Postmodernism, Indie Media, and Popular Culture: The Updated, Expanded Digital Edition

Works Cited

Anderson, Laurie. “What Is Performance Art?” PAJ: A Journal of Performance and Art, The MIT Press, 3 Jan. 2018.

Aliyu, Mohammed. “Built Environment in Transition: The Significances of Postmodern Residential Designs in Cultural Sustainability.” International Journal of Architecture, Arts and Applications, Science Publishing Group, 2015, article.sciencepublishinggroup.com/html/10.11648.j.ijaaa.20150102.11.html#paper-content-4.

Baudrillard, J. (1983). Simulations. The Precession of Simulacra. New York, NY: Foreign Agents Series.

Brake, Alan G. Postmodern architecture: Piazza d’Italia, New Orleans by Charles Moore. Dezeen. August 2015.  

Dear, Michael. “Book Review .” Review of Postmodern Geographies: The Reassertion of Space in Critical Social Theory. www.jstor.org/stable/pdf/2563388.pdf.

“Definition of ‘Reflexivity’ - English Dictionary.” Reflexivity Definition in the Cambridge English Dictionary, Cambridge University   Press.

Donovan, Frank. “'90s Toy Commercials That Grossly Oversold Their Crappy Products.” VH1 News, 21 Feb. 2016, www.vh1.com/news/245232/90s-toy-commercials-disappointing/. 

Dover, Shane. “Pastiche, Parody and Postmodernism in Contemporary Slasher Films”. Diabolique Magazine. Nov. 21, 2016. Retrieved from: https://diaboliquemagazine.com/pastiche-and-parody-in-contemporary-slasher-films/

Dubey, Madhu. “Postmodern Geographies of the U.S. South.” Nepantla: Views from South, Duke University Press, 2002, muse.jhu.edu/article/23954.

Filc, Dani and Ram, Uri. "Marxism After Postmodernism: Rethinking the Emancipatory Political Subject." Current Sociology, vol. 62, no. 3, May 2014, pp. 295-313. EBSCOhost, doi:10.1177/0011392114525794. 

Forman, Paul. "The Primacy of Science in Modernity, of Technology in Postmodernity, and of Ideology in the History of Technology." History & Technology, vol. 23, no. 1/2, Mar/Jun2007, pp. 1-152. EBSCOhost, doi:10.1080/07341510601092191.

Fullerton Heritage. “McMansions.” Fullerton Heritage. Fullerton Heritage, September 2008.

Gentile, Douglas A. "The Evolution of Scientific Skepticism in the Media Violence 'Debate'." Analyses of Social Issues & Public Policy, vol. 16, no. 1, Dec. 2016, pp. 429-434. EBSCOhost, doi:10.1111/asap.12110. 

Ghingold, Bryan S. “Everybody “Scream!” Reflexive Parody as a Means of Genre Study”. M.G. & B.G. Films. April 2009.

Gebauer, M., Nielsen, H. T., Schlosser, J. T., & Sørensen, B. (Eds.) (2015). Non-Place: Representing
placelessness in literature, media and culture. Aalborg Universities Press. Interdisciplinære kulturstudier

Hoesterey, Ingeborg. Pastiche: Cultural Memort in Art, Film, Literature. Bloomington, IN: Indiana University Press, 2001.

Hoesterey, Ingeborg. “Postmodern Pastiche: A Critical Aesthetic.” Michigan State University Press, Fall, 1995, 493-510.

Howell, Anthony. The Analysis of Performance Art: A Guide to Its Theory and Practice. Routledge, 2006.

Hutcheon, Linda. “Pastiche: Cultural Memory in Art, Film, Literature (review)”. Project Muse. Penn State University Press, 2 November 2005. 
Jeffreys, Sheila. “‘Body Art’ and Social Status: Cutting, Tattooing and Piercing from a Feminist Perspective.” Feminism & Psychology, vol. 10, no. 4, 2000, pp. 409–429.

Jiménez, Juan Pablo. "Psychoanalysis in Postmodern Times: Some Questions and Challenges." Psychoanalytic Inquiry, vol. 35, no. 6, Aug/Sep2015, pp. 609-624. EBSCOhost, doi:10.1080/07351690.2015.1055221. 

Johnson, Dominic. Art of Living: An Oral History of Performance Art. Palgrave Macmillan, 2015. Google Books.

Kao, Karl S. Y. “Self-Reflexivity, Epistemology, and Rhetorical Figures.” Chinese Literature: Essays, Articles, Reviews (CLEAR), vol. 19, 1997, p. 59. JSTOR.

Kay, Jane Holtz. "Architecture." The Nation, 17 Oct. 1988, p. 358+. Opposing Viewpoints In Context, http://link.galegroup.com/apps/doc/A6703374/OVIC?u=dall30041&sid=OVIC&xid=bcd71957.

Kepler, Adam W. “In Hollywood, It’s a Reboot by Any Other Name.” The New York Times, 22 July 2015, www.nytimes.com/2015/07/26/movies/in-hollywood-its-a-reboot-by-any-other-name.html.

Kitchener, Shaun. “Ghostbusters Producer Reveals the REAL Reason All-Female Remake Wasn’t ‘a Larger Hit’.” Express.com.uk, Express.co.uk, 21 Mar. 2017,
https://www.express.co.uk/entertainment/films/782155/Ghostbusters-all-female-remake-flop-reason-cost-Ivan-Reitman-sequel-Paul-Feig

Knox, Simone. "The Simpsons." Journal of Popular Film & Television, vol. 34, no. 2, Summer2006, pp. 72-81. EBSCOhost, libproxy.misericordia.edu:2048/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=22544655&site=ehost-live.

Lewandowsky, Stephan, Mann, Michael E., Brown, Nicholas J. L., and Friedman, Harris. "Science and the Public: Debate, Denial, and Skepticism." Journal of Social and Political Psychology [Online], 4.2 (2016): 537-553. Web. 22 Apr. 2018

Mambrol, Nasruillah. “Postmodern Use of Parody and Pastiche”. Literary Theory and Criticism Notes. April 2016.

McIntosh, Paul, and Claire Webb. “Creativity and Reflection: An Approach to Reflexivity in Practice.” Leeds.ac.uk, Suffolk College.
Ryan, Marie Laure. Self-Reference in the Media. Mouton De Gruyter, 2007.

Peifer, Jason, T. “Pailn, Saturday Night Live, and Framing: Examining the Dynamics of Political Parody. The Communication Review. 16:3, pp. 155-177, DOI: 10.1080/10714421.2013.807117

“Performance Art.” Merriam-Webster, Merriam-Webster, www.merriam-webster.com/dictionary/performance art.

“Post-Modernism.” (2012). Post-Modernism - Geography, geography.ruhosting.nl/geography/index.php?title=Post-modernism.

Riley, Sarah. “A Feminist Construction of Body Art as a Harmful Cultural Practice: A Response to Jeffreys.” Feminism & Psychology, vol. 12, no. 4, 2002, pp. 540–545.

Salomon, Valéria B. “The claim of postmodern parody.” Unilasalle, vol. n. 13, Jan-Jun 2006, pp. 69-74.

Schwabsky, Barry. “Refutation of the Refutation: On Jeff Wall.” The Nation, 29 June 2015, www.thenation.com/article/refutation-refutation-jeff-wall/.  

Singh, Abhay Krishna. “Post-Modernism in Geography.” http://epgp.inflibnet.ac.in/epgpdata/uploads/epgp_content/S000017GE/P001784/M025360/ET/1512625552Postmodernism.pdf 

Stam, Robert. “Reflexivity in Film and Literature.” Google Books, Colombia University Press.

Steinberg, Marc. "Otaku Consumption, Superflat Art and the Return to Edo." Japan Forum, vol. 16, no. 3, Nov. 2004, pp. 449-471. EBSCOhost, libproxy.misericordia.edu:2048/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=14951573&site=ehost-live.

Sturken, Marita, and Lisa Cartwright. Practices of Looking: An Introduction to Visual Culture. Second ed., Oxford Univ. Press, 2009.

“The Metanarratives of the Bible.” Knowing the Bible, www.knowingthebible.net/the-metanarratives-of-the-bible.

“Walt Disney Studios History.” The Walt Disney Studios, studioservices.go.com/disneystudios/history.html.

Zurbrugg, Nicholas. “Marinetti, Chopin, Stelarc and the Auratic Intensities of the Postmodern Techno-Body.” Body & Society, vol. 5, no. 2-3, 1999, pp. 93–115.
 

This page has paths: