6810e3