Revolutionizing Weimar Germany's Public SphereMain MenuPath 1: Have a look! Flip through a few pages of "Germany, Germany above All"Path 2: Discover the Functional Montage on your own!Using "Schöne Zeiten"Path 3: Step-by-Step Guide - How does the Functional Montage work?How does the Functional Montage work?Path 4: Film Montage, Industrial Montage, Photomontage and the Functional Montage(Extending the Photomontage "Das Parlament")Path 5: Develop your own Dynamic View!GG's last part is on "Heimat/Homeland" - How does the Functional Montage work for you?Path 6: Comparisons of several Functional Montages"Vorrede", "Schöne Zeiten", "Nie Allein" and "Heimat"Path 7: Comparisons to Tucholsky's Photo Reportages in MagazinesAIZ and Freie WeltPath 8: Discover all Photographs related to the Working ClassVerena Kick 1d32e4579dc15a1815e8d60cddf98a623f5bf4a3
Kurt Tucholsky, last time in Germany, 1931
12018-07-28T23:21:27-07:00Verena Kick 1d32e4579dc15a1815e8d60cddf98a623f5bf4a3260932This photo appears 1932 in the newspaper "Politiken" in Copenhagen.plain2018-07-28T23:21:55-07:00Verena Kick 1d32e4579dc15a1815e8d60cddf98a623f5bf4a3
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12018-07-28T23:22:33-07:00Who is Kurt Tucholsky?4plain2018-07-28T23:29:18-07:00By 1929, Kurt Tucholsky had been a successful political journalist, satirist and novelist for over a decade. He contributed to publications such as Ulk, Die Weltbühne, the Vossische Zeitung, or the Arbeiter-Illustrierte-Zeitung (AIZ). needs revision and extension
