Revolutionizing Weimar Germany's Public SphereMain MenuPath 1: Have a look! Flip through a few pages of "Germany, Germany above All"Path 2: Discover the Functional Montage on your own!Using "Schöne Zeiten"Path 3: Step-by-Step Guide - How does the Functional Montage work?How does the Functional Montage work?Path 4: Film Montage, Industrial Montage, Photomontage and the Functional Montage(Extending the Photomontage "Das Parlament")Path 5: Develop your own Dynamic View!GG's last part is on "Heimat/Homeland" - How does the Functional Montage work for you?Path 6: Comparisons of several Functional Montages"Vorrede", "Schöne Zeiten", "Nie Allein" and "Heimat"Path 7: Comparisons to Tucholsky's Photo Reportages in MagazinesAIZ and Freie WeltPath 8: Discover all Photographs related to the Working ClassVerena Kick 1d32e4579dc15a1815e8d60cddf98a623f5bf4a3
Germany, Germany Above All "Good Times" Photo 2
12018-07-27T02:28:22-07:00Verena Kick 1d32e4579dc15a1815e8d60cddf98a623f5bf4a3260931Second Photo of section "Good Times"plain2018-07-27T02:28:22-07:00Critical Commons1929ImageDeutschland, Deutschland über AllesKurt Tucholsky and John Heartfield2018-07-27T01:51:56ZVerena Kick 1d32e4579dc15a1815e8d60cddf98a623f5bf4a3
Roll over the annotations in the 3 photos or hover over them with your mouse to find out additional information that might help you to understand the visual narrative of this functional montage.
With these, potentially new, background information in hand, how does the functional montage work and what is its visual narrative?
(At this point, I would have to add either another step or link to a page outside of this path that would contain my interpretation and analysis of this functional montage.)
