Modern Architectures of North America Main Menu Help! Help! Help! Suburbia Architecture Relating to the Natural Environment Patients, Prisoners, Politics Identity: What Lies Beneath Style and Form Change and Adaptation Erica Morawski - The Hotel Nacional de Cuba: Making Meanings and Negotiating Nationalisms Amanda - Organic Architecture/F.L. Wright Steph - Moorish Revival Architecture Brittney - Sustainable Urban Designs The Shift: Art Deco & Modernism by Bayleigh Bogan Transition to Streamline Moderne Sydney - The Coppelia Ice Cream Shop in Havana, Cuba: A Cultural Moment Manifested Katie - Levittown Genevieve - The Multifaceted Development of Creole Architecture The Former Church of the Holy Communion: A Specific Example of Change and Adaptation of a Single Building Over Time Re-Purposing a Religious Building Zarah Ferrari: Tule Lake Segregation Center: Rising Above an Unjust System Zarah Ferrari Laura - The Suburban Kitchen in Levittown, PA By Laura Krok-Horton Marianna Mapes, Disease and the Body Politic: The National Leprosarium at Carville, Louisiana Liz - Eichler, Neutra, and the mid-century Californian Suburb V. Nash- Berkeley City Women's Club (1929), Berkeley, CA, Julia Morgan Julia Morgan was a West Coast architect. Metropolitan Museum of Art: A Transition to Modernism Brendan - Academy of Music

Seating

8180
The original chairs used in Coppelia were reproductions of a famous design by Harry Bertoia. Italian-born Bertoia became an American citizen in 1946 and moved to Pennsylvania that same year to work for the Knoll furniture company. In 1952, he released the Bertoia Collection with Knoll that included the iconic Diamond chair ("Harry Bertoia"). Coppelia chairs were replications of another design from this collection. This incorporation of iconic American design from an American company demonstrates Cuba's inability to escape American influence entirely.

Contents of this annotation:

  1. Interior view Coppelia