Revolutionizing Weimar Germany's Public SphereMain MenuPath 1: Have a look! Flip through a few pages of "Germany, Germany above All"Path 2: Discover the Functional Montage on your own!Using "Schöne Zeiten"Path 3: Step-by-Step Guide - How does the Functional Montage work?How does the Functional Montage work?Path 4: Film Montage, Industrial Montage, Photomontage and the Functional Montage(Extending the Photomontage "Das Parlament")Path 5: Develop your own Dynamic View!GG's last part is on "Heimat/Homeland" - How does the Functional Montage work for you?Path 6: Comparisons of several Functional Montages"Vorrede", "Schöne Zeiten", "Nie Allein" and "Heimat"Path 7: Comparisons to Tucholsky's Photo Reportages in MagazinesAIZ and Freie WeltPath 8: Discover all Photographs related to the Working ClassVerena Kick 1d32e4579dc15a1815e8d60cddf98a623f5bf4a3
Who is John Heartfield?
12018-07-28T23:28:27-07:00Verena Kick 1d32e4579dc15a1815e8d60cddf98a623f5bf4a3260933plain2018-07-28T23:32:35-07:00Verena Kick 1d32e4579dc15a1815e8d60cddf98a623f5bf4a3John Heartfield was a successful producer of stage sets and illustrator of book jackets, and a contributor to Die Rote Fahne and the AIZ. Particularly the latter featured many of his photomontages that he is not only best known for today, but also grant Heartfield the status of the inventor of the political photomontage. needs revision and extension