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Monani, Salma. Indigenous Ecocinema : Decolonizing Media Environments. First edition, West Virginia University Press, 2024, https://ebookcentral.proquest.com/lib/oclcsite/detail.action?docID=31743456.
McMenamin, Amanda Eaton. "4 Slow Violence in the Slow Cinema of Lisandro Alonso". Pushing Past the Human in Latin American Cinema, SUNY Press, 2021, pp. 89-108. https://doi.org/10.1515/9781438484051-007
Nicholson, Jennifer E. "The Translation and Adaptation of Miyazaki’s Spirit Princess in the West." Princess Mononoke: Understanding Studio Ghibli’s Monster Princess. By Rayna Denison . London: Bloomsbury Academic, 2017. 133–150. Animation: Key Films/Filmmakers. Bloomsbury Collections. Web. 14 Apr. 2026. <http://dx.doi.org/10.5040/9781501329753.ch-007>
Nixon, Rob. Slow Violence and the Environmentalism of the Poor. Cambridge, MA, Harvard University Press, 2011.
Claire Patzner. ““The World Is Cursed”: Studio Ghibli’s Radical Environmental Philosophy.” Linguaculture, vol. 15, no. 2, 2024Peabody, Seth. "Image, Environment, Infrastructure: The Social Ecologies of the Bergfilm" Film History for the Anthropocene: The Ecological Archive of German Cinema. Boydell & Brewer, 2023. 116–138. Print. Screen Cultures: German Film and the Visual
Perkowitz, Sydney, "8. Scientists as Heroes, Nerds, and Villains". Hollywood Science: Movies, Science, and the End of the World, New York Chichester, West Sussex: Columbia University Press, 2007, pp. 167-195. https://doi-org.proxy3.library.mcgill.ca/10.7312/perk14280-008
Schasché, Valentina. Non-Linear Narrative Structures in Contemporary Cinema, Alpen-Adria University Klagenfurt, 2010
Tcheuyap, Alexie. “Filming Mother Nature’s Slow Death: Representational Pitfalls in African Ecodocumentaries.” International Journal of Francophone Studies, vol. 23, no. 3, 2020, pp. 223–41, https://doi.org/10.1386/ijfs_00019_1.
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