Revolutionizing Weimar Germany's Public Sphere: The Invasion of the WorkerMain MenuPath 1: Have a look! Flip through a few pages of "Germany, Germany above All"Path 2: Discover the Functional Montage on your own!Using "Schöne Zeiten"Path 3: Step-by-Step Guide - How does the Functional Montage work?How does the Functional Montage work?Path 4: Film Montage, Industrial Montage, Photomontage and the Functional Montage(Extending the Photomontage "Das Parlament")Path 5: Develop your own Dynamic View!GG's last part is on "Heimat/Homeland" - How does the Functional Montage work for you?Path 6: Comparisons of several Functional Montages"Vorrede", "Schöne Zeiten", "Nie Allein" and "Heimat"Path 7: Comparisons to Tucholsky's Photo Reportages in MagazinesAIZ and Freie WeltPath 8: Discover all Photographs related to the Working ClassVerena Kick 1d32e4579dc15a1815e8d60cddf98a623f5bf4a3
Photographing both the Text through/in the Blank Space
12018-07-28T03:55:56-07:00Verena Kick 1d32e4579dc15a1815e8d60cddf98a623f5bf4a3260933plain2018-07-28T04:00:49-07:00Verena Kick 1d32e4579dc15a1815e8d60cddf98a623f5bf4a3Their lenses pointing to their right (to the readers' left) as if the text, the list of places was their task list to photograph for this or other books about Germany. Though these places are not shown here in the blank space between the text and the photo, they come both to the readers' mind and become part of their expectations for this book. Yet, !spoiler alert!, they will only encounter these images in the last section of the book, titled "Heimat."
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12018-07-26T00:38:23-07:00Verena Kick 1d32e4579dc15a1815e8d60cddf98a623f5bf4a3Germany, Germany Above All (Tucholsky, Heartfield) Foreword Photo 1 and 21Part of double page that includes photo 1 and 2 of the "Foreword"plain2018-07-26T00:38:23-07:00Critical Commons1929ImageDeutschland, Deutschland über AllesKurt Tucholsky and John Heartfield2018-07-25T22:46:50ZVerena Kick 1d32e4579dc15a1815e8d60cddf98a623f5bf4a3