Hoy Marchamos Mañana Votamos (Today We March, Tomorrow We Vote), 2006
1 2020-09-30T15:38:54-07:00 Curtis Fletcher 3225f3b99ebb95ebd811595627293f68f680673e 31011 1 Los Angeles is home to millions of migrants and immigrants, many of whom are undocumented. A photograph of the March 25, 2006 demonstration for immigrant rights—the largest demonstration in California history with more than one million participants—promoted the May 1, 2006 immigrant rights march, attended by approximately 500,000. It opposed HR 4437, The Border Protection, Anti-terrorism, and Illegal Immigration Control Act of 2005 (passed in the House, defeated in the Senate). 2020-09-30T15:38:54-07:00 6/28/05 Center for the Study of Political Graphics (CSPG) In Copyright Hoy Marchamos Mañana Votamos, Today We March Tomorrow We Vote, Mexican American Political Association (MAPA), Hermanidad Mexicana Latinoamericana, offset, 2006, Los Angeles, CA, Collection of the Center for the Study of Political Graphics Los Angeles, Calif. Mexican American Political Association (MAPA); Hermanidad Mexicana Latinoamericana Curtis Fletcher 3225f3b99ebb95ebd811595627293f68f680673eThis page has tags:
- 1 2020-08-24T18:12:11-07:00 Suzanne Noruschat d5b4fb9efb1f1d6e4833d051ebc06907bb9dba64 Migration to Los Angeles in Pursuit of Health and Happiness Suzanne Noruschat 18 structured_gallery 2020-10-08T05:21:35-07:00 Suzanne Noruschat d5b4fb9efb1f1d6e4833d051ebc06907bb9dba64
- 1 term 2020-10-05T17:20:14-07:00 Suzanne Noruschat d5b4fb9efb1f1d6e4833d051ebc06907bb9dba64 Center for the Study of Political Graphics Likhita Suresh 4 The Center for the Study of Political Graphics is an educational and research archive that collects, preserves, documents, and exhibits domestic and international poster art. The Center’s domestic and international collection of more than 90,000 political posters dates from the early 20th century to the present, and includes the largest collection of post World War II political posters in the United States. The posters are produced in a variety of artistic mediums— offset, silk screen, lithography, woodblock, linocut, stencil, photocopy, and computer-generated prints. The collection is focused on international, domestic, and Los Angeles-specific human rights issues, with an emphasis on progressive movements in the United States, Latin America, Europe, the Middle East, Asia, Africa, and Australia. Poster topics include the women’s movement, racism, peace, apartheid, labor, liberation theology, AIDS, gay and lesbian rights, immigrants’ rights, children’s rights, and ecology. Between one and two thousand posters are acquired annually, primarily through donation. Approximately half of these are given by collectors in Los Angeles and reflect the diverse political interests of the donors. This has yielded a collection that, in part, documents important but often underrepresented aspects of local history and life in the Los Angeles area. The collection contains approximately three thousand human rights and protest posters produced in Los Angeles from 1965 to the present. The earliest of these came out of the Watts Uprising of 1965, while the more recent posters not only reflect prevailing concerns but commemorate older events, such as the U.S. government’s internment of Japanese Americans during World War II. Altogether, the posters illustrate the commitment of many Los Angeles-based artists, organizations, and individuals to a variety of social and political issues over the last five decades. http://www.politicalgraphics.org/ structured_gallery 2020-10-09T11:57:26-07:00 Likhita Suresh fa36a2f3506609c5e2c064df653783c84fd35c54