Modern Architectures of North AmericaMain MenuHelp! Help! Help!SuburbiaArchitecture Relating to the Natural EnvironmentPatients, Prisoners, PoliticsIdentity: What Lies Beneath Style and FormChange and AdaptationErica Morawski - The Hotel Nacional de Cuba: Making Meanings and Negotiating NationalismsAmanda - Organic Architecture/F.L. WrightSteph - Moorish Revival ArchitectureBrittney - Sustainable Urban DesignsThe Shift: Art Deco & Modernismby Bayleigh BoganTransition to Streamline ModerneSydney - The Coppelia Ice Cream Shop in Havana, Cuba: A Cultural Moment ManifestedKatie - LevittownGenevieve - The Multifaceted Development of Creole ArchitectureThe Former Church of the Holy Communion: A Specific Example of Change and Adaptation of a Single Building Over TimeRe-Purposing a Religious BuildingZarah Ferrari: Tule Lake Segregation Center: Rising Above an Unjust SystemZarah FerrariLaura - The Suburban Kitchen in Levittown, PABy Laura Krok-HortonMarianna Mapes, Disease and the Body Politic: The National Leprosarium at Carville, LouisianaLiz - Eichler, Neutra, and the mid-century Californian SuburbV. Nash- Berkeley City Women's Club (1929), Berkeley, CA, Julia MorganJulia Morgan was a West Coast architect.Metropolitan Museum of Art: A Transition to ModernismBrendan - Academy of Music
Colonial charm meets modern amenities
12016-03-03T13:02:36-08:00Erica Morawskia7252cccd731863566ea2a97321995d06b6810e381805plain2016-03-25T11:17:05-07:00Erica Morawskia7252cccd731863566ea2a97321995d06b6810e3From the opulent interiors decorated in a traditional Cuban style to the American-style guestroom bathrooms, the Hotel Nacional invited U.S. visitors to experience the best of both worlds, or better yet, it suggested the new modern Cuba as grounded in Americanization while still retaining its unique character. the public interior spaces were decorated in a more decidedly Spanish colonial theme that was injected with references to the Cuban republic. For example, the small decorative cement tiles that were designed to create a type of basket pattern were Spanish colonial in overall aesthetic appearance, but the specific images contained in these tiles referenced Cuba in particular. One tile that was used had a five-pointed star in the center, iconography often used in depictions related to the Republic of Cuba as the star held a prominent position in the Cuban flag. Another image was a small fortress or castle, similar to the three castles depicted on the coat of arms of Havana, and references colonial fortresses that were considered iconic of the island. The interiors reflected general Cuban furnishing tendencies, which were still strongly reminiscent of colonial decorating approaches. These tendencies favored caned wood furniture and wicker furniture, because of their ventilation characteristics and associations with being sanitary; mahogany furniture, a hardwood associated with Cuba; and potted plants, incorporated in abundance, especially in patios and spaces open to the outdoors. In general, wicker was widely incorporated throughout the hotel, the majority of which was provided by the Cuban company Casa Mimbre.
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12016-03-03T12:55:27-08:00Erica Morawskia7252cccd731863566ea2a97321995d06b6810e3Brochure for the Hotel Nacional, ca. 19301Collection of the New-York Historical Societymedia/NacionalBrochInside.jpgplain2016-03-03T12:55:27-08:00Erica Morawskia7252cccd731863566ea2a97321995d06b6810e3