Revolutionizing Weimar Germany's Public Sphere: The Invasion of the WorkerMain MenuPath 1: Have a look! Flip through a few pages of "Germany, Germany above All"Path 2: Discover the Functional Montage on your own!Using "Schöne Zeiten"Path 3: Step-by-Step Guide - How does the Functional Montage work?How does the Functional Montage work?Path 4: Film Montage, Industrial Montage, Photomontage and the Functional Montage(Extending the Photomontage "Das Parlament")Path 5: Develop your own Dynamic View!GG's last part is on "Heimat/Homeland" - How does the Functional Montage work for you?Path 6: Comparisons of several Functional Montages"Vorrede", "Schöne Zeiten", "Nie Allein" and "Heimat"Path 7: Comparisons to Tucholsky's Photo Reportages in MagazinesAIZ and Freie WeltPath 8: Discover all Photographs related to the Working ClassVerena Kick 1d32e4579dc15a1815e8d60cddf98a623f5bf4a3
Can the reader identify?
12018-07-28T02:07:19-07:00Verena Kick 1d32e4579dc15a1815e8d60cddf98a623f5bf4a3260932plain2018-07-28T04:03:30-07:00Verena Kick 1d32e4579dc15a1815e8d60cddf98a623f5bf4a3While some of their faces are clearly discernible, their individual identities do not matter. In fact, more camera lenses are visible to the reader than faces, hindering the reader to identify with any of those photographers.
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12018-07-26T00:38:26-07:00Verena Kick 1d32e4579dc15a1815e8d60cddf98a623f5bf4a3Germany, Germany Above All "Foreword" Photo 21Tucholsky / Heartfield: "Germany, Germany Above All" (1929) - "Foreword" Photo 2plain2018-07-26T00:38:26-07:00Critical Commons1929ImageDeutschland, Deutschland über AllesKurt Tucholsky and John Heartfield2018-07-25T22:25:36ZVerena Kick 1d32e4579dc15a1815e8d60cddf98a623f5bf4a3