Phranc
“Homophobia was rampant in LA punk scene and I blame older queers like myself for our silence…” -Tomata du Plenty (Lexicon Devil, 260)
Outside Club 88, Darby Crash gave Phranc the infamous cigarette “Germs burn,” a circular mark connecting the two, and thus bringing her officially into the punk network. Yet, Crash’s and Phranc’s openness about the identities would separate their roles within the punk scene.
Phranc (nee Susan Gottlieb) talked overtly about being a lesbian amongst a somewhat un-accepting scene, as depicted by Crash’s reluctance to identify as gay. Phranc in her own words explains “I was always out as a lesbian. I can’t remember any other out queers at that time. There were the Screamers but nobody ever really talked or sang about them being queer.” She took pride in writing songs like, , that dealt with the issues of lesbians, but also sought to reach everybody. In no way did Phranc want her sexuality to define her, for it is as she describes “...part of me like my haircut and shoes...” (She’s a Rebel, 311).[VAGUE] In such a way, Phranc unlike Tomata du Plenty spoke up about her identity [IS THIS THE SAME AS BEING OUT], but did not push it as the end-all.
Angry and tired [WITH WHAT? WASN'T SHE LIKE 20?], Phranc joined the punk scene in the early 80s in order to enter a new peer group founded on excitement, creativity, and politics. Playing with bands Nervous Gender and Catholic Discipline (featured in The Decline of Western Civilization), Phranc sang and screamed her way into the subculture. Later, she took up folk music, but carried punk’s political messages. [GET THE BANDS IN CHRONO ORDER AND TALK ABOUT HER SOLO CAREER AS MORE OUT -- SHE OPENED FOR THE SMITHS IN THE LATE 80S ANNOUNCING HERSELF AS A JEWISH LESBIAN FOLKSINGER -- LOOK AT HER LATER SOLO TITLES]. FIND HOT AUGUST PHRANC.This page has paths:
- Network Brita Loeb
