Revolutionizing Weimar Germany's Public Sphere: The Invasion of the WorkerMain MenuPath 1: Have a look! Flip through a few pages of "Germany, Germany above All"Path 2: Discover the Functional Montage on your own!Using "Schöne Zeiten"Path 3: Step-by-Step Guide - How does the Functional Montage work?How does the Functional Montage work?Path 4: Film Montage, Industrial Montage, Photomontage and the Functional Montage(Extending the Photomontage "Das Parlament")Path 5: Develop your own Dynamic View!GG's last part is on "Heimat/Homeland" - How does the Functional Montage work for you?Path 6: Comparisons of several Functional Montages"Vorrede", "Schöne Zeiten", "Nie Allein" and "Heimat"Path 7: Comparisons to Tucholsky's Photo Reportages in MagazinesAIZ and Freie WeltPath 8: Discover all Photographs related to the Working ClassVerena Kick 1d32e4579dc15a1815e8d60cddf98a623f5bf4a3
12018-07-28T02:12:26-07:00Verena Kick 1d32e4579dc15a1815e8d60cddf98a623f5bf4a3260932plain2018-07-28T04:02:40-07:00Verena Kick 1d32e4579dc15a1815e8d60cddf98a623f5bf4a3The photographer staged the photograph and composed the subjects’ position symmetrically, the four men lying on their stomachs, facing the camera head-on, while both women are placed horizontally in front of them, appearing as if they were doing a somersault.
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12018-07-26T00:38:26-07:00Verena Kick 1d32e4579dc15a1815e8d60cddf98a623f5bf4a3Germany, Germany Above All "Foreword" Photo 11Tucholsky / Heartfield: "Germany, Germany Above All" (1929) - "Foreword" Photo 1plain2018-07-26T00:38:26-07:00Critical Commons1929ImageDeutschland, Deutschland über AllesKurt Tucholsky and John HeartfieldCopyright 1929 by Neuer Deutscher Verlag, Berlin2018-07-25T22:26:27ZVerena Kick 1d32e4579dc15a1815e8d60cddf98a623f5bf4a3