Message, Method, Medium: Theories of Interpretation

Unit I: Message

Unit 1 Schedule

During the semester, additional events and activities will be incorporated into the schedule. Some will be required and others optional. Keep checking this site and the course Announcements. 

Week One

Tuesday, August 21

  • In-Class Reading, Discussion, Activities

Thursday, August 23

Week Two

Tuesday, August 28

Thursday, August 30

Week Three

Tuesday, September 4

Notes for prioritizing the reading (I expect you to read it all, but here's some help focusing your time).
 
Kaur, Valarie. Divided We Fall: America in the Aftermath Director. Sharat Raju.(2008)Omori, Emiko. Rabbit in the Moon (1999)
[You need your HU Library account to log into Kanopy]

In addition to how they fit into the information in Stevens, how do the primary texts today fit into imagined categories (i.e., stereotypes, archetypes, tropes, etc.,). This discussion helps set up our later discussion of Structuralism and Narratology.

  • Excerpts from eighteenth-century dictionaries

Optional:

Vonnegut, Kurt. "The Shape of Stories." YouTube. Accessed 1 September 2018 

Thursday, September 6

Mini Essay 1 of 5 

Due Saturday, September 6

Prompt: Free Write on Course Material so far. Submit your Mini-Essay here.
  • This should be approximately 500-1000 words.

Week Four

Tuesday, September 11

Optional:

BBC Film Version (1983) [Kanopy]Royal Shakespeare Version (2003), starring Patrick Stewart [Kanopy]
Kurosawa's re-imagining of the play in feudal Japan, Throne of Blood (1957) [Kanopy]BBC modernization of the play starring James McAvoy. "Macbeth" Shakespeare Retold. BBC. [YouTube]

Thursday, September 13

Mini Essay 2 of 5 

Due Saturday, September 15: Submit Your Essay Here

Prompt

Select a text or texts we have read so far in the class to run through Voyant . Write a 500-1000 word analysis of what you observe.

Instructions

  1. Select your text(s)
  2. Upload it/them to Voyant
    • If you are looking at more than one text, you may want to view them separately before combining them
  3. Experiment with the program. Look at different views and options.
  4. Write 500-1000 words analyzing what you noticed
    • For example, did anything surprise you or meet your expectations?
    • Were there visualizations that made sense or didn't
  5. Important: Most of all, try to tie your analysis to one or more of the concepts we have covered so far
    • At this point in the semester, this would mainly be Stevens, but the Digitial Humanities readings could also be useful for this
  6. Also Important: In your mini-paper, include a link to your visualization as well as an image.
Stuck? Here are some possible ways to approach this:
  • Compare a combination of Hurston, Baldwin, Hughes, and/or DuBois using Voyant. What similarities or differences stand out to you? What is your analysis (aka argument, hypothesis, thesis) about this?
    • The posts from CultureFront may be useful for such an approach
  • Compare different versions of Cinderella
  • Examine a text referenced in Stevens, such as Longinus. What do you notice about its diction, etc?
  • Run all of Macbeth through Voyant. See if you can tie your analysis to what you plan to look at in Essay 1
  • Run some or all of the character Lady Macbeth's soliloquies through Voyant. Do you notice any changes or patterns?
  • Compare a speech by Macbeth with one by Lady Macbeth
  • Focus on just one passage from Macbeth.
  • Compare Macbeth to trends in all of Shakespeare plays or just 1-2 others

Later on Thursday night, I will make and post screencasts walking you through some options on Voyant. If you have a text that you want to analyze but are having trouble making it go through Voyant, email me but if time is running short, keep moving forward: you can always analyze what you think went amiss.

If you cannot see your comments on Mini-Paper 1, let me know by Tuesday. Everyone who turned in a Mini-Paper last week did fine. This assignment is also ungraded and meant to prepare for Essay 1. I am going to fiddle with DropBox to see if I can make sure the comment shows up for you (it is just one comment this time, but there will be more for Essay 1).

More details will be posted on Essay 1, but basically, you are going to analyze a text from the class, using a concept, theory and/or framework we have covered so far. Part of these first three written assignments involves you sorting through your own inclinations before we address 20th and 21st-century theories.

Stay safe this weekend

PS: Here are some rough guides to Voyant. These are screencasts without sound and pretty quickly edited.

Week Five

Tuesday, September 18

Thursday, September 20

Essay 1 of 3

Due Saturday, September 22: Submit Your Essay Here

Prompts: Choose one of the readings from the course. Create an analytical essay about it that focuses on one or two of the theoretical/critical questions raised in the course so far.

You can build off of your Mini-Essays, but make sure that you have a clear thesis connecting all the points in your paper. On Thursday, we will discuss a rubric in class. It will be useful for you if you have a draft to discuss on Thursday.

Regardless of what you choose to write about, make sure to:
  •  reference at least one concept from Stevens. 
  • reach around 1500-2000 words
  • include a Works Cited section in MLA or another widely recognized citation format. (These do not count toward the word count)
    • this would include Stevens, other readings cited, outside sources (optional, but if you do look elsewhere, cite it) and if needed, your Voyant visulations. All of the prompts can use Voyant.

Possible Options (you can create your own, too):
1)Choose 2-3 "literary" texts and form an argument over a significant difference or similarity. Make sure to tie it to a concept in Stevens.
2) Choose 1 text from any of the readings, and analyze it using a concept in Stevens we have covered so far. 
3) Look into adaptations or retellings of a narrative (the fairytales or Macbeth works well here). Form an argument about key similarities or divergences you notice and why it is significant.
4) Create an argument-driven close reading of 1 or more soliloquies in Macbeth. 

Here is a general rubric
 
  1. Notes!

This page has paths:

  1. Schedule Emily MN Kugler

Contents of this path:

  1. Additional Unit 1 Texts