Revolutionizing Weimar Germany's Public SphereMain MenuPath 1: Have a look! Flip through a few pages of "Germany, Germany above All"Path 2: Discover the Functional Montage on your own!Using "Schöne Zeiten"Path 3: Step-by-Step Guide - How does the Functional Montage work?How does the Functional Montage work?Path 4: Film Montage, Industrial Montage, Photomontage and the Functional Montage(Extending the Photomontage "Das Parlament")Path 5: Develop your own Dynamic View!GG's last part is on "Heimat/Homeland" - How does the Functional Montage work for you?Path 6: Comparisons of several Functional Montages"Vorrede", "Schöne Zeiten", "Nie Allein" and "Heimat"Path 7: Comparisons to Tucholsky's Photo Reportages in MagazinesAIZ and Freie WeltPath 8: Discover all Photographs related to the Working ClassVerena Kick 1d32e4579dc15a1815e8d60cddf98a623f5bf4a3
Or are they photographing the club members?
12018-07-28T21:18:01-07:00Verena Kick 1d32e4579dc15a1815e8d60cddf98a623f5bf4a3260933plain2018-07-28T21:18:42-07:00Verena Kick 1d32e4579dc15a1815e8d60cddf98a623f5bf4a3Factoring in the third photo of this preface — the members of a club standing next to each other, the photo taken from an angle as if the photographers of the second photo had taken the picture — the sense that the first photo is one of the public for the public is reinforced.
Contents of this annotation:
12018-07-28T03:46:05-07:00Verena Kick 1d32e4579dc15a1815e8d60cddf98a623f5bf4a3Germany, Germany Above All "Foreword" Page 2 and 3 manip1Manipulated page layoutplain2018-07-28T03:46:08-07:00Critical Commons1929ImageDeutschland, Deutschland über AllesKurt Tucholsky and John Heartfield2018-07-28T03:45:27ZVerena Kick 1d32e4579dc15a1815e8d60cddf98a623f5bf4a3
