To the Past
This novel uses actual photographs that the author has collected over time to tell its story and relies on very human characters through out. Unlike the other three texts, this text gives a reason for the monsters (in this case the wights and hollows) and encourages the readers to root for the peculiars, who are very much like characters from old freak shows or carnivals. These images make the story seem more realistic to the reader, providing visual "proof" of the peculiars and their freak show-like abilities.
The peculiar's abilities are very much a part of their being, and in many other cases this would make them monstrous. Their monstrosity is inescapable "since it is inscribed in the texture of...living" (Lestel 260) for them and the society that they live in (the loops outside of what is non-peculiar society) normalizes their monstrosity. The wights and hollows, on the other hand, also have their monstrosity embedded in them. They are the result of a failed experiment, remains of the humans that they once were and it is only when they become more monstrous by consuming peculiars (of which they were) are they able to appear more human (with the expectation of their eyes) (Riggs 257). The monstrosity of these creatures both from within themselves (being peculiar) but also from some external force (the science behind the experiment and the failure that led to the explosion that left them in their condition). Even Jacob's abilities is a part of him, allowing him to physically see things other cannot and to help peculiars fight off hollows. This novel complicates what it means to be a monster, making monstrosity part of the gentic makeup of both the heroes and the villains.