Revolutionizing Weimar Germany's Public Sphere: The Invasion of the WorkerMain MenuPath 1: Have a look! Flip through a few pages of "Germany, Germany above All"Path 2: Discover the Functional Montage on your own!Using "Schöne Zeiten"Path 3: Step-by-Step Guide - How does the Functional Montage work?How does the Functional Montage work?Path 4: Film Montage, Industrial Montage, Photomontage and the Functional Montage(Extending the Photomontage "Das Parlament")Path 5: Develop your own Dynamic View!GG's last part is on "Heimat/Homeland" - How does the Functional Montage work for you?Path 6: Comparisons of several Functional Montages"Vorrede", "Schöne Zeiten", "Nie Allein" and "Heimat"Path 7: Comparisons to Tucholsky's Photo Reportages in MagazinesAIZ and Freie WeltPath 8: Discover all Photographs related to the Working ClassVerena Kick 1d32e4579dc15a1815e8d60cddf98a623f5bf4a3
What are the photographing? The text? The photo? Both?
12018-07-28T21:13:05-07:00Verena Kick 1d32e4579dc15a1815e8d60cddf98a623f5bf4a3260932plain2018-07-28T21:13:12-07:00Verena Kick 1d32e4579dc15a1815e8d60cddf98a623f5bf4a3With the photographers’ lenses pointed left, it appears that, on the opposite page, they are photographing the men and women of the first group photo. Since it is not just a random photo of workers shown here, but a mass of press photographers, the image to the left is put in a different context, questioning whether this is a private group shot, intended for a photo album, or a group of famous public figures photographed at a time of leisure.
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12018-07-26T00:38:23-07:00Verena Kick 1d32e4579dc15a1815e8d60cddf98a623f5bf4a3Germany, Germany Above All (Tucholsky, Heartfield) Foreword Photo 1 and 21Part of double page that includes photo 1 and 2 of the "Foreword"plain2018-07-26T00:38:23-07:00Critical Commons1929ImageDeutschland, Deutschland über AllesKurt Tucholsky and John Heartfield2018-07-25T22:46:50ZVerena Kick 1d32e4579dc15a1815e8d60cddf98a623f5bf4a3