Shelley Jackson's Traversal of Patchwork Girl
1 2015-01-19T10:47:20-08:00 Dene Grigar ae403ae38ea2a2cccdec0313e11579da14c92f28 3041 80 A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." structured_gallery 2015-05-30T12:46:50-07:00 October 18, 2013 (Date Filmed) 1280x720 MPEG-4 Movie; H.264, AAC (codecs) Jackson's Interview; Jackson's Readers' Traversals & Interviews Digital Preservation with a focus on Electronic Literature Dene Grigar and Stuart Moluthrop (Co-Principal Investigators); Aaron Wintersong (Videographer); Shelley Jackson (Author/Participant) en-US Shelley Jackson's Traversal. (2013) [Video File]. Video File 1280x720 MPEG-4 Movie; H.264, AAC (codecs) 2015 United States of America (C,V,O,English,U,N); Pre-web (circa 1986-1995) Madeleine Brookman (Video Editor) Jackson's Interview; Jackson's Readers' Traversals & Interviews Researchers; Academics; Students; Teachers; Professors; Electronic Literature Enthusiasts 34:59 Stuart Moulthrop 9c9acb26cbb23cd18ff78c8d37fb155e3ea862a5Page
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Version 80
resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/traversals.80 |
versionnumber | ov:versionnumber | 80 |
title | dcterms:title | Shelley Jackson's Traversal of Patchwork Girl |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. The commentary is written by Moulthrop. Jackson Traversal, Part 1, "Unweaving the Poetic Narrative" Jackson introduces Patchwork Girl, noting differences between the original and the CD-ROM edition she is using here, then starts the program. She notes that the opening image of the monstrous body was produced with MacPaint, the graphics program included with first-generation Apple Macintoshes. From the image she moves to the Map View (boxes and curved lines): "For me this is what the piece looks like, really." She notes that by holding down two keys (ALT and COMMAND, the two keys left of the spacebar) readers can reveal linked words. There are five paths from the first lexia, "evenly weighted for the reader." Jackson decides to choose a path that emphasizes story, and moves to a lexia called "Birth." From there she moves into passages appropriated from Mary Shelley's Frankenstein. The male creature demands that Frankenstein provide him a female mate. The next lexia mixes Mary Shelley's prose with an interjection by Shelley Jackson's monster, in which she asserts autonomy (more in the manner of the Patchwork Girl of Oz): "I forge my own links," living her life as a fabric that perhaps "will begin to resemble a web." Jackson's female monster, then, alludes to her love affair with Mary Shelley, and this part ends in one of those reminiscences. Jackson Traversal, Part 2, "Confronting the Monster" A link on the word "journal" leads to a section of a fictional Mary Shelley journal (invented by Jackson) describing Mary's first encounter with the female monster, who exists both as a real person (in Jackson's fiction) and as Mary's deliberate creation. From this section there are two links, displayed in a Storyspace link-selection dialog box, one labeled written, the other sewn. Jackson explains that this choice encapsulates her main metaphor in Patchwork Girl, the body as text, and text itself as a fabric or weaving. Jackson takes the link called writing. Jackson's Mary Shelley recalls the creation of her monster as an act of writing, but writing that quickly comes to resemble sewing and, thus, leads to a reverie or digression (somewhat eroticized) about the ladies of the town sitting together at their work. Jackson backs up to take the other link, sewn. The making of the monster is now an act of needlework ("I had sewn her"), but sewing flips over into writing. From here we move to a lexia called "she stood," containing Jackson's Mary's description of her naked creature: "Various sectors of her skin were different hues and textures, no match perfect." She is monstrous, and yet "in this way she was beautiful." After this, Jackson clicks through a largely linear section, passing over a lexia in which her Mary makes love to the female monster. She returns to Map View and jumps to the path called "Graveyard," which contains stories of the people from whom the monster's body parts have come. Here Jackson demonstrates a striking feature of her design that seems partly unrealized in the current version. (The cause of the problem Jackson finds is not clear.) Clicking on each bodypart link, the reader should be able to move to a passage associated with the part, or alternatively to an image of the part, which Jackson intended to be moveable around the reading screen, allowing the reader to re-assemble graphically her own monstrous body. The attempt to do this with "arm" proves unsuccessful, though "head" does work. This technical exploit represents a strong departure from the purely verbal register, reminding us why Patchwork Girl is often compared to graphic novels. It is also clear that Jackson pushed the presentation space as far as she could toward the compositional workspace in which she created the project -- though Storyspace appears to have pushed back. Jackson reads lexias associated with the head, the lips ("my lips always get the joke") and the tongue. Then we leave the Graveyard: "a kind of resurrection has taken place." Jackson Traversal, Part 3, "Stitched Remix" Back to the start (title page). We move from there to the "Quilt" path, which appears as "a visual image made out of the basic structure of the Storyspace program itself," i.e., an array or grid of variously colored boxes. Quilt contains passages remixed from various sources: Frankenstein, The Patchwork Girl of Oz, critical commentaries, works of cultural theory, and even the Storyspace user manual. At the bottom of each lexia in the Quilt we are supposed to see "a series of hyphens," representing the stitches that draw passages together. For some reason, these do not appear in the CD-ROM edition Jackson used for this reading, though they can be seen in earlier editions. Monsters, hybrids, offspring: "Mosaic techniques of the maternal imagination, mistress of errors, aren't you the very demon of multiplicity?" Jackson's delight in this (lovely) passage is apparent, and she reads with a spontaneous smile. We leave the Quilt and travel "upstream" to the Map View again, descending once more into the "Story" path. Jackson explains that she wants to show how Story is built from two parallel threads that meet and diverge, one celebrating, the other resisting multiplicity. Jackson Traversal, Part 4, "Parallel Patches" Jackson returns to the Story thread, following the female monster in 19th-century America. Illustrating the split between celebration and resistance, she reads two lexias that both bear the name "Revelations." They are two versions of the same scene, in which Chancy, the sailor into whose company the monster has fallen, walks in on her in a state of undress. In one version, Chancy also strips, revealing that she too is a woman. The succeeding lexia after this has Chancy responding to the situation with laughter, and the two make love. In the alternative (resistant) version, Chancy responds to the monster's body with aversion, and the two part "distrustfully." Both versions of "Revelations" lead eventually to a lexia called "An Accident," which Jackson reads in its entirety. The monster is run down by a cab, and her left leg is separated -- in something less traumatic than a bloody severing -- from the rest of her body. In an earlier lexia (in the Graveyard), the monster hints that her left leg has always had a wayward impulse and seems ready to go its own way. The monster wonders at Chancy's astonished and fearful reaction to the accident and her survival: "Was there a right way to go to pieces?" Eventually the leg is found and receives a funeral, after which the monster heads west, and into something like the present day. In the final sequence, the monster takes up residence in a trailer near Death Valley, where she tries to "erase my history and be made new." The attempt to re-stitch herself surgically has not succeeded, so she attempts a psychological re-unification. "Files could be erased, pictures snipped. ... I thought I could grow into my oneness" -- but this is not to be. The monster falls apart again. In the final lexia, "Aftermath," she concludes: "And doubt and movement will be my life, as long as it lasts." |
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date | dcterms:date | October 18, 2013 (Date Filmed) |
type | dcterms:type | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
relation | dcterms:relation | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
subject | dcterms:subject | Digital Preservation with a focus on Electronic Literature |
contributor | dcterms:contributor | Dene Grigar and Stuart Moluthrop (Co-Principal Investigators); Aaron Wintersong (Videographer); Shelley Jackson (Author/Participant) |
language | dcterms:language | en-US |
bibliographic citation | dcterms:bibliographicCitation | Shelley Jackson's Traversal. (2013) [Video File]. |
medium | dcterms:medium | Video File |
format | dcterms:format | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
available | dcterms:available | 2015 |
coverage | dcterms:coverage | United States of America (C,V,O,English,U,N); Pre-web (circa 1986-1995) |
creator | dcterms:creator | Madeleine Brookman (Video Editor) |
is part of | dcterms:isPartOf | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
audience | dcterms:audience | Researchers; Academics; Students; Teachers; Professors; Electronic Literature Enthusiasts |
extent | dcterms:extent | 34:59 |
Version 79
resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/traversals.79 |
versionnumber | ov:versionnumber | 79 |
title | dcterms:title | Shelley Jackson's Traversal of Patchwork Girl |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. The commentary is written by Moulthrop. Jackson Traversal, Part 1, "Unweaving the Poetic Narrative" Jackson introduces Patchwork Girl, noting differences between the original and the CD-ROM edition she is using here, then starts the program. She notes that the opening image of the monstrous body was produced with MacPaint, the graphics program included with first-generation Apple Macintoshes. From the image she moves to the Map View (boxes and curved lines): "For me this is what the piece looks like, really." She notes that by holding down two keys (ALT and COMMAND, the two keys left of the spacebar) readers can reveal linked words. There are five paths from the first lexia, "evenly weighted for the reader." Jackson decides to choose a path that emphasizes story, and moves to a lexia called "Birth." From there she moves into passages appropriated from Mary Shelley's Frankenstein. The male creature demands that Frankenstein provide him a female mate. The next lexia mixes Mary Shelley's prose with an interjection by Shelley Jackson's monster, in which she asserts autonomy (more in the manner of the Patchwork Girl of Oz): "I forge my own links," living her life as a fabric that perhaps "will begin to resemble a web." Jackson's female monster, then, alludes to her love affair with Mary Shelley, and this part ends in one of those reminiscences. Jackson Traversal, Part 2, "Confronting the Monster" A link on the word "journal" leads to a section of a fictional Mary Shelley journal (invented by Jackson) describing Mary's first encounter with the female monster, who exists both as a real person (in Jackson's fiction) and as Mary's deliberate creation. From this section there are two links, displayed in a Storyspace link-selection dialog box, one labeled written, the other sewn. Jackson explains that this choice encapsulates her main metaphor in Patchwork Girl, the body as text, and text itself as a fabric or weaving. Jackson takes the link called writing. Jackson's Mary Shelley recalls the creation of her monster as an act of writing, but writing that quickly comes to resemble sewing and, thus, leads to a reverie or digression (somewhat eroticized) about the ladies of the town sitting together at their work. Jackson backs up to take the other link, sewn. The making of the monster is now an act of needlework ("I had sewn her"), but sewing flips over into writing. From here we move to a lexia called "she stood," containing Jackson's Mary's description of her naked creature: "Various sectors of her skin were different hues and textures, no match perfect." She is monstrous, and yet "in this way she was beautiful." After this, Jackson clicks through a largely linear section, passing over a lexia in which her Mary makes love to the female monster. She returns to Map View and jumps to the path called "Graveyard," which contains stories of the people from whom the monster's body parts have come. Here Jackson demonstrates a striking feature of her design that seems partly unrealized in the current version. (The cause of the problem Jackson finds is not clear.) Clicking on each bodypart link, the reader should be able to move to a passage associated with the part, or alternatively to an image of the part, which Jackson intended to be moveable around the reading screen, allowing the reader to re-assemble graphically her own monstrous body. The attempt to do this with "arm" proves unsuccessful, though "head" does work. This technical exploit represents a strong departure from the purely verbal register, reminding us why Patchwork Girl is often compared to graphic novels. It is also clear that Jackson pushed the presentation space as far as she could toward the compositional workspace in which she created the project: though Storyspace appears to have pushed back. Jackson reads lexias associated with the head, the lips ("my lips always get the joke") and the tongue. Then we leave the Graveyard: "a kind of resurrection has taken place." Jackson Traversal, Part 3, "Stitched Remix" Back to the start (title page). We move from there to the "Quilt" path, which appears as "a visual image made out of the basic structure of the Storyspace program itself," i.e., an array or grid of variously colored boxes. Quilt contains passages remixed from various sources: Frankenstein, The Patchwork Girl of Oz, critical commentaries, works of cultural theory, and even the Storyspace user manual. At the bottom of each lexia in the Quilt we are supposed to see "a series of hyphens," representing the stitches that draw passages together. For some reason, these do not appear in the CD-ROM edition Jackson used for this reading, though they can be seen in earlier editions. Monsters, hybrids, offspring: "Mosaic techniques of the maternal imagination, mistress of errors, aren't you the very demon of multiplicity?" Jackson's delight in this (lovely) passage is apparent, and she reads with a spontaneous smile. We leave the Quilt and travel "upstream" to the Map View again, descending once more into the "Story" path. Jackson explains that she wants to show how Story is built from two parallel threads that meet and diverge, one celebrating, the other resisting multiplicity. Jackson Traversal, Part 4, "Parallel Patches" Jackson returns to the Story thread, following the female monster in 19th-century America. Illustrating the split between celebration and resistance, she reads two lexias that both bear the name "Revelations." They are two versions of the same scene, in which Chancy, the sailor into whose company the monster has fallen, walks in on her in a state of undress. In one version, Chancy also strips, revealing that she too is a woman. The succeeding lexia after this has Chancy responding to the situation with laughter, and the two make love. In the alternative (resistant) version, Chancy responds to the monster's body with aversion, and the two part "distrustfully." Both versions of "Revelations" lead eventually to a lexia called "An Accident," which Jackson reads in its entirety. The monster is run down by a cab, and her left leg is separated -- in something less traumatic than a bloody severing -- from the rest of her body. In an earlier lexia (in the Graveyard), the monster hints that her left leg has always had a wayward impulse and seems ready to go its own way. The monster wonders at Chancy's astonished and fearful reaction to the accident and her survival: "Was there a right way to go to pieces?" Eventually the leg is found and receives a funeral, after which the monster heads west, and into something like the present day. In the final sequence, the monster takes up residence in a trailer near Death Valley, where she tries to "erase my history and be made new." The attempt to re-stitch herself surgically has not succeeded, so she attempts a psychological re-unification. "Files could be erased, pictures snipped. ... I thought I could grow into my oneness" -- but this is not to be. The monster falls apart again. In the final lexia, "Aftermath," she concludes: "And doubt and movement will be my life, as long as it lasts." |
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type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
date | dcterms:date | October 18, 2013 (Date Filmed) |
type | dcterms:type | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
relation | dcterms:relation | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
subject | dcterms:subject | Digital Preservation with a focus on Electronic Literature |
contributor | dcterms:contributor | Dene Grigar and Stuart Moluthrop (Co-Principal Investigators); Aaron Wintersong (Videographer); Shelley Jackson (Author/Participant) |
language | dcterms:language | en-US |
bibliographic citation | dcterms:bibliographicCitation | Shelley Jackson's Traversal. (2013) [Video File]. |
medium | dcterms:medium | Video File |
format | dcterms:format | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
available | dcterms:available | 2015 |
coverage | dcterms:coverage | United States of America (C,V,O,English,U,N); Pre-web (circa 1986-1995) |
creator | dcterms:creator | Madeleine Brookman (Video Editor) |
is part of | dcterms:isPartOf | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
audience | dcterms:audience | Researchers; Academics; Students; Teachers; Professors; Electronic Literature Enthusiasts |
extent | dcterms:extent | 34:59 |
Version 78
resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/traversals.78 |
versionnumber | ov:versionnumber | 78 |
title | dcterms:title | Shelley Jackson's Traversal of Patchwork Girl |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. The commentary is written by Moulthrop. Jackson Traversal, Part 1, "Unweaving the Poetic Narrative" Jackson introduces Patchwork Girl, noting differences between the original and the CD-ROM edition she is using here, then starts the program. She notes that the opening image of the monstrous body was produced with MacPaint, the graphics program included with first-generation Apple Macintoshes. From the image she moves to the Map View (boxes and curved lines): "For me this is what the piece looks like, really." She notes that by holding down two keys (ALT and COMMAND, the two keys left of the spacebar) readers can reveal linked words. There are five paths from the first lexia, "evenly weighted for the reader." Jackson decides to choose a path that emphasizes story, and moves to a lexia called "Birth." From there she moves into passages appropriated from Mary Shelley's Frankenstein. The male creature demands that Frankenstein provide him a female mate. The next lexia mixes Mary Shelley's prose with an interjection by Shelley Jackson's monster, in which she asserts autonomy (more in the manner of the Patchwork Girl of Oz): "I forge my own links," living her life as a fabric that perhaps "will begin to resemble a web." Jackson's female monster, then, alludes to her love affair with Mary Shelley, and this part ends in one of those reminiscences. Jackson Traversal, Part 2, "Confronting the Monster" A link on the word "journal" leads to a section of a fictional Mary Shelley journal (invented by Jackson) describing Mary's first encounter with the female monster, who exists both as a real person (in Jackson's fiction) and as Mary's deliberate creation. From this section there are two links, displayed in a Storyspace link-selection dialog box, one labeled written, the other sewn. Jackson explains that this choice encapsulates her main metaphor in Patchwork Girl, the body as text, and text itself as a fabric or weaving. Jackson takes the link called writing. Jackson's Mary Shelley recalls the creation of her monster as an act of writing, but writing that quickly comes to resemble sewing and, thus, leads to a reverie or digression (somewhat eroticized) about the ladies of the town sitting together at their work. Jackson backs up to take the other link, sewn. The making of the monster is now an act of needlework ("I had sewn her"), but sewing flips over into writing. From here we move to a lexia called "she stood," containing Jackson's Mary's description of her naked creature: "Various sectors of her skin were different hues and textures, no match perfect." She is monstrous, and yet "in this way she was beautiful." Jackson, next, clicks through a largely linear section, passing over a lexia in which her Mary makes love to the female monster. She returns to Map View and jumps to the path called "Graveyard," which contains stories of the people from whom the monster's body parts have come. Here Jackson demonstrates a striking feature of her design that seems partly unrealized in the current version. (The cause of the problem Jackson finds is not clear.) Clicking on each bodypart link, the reader should be able to move to a passage associated with the part, or alternatively to an image of the part, which Jackson intended to be moveable around the reading screen, allowing the reader to re-assemble graphically her own monstrous body. The attempt to do this with "arm" proves unsuccessful, though "head" does work. This technical exploit represents a strong departure from the purely verbal register, reminding us why Patchwork Girl is often compared to graphic novels. It is also clear that Jackson pushed the presentation space as far as she could toward the compositional workspace in which she created the project: though Storyspace appears to have pushed back. Jackson reads lexias associated with the head, the lips ("my lips always get the joke") and the tongue. Then we leave the Graveyard: "a kind of resurrection has taken place." Jackson Traversal, Part 3, "Stitched Remix" Back to the start (title page). We move from there to the "Quilt" path, which appears as "a visual image made out of the basic structure of the Storyspace program itself," i.e., an array or grid of variously colored boxes. Quilt contains passages remixed from various sources: Frankenstein, The Patchwork Girl of Oz, critical commentaries, works of cultural theory, and even the Storyspace user manual. At the bottom of each lexia in the Quilt we are supposed to see "a series of hyphens," representing the stitches that draw passages together. For some reason, these do not appear in the CD-ROM edition Jackson used for this reading, though they can be seen in earlier editions. Monsters, hybrids, offspring: "Mosaic techniques of the maternal imagination, mistress of errors, aren't you the very demon of multiplicity?" Jackson's delight in this (lovely) passage is apparent, and she reads with a spontaneous smile. We leave the Quilt and travel "upstream" to the Map View again, descending once more into the "Story" path. Jackson explains that she wants to show how Story is built from two parallel threads that meet and diverge, one celebrating, the other resisting multiplicity. Jackson Traversal, Part 4, "Parallel Patches" Jackson returns to the Story thread, following the female monster in 19th-century America. Illustrating the split between celebration and resistance, she reads two lexias that both bear the name "Revelations." They are two versions of the same scene, in which Chancy, the sailor into whose company the monster has fallen, walks in on her in a state of undress. In one version, Chancy also strips, revealing that she too is a woman. The succeeding lexia after this has Chancy responding to the situation with laughter, and the two make love. In the alternative (resistant) version, Chancy responds to the monster's body with aversion, and the two part "distrustfully." Both versions of "Revelations" lead eventually to a lexia called "An Accident," which Jackson reads in its entirety. The monster is run down by a cab, and her left leg is separated -- in something less traumatic than a bloody severing -- from the rest of her body. In an earlier lexia (in the Graveyard), the monster hints that her left leg has always had a wayward impulse and seems ready to go its own way. The monster wonders at Chancy's astonished and fearful reaction to the accident and her survival: "Was there a right way to go to pieces?" Eventually the leg is found and receives a funeral, after which the monster heads west, and into something like the present day. In the final sequence, the monster takes up residence in a trailer near Death Valley, where she tries to "erase my history and be made new." The attempt to re-stitch herself surgically has not succeeded, so she attempts a psychological re-unification. "Files could be erased, pictures snipped. ... I thought I could grow into my oneness" -- but this is not to be. The monster falls apart again. In the final lexia, "Aftermath," she concludes: "And doubt and movement will be my life, as long as it lasts." |
default view | scalar:defaultView | structured_gallery |
was attributed to | prov:wasAttributedTo | https://scalar.usc.edu/works/pathfinders/users/3848 |
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type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
date | dcterms:date | October 18, 2013 (Date Filmed) |
type | dcterms:type | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
relation | dcterms:relation | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
subject | dcterms:subject | Digital Preservation with a focus on Electronic Literature |
contributor | dcterms:contributor | Dene Grigar and Stuart Moluthrop (Co-Principal Investigators); Aaron Wintersong (Videographer); Shelley Jackson (Author/Participant) |
language | dcterms:language | en-US |
bibliographic citation | dcterms:bibliographicCitation | Shelley Jackson's Traversal. (2013) [Video File]. |
medium | dcterms:medium | Video File |
format | dcterms:format | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
available | dcterms:available | 2015 |
coverage | dcterms:coverage | United States of America (C,V,O,English,U,N); Pre-web (circa 1986-1995) |
creator | dcterms:creator | Madeleine Brookman (Video Editor) |
is part of | dcterms:isPartOf | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
audience | dcterms:audience | Researchers; Academics; Students; Teachers; Professors; Electronic Literature Enthusiasts |
extent | dcterms:extent | 34:59 |
Version 77
resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/traversals.77 |
versionnumber | ov:versionnumber | 77 |
title | dcterms:title | Shelley Jackson's Traversal of Patchwork Girl |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. The commentary is written by Moulthrop. Jackson Traversal, Part 1, "Unweaving the Poetic Narrative" Jackson introduces Patchwork Girl, noting differences between the original and the CD-ROM edition she is using here, then starts the program. She notes that the opening image of the monstrous body was produced with MacPaint, the graphics program included with first-generation Apple Macintoshes. From the image she moves to the Map View (boxes and curved lines): "For me this is what the piece looks like, really." She notes that by holding down two keys (ALT and COMMAND, the two keys left of the spacebar) readers can reveal linked words. There are five paths from the first lexia, "evenly weighted for the reader." Jackson decides to choose a path that emphasizes story, and moves to a lexia called "Birth." From there she moves into passages appropriated from Mary Shelley's Frankenstein. The male creature demands that Frankenstein provide him a female mate. The next lexia mixes Mary Shelley's prose with an interjection by Shelley Jackson's monster, in which she asserting autonomy (more in the manner of the Patchwork Girl of Oz): "I forge my own links," living her life as a fabric that perhaps "will begin to resemble a web." Jackson's female monster then alludes to her love affair with Mary Shelley, and this part ends in one of those reminiscences. Jackson Traversal, Part 2, "Confronting the Monster" A link on the word "journal" leads to a section of a fictional Mary Shelley journal (invented by Jackson) describing Mary's first encounter with the female monster, who exists both as a real person (in Jackson's fiction) and as Mary's deliberate creation. From this section there are two links, displayed in a Storyspace link-selection dialog box, one labeled written, the other sewn. Jackson explains that this choice encapsulates her main metaphor in Patchwork Girl, the body as text, and text itself as a fabric or weaving. Jackson takes the link called writing. Jackson's Mary Shelley recalls the creation of her monster as an act of writing, but writing that quickly comes to resemble sewing, and thus leads to a reverie or digression (somewhat eroticized) about the ladies of the town sitting together at their work. Jackson backs up to take the other link, sewn. The making of the monster is now an act of needlework ("I had sewn her"), but sewing flips over into writing. From here we move to a lexia called "she stood," containing Jackson's Mary's description of her naked creature: "Various sectors of her skin were different hues and textures, no match perfect." She is monstrous, and yet "in this way she was beautiful." Jackson next clicks through a largely linear section, passing over a lexia in which her Mary makes love to the female monster. She returns to Map View and jumps to the path called Graveyard, which contains stories of the people from whom the monster's body parts have come. Here Jackson demonstrates a striking feature of her design that seems partly unrealized in the current version. (The cause of the problem Jackson finds is not clear.) Clicking on each bodypart link, the reader should be able to move to a passage associated with the part, or alternatively to an image of the part, which Jackson intended to be moveable around the reading screen, allowing the reader to re-assemble graphically her own monstrous body. The attempt to do this with "arm" proves unsuccessful, though "head" does work. This technical exploit represents a strong departure from the purely verbal register, reminding us why Patchwork Girl is often compared to graphic novels. It is also clear that Jackson pushed the presentation space as far as she could toward the compositional workspace in which she created the project: though Storyspace appears to have pushed back. Jackson reads lexias associated with the head, the lips ("my lips always get the joke") and the tongue. Then we leave the Graveyard: "a kind of resurrection has taken place." Jackson Traversal, Part 3, "Stitched Remix" Back to the start (title page). We move from there to the Quilt path, which appears as "a visual image made out of the basic structure of the Storyspace program itself," i.e., an array or grid of variously colored boxes. Quilt contains passages remixed from various sources: Frankenstein, The Patchwork Girl of Oz, critical commentaries, works of cultural theory, and even the Storyspace user manual. At the bottom of each lexia in the Quilt we are supposed to see "a series of hyphens," representing the stitches that draw passages together. For some reason, these do not appear in the CD-ROM edition Jackson used for this reading, though they can be seen in earlier editions. Monsters, hybrids, offspring: "Mosaic techniques of the maternal imagination, mistress of errors, aren't you the very demon of multiplicity?" Jackson's delight in this (lovely) passage is apparent, and she reads with a spontaneous smile. We leave the Quilt and travel "upstream" to the Map View again, descending once more into the Story path. Jackson explains that she wants to show how Story is built from two parallel threads that meet and diverge, one celebrating, the other resisting multiplicity. Jackson Traversal, Part 4, "Parallel Patches" Jackson returns to the Story thread, following the female monster in 19th-century America. Illustrating the split between celebration and resistance, she reads two lexias that both bear the name "Revelations." They are two versions of the same scene, in which Chancy, the sailor into whose company the monster has fallen, walks in on her in a state of undress. In one version, Chancy also strips, revealing that she too is a woman. The succeeding lexia after this has Chancy responding to the situation with laughter, and the two make love. In the alternative (resistant) version, Chancy responds to the monster's body with aversion, and the two part "distrustfully." Both versions of "Revelations" lead eventually to a lexia called "An Accident," which Jackson reads in its entirety. The monster is run down by a cab, and her left leg is separated -- in something less traumatic than a bloody severing -- from the rest of her body. In an earlier lexia (in the Graveyard), the monster hints that her left leg has always had a wayward impulse and seems ready to go its own way. The monster wonders at Chancy's astonished and fearful reaction to the accident and her survival: "Was there a right way to go to pieces?" Eventually the leg is found and receives a funeral, after which the monster heads west, and into something like the present day. In the final sequence, the monster takes up residence in a trailer near Death Valley, where she tries to "erase my history and be made new." The attempt to re-stitch herself surgically has not succeeded, so she attempts a psychological re-unification. "Files could be erased, pictures snipped. ... I thought I could grow into my oneness" -- but this is not to be. The monster falls apart again. In the final lexia, "Aftermath," she concludes: "And doubt and movement will be my life, as long as it lasts." |
default view | scalar:defaultView | structured_gallery |
was attributed to | prov:wasAttributedTo | https://scalar.usc.edu/works/pathfinders/users/3848 |
created | dcterms:created | 2015-05-30T12:25:34-07:00 |
type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
date | dcterms:date | October 18, 2013 (Date Filmed) |
type | dcterms:type | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
relation | dcterms:relation | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
subject | dcterms:subject | Digital Preservation with a focus on Electronic Literature |
contributor | dcterms:contributor | Dene Grigar and Stuart Moluthrop (Co-Principal Investigators); Aaron Wintersong (Videographer); Shelley Jackson (Author/Participant) |
language | dcterms:language | en-US |
bibliographic citation | dcterms:bibliographicCitation | Shelley Jackson's Traversal. (2013) [Video File]. |
medium | dcterms:medium | Video File |
format | dcterms:format | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
available | dcterms:available | 2015 |
coverage | dcterms:coverage | United States of America (C,V,O,English,U,N); Pre-web (circa 1986-1995) |
creator | dcterms:creator | Madeleine Brookman (Video Editor) |
is part of | dcterms:isPartOf | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
audience | dcterms:audience | Researchers; Academics; Students; Teachers; Professors; Electronic Literature Enthusiasts |
extent | dcterms:extent | 34:59 |
Version 76
resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/traversals.76 |
versionnumber | ov:versionnumber | 76 |
title | dcterms:title | Shelley Jackson's Traversal of Patchwork Girl |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. Jackson Traversal, Part 1, "Unweaving the Poetic Narrative" Jackson introduces Patchwork Girl, noting differences between the original and the CD-ROM edition she is using here, then starts the program. She notes that the opening image of the monstrous body was produced with MacPaint, the graphics program included with first-generation Apple Macintoshes. From the image she moves to the Map View (boxes and curved lines): "for me this is what the piece looks like, really." She notes that by holding down two keys (ALT and COMMAND, the two keys left of the spacebar) readers can reveal linked words. There are five paths from the first lexia, "evenly weighted for the reader." Jackson decides to choose a path that emphasizes story, and moves to a lexia called "Birth." From there she moves into passages appropriated from Mary Shelley's Frankenstein. The male creature demands that Frankenstein provide him a female mate. The next lexia mixes Mary Shelley's prose with an interjection by Shelley Jackson's monster, in which she asserting autonomy (more in the manner of the Patchwork Girl of Oz): "I forge my own links," living her life as a fabric that perhaps "will begin to resemble a web." Jackson's female monster then alludes to her love affair with Mary Shelley, and this part ends in one of those reminiscences. Jackson Traversal, Part 2, "Confronting the Monster" A link on the word "journal" leads to a section of a fictional Mary Shelley journal (invented by Jackson) describing Mary's first encounter with the female monster, who exists both as a real person (in Jackson's fiction) and as Mary's deliberate creation. From this section there are two links, displayed in a Storyspace link-selection dialog box, one labeled written, the other sewn. Jackson explains that this choice encapsulates her main metaphor in Patchwork Girl, the body as text, and text itself as a fabric or weaving. Jackson takes the link called writing. Jackson's Mary Shelley recalls the creation of her monster as an act of writing, but writing that quickly comes to resemble sewing, and thus leads to a reverie or digression (somewhat eroticized) about the ladies of the town sitting together at their work. Jackson backs up to take the other link, sewn. The making of the monster is now an act of needlework ("I had sewn her"), but sewing flips over into writing. From here we move to a lexia called "she stood," containing Jackson's Mary's description of her naked creature: "Various sectors of her skin were different hues and textures, no match perfect." She is monstrous, and yet "in this way she was beautiful." Jackson next clicks through a largely linear section, passing over a lexia in which her Mary makes love to the female monster. She returns to Map View and jumps to the path called Graveyard, which contains stories of the people from whom the monster's body parts have come. Here Jackson demonstrates a striking feature of her design that seems partly unrealized in the current version. (The cause of the problem Jackson finds is not clear.) Clicking on each bodypart link, the reader should be able to move to a passage associated with the part, or alternatively to an image of the part, which Jackson intended to be moveable around the reading screen, allowing the reader to re-assemble graphically her own monstrous body. The attempt to do this with "arm" proves unsuccessful, though "head" does work. This technical exploit represents a strong departure from the purely verbal register, reminding us why Patchwork Girl is often compared to graphic novels. It is also clear that Jackson pushed the presentation space as far as she could toward the compositional workspace in which she created the project: though Storyspace appears to have pushed back. Jackson reads lexias associated with the head, the lips ("my lips always get the joke") and the tongue. Then we leave the Graveyard: "a kind of resurrection has taken place." Jackson Traversal, Part 3, "Stitched Remix" Back to the start (title page). We move from there to the Quilt path, which appears as "a visual image made out of the basic structure of the Storyspace program itself," i.e., an array or grid of variously colored boxes. Quilt contains passages remixed from various sources: Frankenstein, The Patchwork Girl of Oz, critical commentaries, works of cultural theory, and even the Storyspace user manual. At the bottom of each lexia in the Quilt we are supposed to see "a series of hyphens," representing the stitches that draw passages together. For some reason, these do not appear in the CD-ROM edition Jackson used for this reading, though they can be seen in earlier editions. Monsters, hybrids, offspring: "Mosaic techniques of the maternal imagination, mistress of errors, aren't you the very demon of multiplicity?" Jackson's delight in this (lovely) passage is apparent, and she reads with a spontaneous smile. We leave the Quilt and travel "upstream" to the Map View again, descending once more into the Story path. Jackson explains that she wants to show how Story is built from two parallel threads that meet and diverge, one celebrating, the other resisting multiplicity. Jackson Traversal, Part 4, "Parallel Patches" Jackson returns to the Story thread, following the female monster in 19th-century America. Illustrating the split between celebration and resistance, she reads two lexias that both bear the name "Revelations." They are two versions of the same scene, in which Chancy, the sailor into whose company the monster has fallen, walks in on her in a state of undress. In one version, Chancy also strips, revealing that she too is a woman. The succeeding lexia after this has Chancy responding to the situation with laughter, and the two make love. In the alternative (resistant) version, Chancy responds to the monster's body with aversion, and the two part "distrustfully." Both versions of "Revelations" lead eventually to a lexia called "An Accident," which Jackson reads in its entirety. The monster is run down by a cab, and her left leg is separated -- in something less traumatic than a bloody severing -- from the rest of her body. In an earlier lexia (in the Graveyard), the monster hints that her left leg has always had a wayward impulse and seems ready to go its own way. The monster wonders at Chancy's astonished and fearful reaction to the accident and her survival: "Was there a right way to go to pieces?" Eventually the leg is found and receives a funeral, after which the monster heads west, and into something like the present day. In the final sequence, the monster takes up residence in a trailer near Death Valley, where she tries to "erase my history and be made new." The attempt to re-stitch herself surgically has not succeeded, so she attempts a psychological re-unification. "Files could be erased, pictures snipped. ... I thought I could grow into my oneness" -- but this is not to be. The monster falls apart again. In the final lexia, "Aftermath," she concludes: "And doubt and movement will be my life, as long as it lasts." |
default view | scalar:defaultView | structured_gallery |
was attributed to | prov:wasAttributedTo | https://scalar.usc.edu/works/pathfinders/users/3848 |
created | dcterms:created | 2015-05-30T12:24:25-07:00 |
type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
date | dcterms:date | October 18, 2013 (Date Filmed) |
type | dcterms:type | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
relation | dcterms:relation | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
subject | dcterms:subject | Digital Preservation with a focus on Electronic Literature |
contributor | dcterms:contributor | Dene Grigar and Stuart Moluthrop (Co-Principal Investigators); Aaron Wintersong (Videographer); Shelley Jackson (Author/Participant) |
language | dcterms:language | en-US |
bibliographic citation | dcterms:bibliographicCitation | Shelley Jackson's Traversal. (2013) [Video File]. |
medium | dcterms:medium | Video File |
format | dcterms:format | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
available | dcterms:available | 2015 |
coverage | dcterms:coverage | United States of America (C,V,O,English,U,N); Pre-web (circa 1986-1995) |
creator | dcterms:creator | Madeleine Brookman (Video Editor) |
is part of | dcterms:isPartOf | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
audience | dcterms:audience | Researchers; Academics; Students; Teachers; Professors; Electronic Literature Enthusiasts |
extent | dcterms:extent | 34:59 |
Version 75
resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/traversals.75 |
versionnumber | ov:versionnumber | 75 |
title | dcterms:title | Shelley Jackson's Traversal of Patchwork Girl |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. Jackson Traversal, Part 1, "Unweaving the Poetic Narrative" Jackson introduces Patchwork Girl, noting differences between the original and the CD-ROM edition she is using here, then starts the program. She notes that the opening image of the monstrous body was produced with MacPaint, the graphics program included with first-generation Apple Macintoshes. From the image she moves to the Map View (boxes and curved lines): "for me this is what the piece looks like, really." She notes that by holding down two keys (ALT and COMMAND, the two keys left of the spacebar) readers can reveal linked words. There are five paths from the first lexia, "evenly weighted for the reader." Jackson decides to choose a path that emphasizes story, and moves to a lexia called "Birth." From there she moves into passages appropriated from Mary Shelley's Frankenstein. The male creature demands that Frankenstein provide him a female mate. The next lexia mixes Mary Shelley's prose with an interjection by Shelley Jackson's monster, in which she asserting autonomy (more in the manner of the Patchwork Girl of Oz): "I forge my own links," living her life as a fabric that perhaps "will begin to resemble a web." Jackson's female monster then alludes to her love affair with Mary Shelley, and this part ends in one of those reminiscences. Jackson Traversal, Part 2, "Confronting the Monster" A link on the word "journal" leads to a section of a fictional Mary Shelley journal (invented by Jackson) describing Mary's first encounter with the female monster, who exists both as a real person (in Jackson's fiction) and as Mary's deliberate creation. From this section there are two links, displayed in a Storyspace link-selection dialog box, one labeled written, the other sewn. Jackson explains that this choice encapsulates her main metaphor in Patchwork Girl, the body as text, and text itself as a fabric or weaving. Jackson takes the link called writing. Jackson's Mary Shelley recalls the creation of her monster as an act of writing, but writing that quickly comes to resemble sewing, and thus leads to a reverie or digression (somewhat eroticized) about the ladies of the town sitting together at their work. Jackson backs up to take the other link, sewn. The making of the monster is now an act of needlework ("I had sewn her"), but sewing flips over into writing. From here we move to a lexia called "she stood," containing Jackson's Mary's description of her naked creature: "Various sectors of her skin were different hues and textures, no match perfect." She is monstrous, and yet "in this way she was beautiful." Jackson next clicks through a largely linear section, passing over a lexia in which her Mary makes love to the female monster. She returns to Map View and jumps to the path called Graveyard, which contains stories of the people from whom the monster's body parts have come. Here Jackson demonstrates a striking feature of her design that seems partly unrealized in the current version. (The cause of the problem Jackson finds is not clear.) Clicking on each bodypart link, the reader should be able to move to a passage associated with the part, or alternatively to an image of the part, which Jackson intended to be moveable around the reading screen, allowing the reader to re-assemble graphically her own monstrous body. The attempt to do this with "arm" proves unsuccessful, though "head" does work. This technical exploit represents a strong departure from the purely verbal register, reminding us why Patchwork Girl is often compared to graphic novels. It is also clear that Jackson pushed the presentation space as far as she could toward the compositional workspace in which she created the project: though Storyspace appears to have pushed back. Jackson reads lexias associated with the head, the lips ("my lips always get the joke") and the tongue. Then we leave the Graveyard: "a kind of resurrection has taken place." Jackson Traversal, Part 3, "Stitched Remix" Back to the start (title page). We move from there to the Quilt path, which appears as "a visual image made out of the basic structure of the Storyspace program itself," i.e., an array or grid of variously colored boxes. Quilt contains passages remixed from various sources: Frankenstein, The Patchwork Girl of Oz, critical commentaries, works of cultural theory, and even the Storyspace user manual. At the bottom of each lexia in the Quilt we are supposed to see "a series of hyphens," representing the stitches that draw passages together. For some reason, these do not appear in the CD-ROM edition Jackson used for this reading, though they can be seen in earlier editions. Monsters, hybrids, offspring: "Mosaic techniques of the maternal imagination, mistress of errors, aren't you the very demon of multiplicity?" Jackson's delight in this (lovely) passage is apparent, and she reads with a spontaneous smile. We leave the Quilt and travel "upstream" to the Map View again, descending once more into the Story path. Jackson explains that she wants to show how Story is built from two parallel threads that meet and diverge, one celebrating, the other resisting multiplicity. Jackson Traversal, Part 4, "Parallel Patches" Jackson returns to the Story thread, following the female monster in 19th-century America. Illustrating the split between celebration and resistance, she reads two lexias that both bear the name "Revelations." They are two versions of the same scene, in which Chancy, the sailor into whose company the monster has fallen, walks in on her in a state of undress. In one version, Chancy also strips, revealing that she too is a woman. The succeeding lexia after this has Chancy responding to the situation with laughter, and the two make love. In the alternative (resistant) version, Chancy responds to the monster's body with aversion, and the two part "distrustfully." Both versions of "Revelations" lead eventually to a lexia called "An Accident," which Jackson reads in its entirety. The monster is run down by a cab, and her left leg is separated -- in something less traumatic than a bloody severing -- from the rest of her body. In an earlier lexia (in the Graveyard), the monster hints that her left leg has always had a wayward impulse and seems ready to go its own way. The monster wonders at Chancy's astonished and fearful reaction to the accident and her survival: "Was there a right way to go to pieces?" Eventually the leg is found and receives a funeral, after which the monster heads west, and into something like the present day. In the final sequence, the monster takes up residence in a trailer near Death Valley, where she tries to "erase my history and be made new." The attempt to re-stitch herself surgically has not succeeded, so she attempts a psychological re-unification. "Files could be erased, pictures snipped. ... I thought I could grow into my oneness" -- but this is not to be. The monster falls apart again. In the final lexia, "Aftermath," she concludes: "And doubt and movement will be my life, as long as it lasts." |
default view | scalar:defaultView | structured_gallery |
was attributed to | prov:wasAttributedTo | https://scalar.usc.edu/works/pathfinders/users/3848 |
created | dcterms:created | 2015-05-30T12:19:35-07:00 |
type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
date | dcterms:date | October 18, 2013 (Date Filmed) |
type | dcterms:type | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
relation | dcterms:relation | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
subject | dcterms:subject | Digital Preservation with a focus on Electronic Literature |
contributor | dcterms:contributor | Dene Grigar and Stuart Moluthrop (Co-Principal Investigators); Aaron Wintersong (Videographer); Shelley Jackson (Author/Participant) |
language | dcterms:language | en-US |
bibliographic citation | dcterms:bibliographicCitation | Shelley Jackson's Traversal. (2013) [Video File]. |
medium | dcterms:medium | Video File |
format | dcterms:format | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
available | dcterms:available | 2015 |
coverage | dcterms:coverage | United States of America (C,V,O,English,U,N); Pre-web (circa 1986-1995) |
creator | dcterms:creator | Madeleine Brookman (Video Editor) |
is part of | dcterms:isPartOf | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
audience | dcterms:audience | Researchers; Academics; Students; Teachers; Professors; Electronic Literature Enthusiasts |
extent | dcterms:extent | 34:59 |
Version 74
resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/traversals.74 |
versionnumber | ov:versionnumber | 74 |
title | dcterms:title | Shelley Jackson's Traversal of Patchwork Girl |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. Jackson Traversal, Part 1, "Unweaving the Poetic Narrative" Jackson introduces Patchwork Girl, noting differences between the original and the CD-ROM edition she is using here, then starts the program. She notes that the opening image of the monstrous body was produced with MacPaint, the graphics program included with first-generation Apple Macintoshes. From the image she moves to the Map View (boxes and curved lines): "for me this is what the piece looks like, really." She notes that by holding down two keys (ALT and COMMAND, the two keys left of the spacebar) readers can reveal linked words. There are five paths from the first lexia, "evenly weighted for the reader." Jackson decides to choose a path that emphasizes story, and moves to a lexia called "Birth." From there she moves into passages appropriated from Mary Shelley's Frankenstein. The male creature demands that Frankenstein provide him a female mate. The next lexia mixes Mary Shelley's prose with an interjection by Shelley Jackson's monster, in which she asserting autonomy (more in the manner of the Patchwork Girl of Oz): "I forge my own links," living her life as a fabric that perhaps "will begin to resemble a web." Jackson's female monster then alludes to her love affair with Mary Shelley, and this part ends in one of those reminiscences. Jackson Traversal, Part 2, "Confronting the Monster" A link on the word "journal" leads to a section of a fictional Mary Shelley journal (invented by Jackson) describing Mary's first encounter with the female monster, who exists both as a real person (in Jackson's fiction) and as Mary's deliberate creation. From this section there are two links, displayed in a Storyspace link-selection dialog box, one labeled written, the other sewn. Jackson explains that this choice encapsulates her main metaphor in Patchwork Girl, the body as text, and text itself as a fabric or weaving. Jackson takes the link called writing. Jackson's Mary Shelley recalls the creation of her monster as an act of writing, but writing that quickly comes to resemble sewing, and thus leads to a reverie or digression (somewhat eroticized) about the ladies of the town sitting together at their work. Jackson backs up to take the other link, sewn. The making of the monster is now an act of needlework ("I had sewn her"), but sewing flips over into writing. From here we move to a lexia called "she stood," containing Jackson's Mary's description of her naked creature: "Various sectors of her skin were different hues and textures, no match perfect." She is monstrous, and yet "in this way she was beautiful." Jackson next clicks through a largely linear section, passing over a lexia in which her Mary makes love to the female monster. She returns to Map View and jumps to the path called Graveyard, which contains stories of the people from whom the monster's body parts have come. Here Jackson demonstrates a striking feature of her design that seems partly unrealized in the current version. (The cause of the problem Jackson finds is not clear.) Clicking on each bodypart link, the reader should be able to move to a passage associated with the part, or alternatively to an image of the part, which Jackson intended to be moveable around the reading screen, allowing the reader to re-assemble graphically her own monstrous body. The attempt to do this with "arm" proves unsuccessful, though "head" does work. This technical exploit represents a strong departure from the purely verbal register, reminding us why Patchwork Girl is often compared to graphic novels. It is also clear that Jackson pushed the presentation space as far as she could toward the compositional workspace in which she created the project: though Storyspace appears to have pushed back. Jackson reads lexias associated with the head, the lips ("my lips always get the joke") and the tongue. Then we leave the Graveyard: "a kind of resurrection has taken place." Jackson Traversal, Part 3, "Stitched Remix" Back to the start (title page). We move from there to the Quilt path, which appears as "a visual image made out of the basic structure of the Storyspace program itself," i.e., an array or grid of variously colored boxes. Quilt contains passages remixed from various sources: Frankenstein, The Patchwork Girl of Oz, critical commentaries, works of cultural theory, and even the Storyspace user manual. At the bottom of each lexia in the Quilt we are supposed to see "a series of hyphens," representing the stitches that draw passages together. For some reason, these do not appear in the CD-ROM edition Jackson used for this reading, though they can be seen in earlier editions. Monsters, hybrids, offspring: "Mosaic techniques of the maternal imagination, mistress of errors, aren't you the very demon of multiplicity?" Jackson's delight in this (lovely) passage is apparent, and she reads with a spontaneous smile. We leave the Quilt and travel "upstream" to the Map View again, descending once more into the Story path. Jackson explains that she wants to show how Story is built from two parallel threads that meet and diverge, one celebrating, the other resisting multiplicity. Jackson Traversal, Part 4, "Parallel Patches" Jackson returns to the Story thread, following the female monster in 19th-century America. Illustrating the split between celebration and resistance, she reads two lexias that both bear the name "Revelations." They are two versions of the same scene, in which Chancy, the sailor into whose company the monster has fallen, walks in on her in a state of undress. In one version, Chancy also strips, revealing that she too is a woman. The succeeding lexia after this has Chancy responding to the situation with laughter, and the two make love. In the alternative (resistant) version, Chancy responds to the monster's body with aversion, and the two part "distrustfully." Both versions of "Revelations" lead eventually to a lexia called "An Accident," which Jackson reads in its entirety. The monster is run down by a cab, and her left leg is separated -- in something less traumatic than a bloody severing -- from the rest of her body. In an earlier lexia (in the Graveyard), the monster hints that her left leg has always had a wayward impulse and seems ready to go its own way. The monster wonders at Chancy's astonished and fearful reaction to the accident and her survival: "Was there a right way to go to pieces?" Eventually the leg is found and receives a funeral, after which the monster heads west, and into something like the present day. In the final sequence, the monster takes up residence in a trailer near Death Valley, where she tries to "erase my history and be made new." The attempt to re-stitch herself surgically has not succeeded, so she attempts a psychological re-unification. "Files could be erased, pictures snipped. ... I thought I could grow into my oneness" -- but this is not to be. The monster falls apart again. In the final lexia, "Aftermath," she concludes: "And doubt and movement will be my life, as long as it lasts." |
default view | scalar:defaultView | structured_gallery |
was attributed to | prov:wasAttributedTo | https://scalar.usc.edu/works/pathfinders/users/3849 |
created | dcterms:created | 2015-05-29T14:43:06-07:00 |
type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
date | dcterms:date | October 18, 2013 (Date Filmed) |
type | dcterms:type | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
relation | dcterms:relation | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
subject | dcterms:subject | Digital Preservation with a focus on Electronic Literature |
contributor | dcterms:contributor | Dene Grigar and Stuart Moluthrop (Co-Principal Investigators); Aaron Wintersong (Videographer); Shelley Jackson (Author/Participant) |
language | dcterms:language | en-US |
bibliographic citation | dcterms:bibliographicCitation | Shelley Jackson's Traversal. (2013) [Video File]. |
medium | dcterms:medium | Video File |
format | dcterms:format | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
available | dcterms:available | 2015 |
coverage | dcterms:coverage | United States of America (C,V,O,English,U,N); Pre-web (circa 1986-1995) |
creator | dcterms:creator | Madeleine Brookman (Video Editor) |
is part of | dcterms:isPartOf | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
audience | dcterms:audience | Researchers; Academics; Students; Teachers; Professors; Electronic Literature Enthusiasts |
extent | dcterms:extent | 34:59 |
Version 73
resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/traversals.73 |
versionnumber | ov:versionnumber | 73 |
title | dcterms:title | Shelley Jackson's Traversal of Patchwork Girl |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. Jackson Traversal, Part 1, "Unweaving the Poetic Narrative" Jackson introduces Patchwork Girl, noting differences between the original and the CD-ROM edition she is using here, then starts the program. She notes that the opening image of the monstrous body was produced with MacPaint, the graphics program included with first-generation Apple Macintoshes. From the image she moves to the Map View (boxes and curved lines): "for me this is what the piece looks like, really." She notes that by holding down two keys (ALT and COMMAND, the two keys left of the spacebar) readers can reveal linked words. There are five paths from the first lexia, "evenly weighted for the reader." Jackson decides to choose a path that emphasizes story, and moves to a lexia called "Birth." From there she moves into passages appropriated from Mary Shelley's Frankenstein. The male creature demands that Frankenstein provide him a female mate. The next lexia mixes Mary Shelley's prose with an interjection by Shelley Jackson's monster, in which she asserting autonomy (more in the manner of the Patchwork Girl of Oz): "I forge my own links," living her life as a fabric that perhaps "will begin to resemble a web." Jackson's female monster then alludes to her love affair with Mary Shelley, and this part ends in one of those reminiscences. Jackson Traversal, Part 2, "Confronting the Monster" A link on the word "journal" leads to a section of a fictional Mary Shelley journal (invented by Jackson) describing Mary's first encounter with the female monster, who exists both as a real person (in Jackson's fiction) and as Mary's deliberate creation. From this section there are two links, displayed in a Storyspace link-selection dialog box, one labeled written, the other sewn. Jackson explains that this choice encapsulates her main metaphor in Patchwork Girl, the body as text, and text itself as a fabric or weaving. Jackson takes the link called writing. Jackson's Mary Shelley recalls the creation of her monster as an act of writing, but writing that quickly comes to resemble sewing, and thus leads to a reverie or digression (somewhat eroticized) about the ladies of the town sitting together at their work. Jackson backs up to take the other link, sewn. The making of the monster is now an act of needlework ("I had sewn her"), but sewing flips over into writing. From here we move to a lexia called "she stood," containing Jackson's Mary's description of her naked creature: "Various sectors of her skin were different hues and textures, no match perfect." She is monstrous, and yet "in this way she was beautiful." Jackson next clicks through a largely linear section, passing over a lexia in which her Mary makes love to the female monster. She returns to Map View and jumps to the path called Graveyard, which contains stories of the people from whom the monster's body parts have come. Here Jackson demonstrates a striking feature of her design that seems partly unrealized in the current version. (The cause of the problem Jackson finds is not clear.) Clicking on each bodypart link, the reader should be able to move to a passage associated with the part, or alternatively to an image of the part, which Jackson intended to be moveable around the reading screen, allowing the reader to re-assemble graphically her own monstrous body. The attempt to do this with "arm" proves unsuccessful, though "head" does work. This technical exploit represents a strong departure from the purely verbal register, reminding us why Patchwork Girl is often compared to graphic novels. It is also clear that Jackson pushed the presentation space as far as she could toward the compositional workspace in which she created the project: though Storyspace appears to have pushed back. Jackson reads lexias associated with the head, the lips ("my lips always get the joke") and the tongue. Then we leave the Graveyard: "a kind of resurrection has taken place." Jackson Traversal, Part 3, "Stitched Remix" Back to the start (title page). We move from there to the Quilt path, which appears as "a visual image made out of the basic structure of the Storyspace program itself," i.e., an array or grid of variously colored boxes. Quilt contains passages remixed from various sources: Frankenstein, The Patchwork Girl of Oz, critical commentaries, works of cultural theory, and even the Storyspace user manual. At the bottom of each lexia in the Quilt we are supposed to see "a series of hyphens," representing the stitches that draw passages together. For some reason, these do not appear in the CD-ROM edition Jackson used for this reading, though they can be seen in earlier editions. Monsters, hybrids, offspring: "Mosaic techniques of the maternal imagination, mistress of errors, aren't you the very demon of multiplicity?" Jackson's delight in this (lovely) passage is apparent, and she reads with a spontaneous smile. We leave the Quilt and travel "upstream" to the Map View again, descending once more into the Story path. Jackson explains that she wants to show how Story is built from two parallel threads that meet and diverge, one celebrating, the other resisting multiplicity. Jackson Traversal, Part 4, "Parallel Patches" Jackson returns to the Story thread, following the female monster in 19th-century America. Illustrating the split between celebration and resistance, she reads two lexias that both bear the name "Revelations." They are two versions of the same scene, in which Chancy, the sailor into whose company the monster has fallen, walks in on her in a state of undress. In one version, Chancy also strips, revealing that she too is a woman. The succeeding lexia after this has Chancy responding to the situation with laughter, and the two make love. In the alternative (resistant) version, Chancy responds to the monster's body with aversion, and the two part "distrustfully." Both versions of "Revelations" lead eventually to a lexia called "An Accident," which Jackson reads in its entirety. The monster is run down by a cab, and her left leg is separated -- in something less traumatic than a bloody severing -- from the rest of her body. In an earlier lexia (in the Graveyard), the monster hints that her left leg has always had a wayward impulse and seems ready to go its own way. The monster wonders at Chancy's astonished and fearful reaction to the accident and her survival: "Was there a right way to go to pieces?" Eventually the leg is found and receives a funeral, after which the monster heads west, and into something like the present day. In the final sequence, the monster takes up residence in a trailer near Death Valley, where she tries to "erase my history and be made new." The attempt to re-stitch herself surgically has not succeeded, so she attempts a psychological re-unification. "Files could be erased, pictures snipped. ... I thought I could grow into my oneness" -- but this is not to be. The monster falls apart again. In the final lexia, "Aftermath," she concludes: "And doubt and movement will be my life, as long as it lasts." |
default view | scalar:defaultView | structured_gallery |
was attributed to | prov:wasAttributedTo | https://scalar.usc.edu/works/pathfinders/users/3849 |
created | dcterms:created | 2015-05-29T10:23:55-07:00 |
type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
date | dcterms:date | October 18, 2013 (Date Filmed) |
type | dcterms:type | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
relation | dcterms:relation | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
subject | dcterms:subject | Digital Preservation with a focus on Electronic Literature |
contributor | dcterms:contributor | Dene Grigar and Stuart Moluthrop (Co-Principal Investigators); Aaron Wintersong (Videographer); Shelley Jackson (Author/Participant) |
language | dcterms:language | en-US |
bibliographic citation | dcterms:bibliographicCitation | Shelley Jackson's Traversal. (2013) [Video File]. |
medium | dcterms:medium | Video File |
format | dcterms:format | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
available | dcterms:available | 2015 |
coverage | dcterms:coverage | United States of America (C,V,O,English,U,N); Pre-web (circa 1986-1995) |
creator | dcterms:creator | Madeleine Brookman (Video Editor) |
is part of | dcterms:isPartOf | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
audience | dcterms:audience | Researchers; Academics; Students; Teachers; Professors; Electronic Literature Enthusiasts |
extent | dcterms:extent | 34:59 |
Version 72
resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/traversals.72 |
versionnumber | ov:versionnumber | 72 |
title | dcterms:title | Shelley Jackson's Traversal of Patchwork Girl |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. Jackson Traversal, Part 1, "Unweaving the Poetic Narrative" Jackson introduces Patchwork Girl, noting differences between the original and the CD-ROM edition she is using here, then starts the program. She notes that the opening image of the monstrous body was produced with MacPaint, the graphics program included with first-generation Apple Macintoshes. From the image she moves to the Map View (boxes and curved lines): "for me this is what the piece looks like, really." She notes that by holding down two keys (ALT and COMMAND, the two keys left of the spacebar) readers can reveal linked words. There are five paths from the first lexia, "evenly weighted for the reader." Jackson decides to choose a path that emphasizes story, and moves to a lexia called "Birth." From there she moves into passages appropriated from Mary Shelley's Frankenstein. The male creature demands that Frankenstein provide him a female mate. The next lexia mixes Mary Shelley's prose with an interjection by Shelley Jackson's monster, in which she asserting autonomy (more in the manner of the Patchwork Girl of Oz): "I forge my own links," living her life as a fabric that perhaps "will begin to resemble a web." Jackson's female monster then alludes to her love affair with Mary Shelley, and this part ends in one of those reminiscences. Jackson Traversal, Part 2, "Confronting the Monster" A link on the word "journal" leads to a section of a fictional Mary Shelley journal (invented by Jackson) describing Mary's first encounter with the female monster, who exists both as a real person (in Jackson's fiction) and as Mary's deliberate creation. From this section there are two links, displayed in a Storyspace link-selection dialog box, one labeled written, the other sewn. Jackson explains that this choice encapsulates her main metaphor in Patchwork Girl, the body as text, and text itself as a fabric or weaving. Jackson takes the link called writing. Jackson's Mary Shelley recalls the creation of her monster as an act of writing, but writing that quickly comes to resemble sewing, and thus leads to a reverie or digression (somewhat eroticized) about the ladies of the town sitting together at their work. Jackson backs up to take the other link, sewn. The making of the monster is now an act of needlework ("I had sewn her"), but sewing flips over into writing. From here we move to a lexia called "she stood," containing Jackson's Mary's description of her naked creature: "Various sectors of her skin were different hues and textures, no match perfect." She is monstrous, and yet "in this way she was beautiful." Jackson next clicks through a largely linear section, passing over a lexia in which her Mary makes love to the female monster. She returns to Map View and jumps to the path called Graveyard, which contains stories of the people from whom the monster's body parts have come. Here Jackson demonstrates a striking feature of her design that seems partly unrealized in the current version. (The cause of the problem Jackson finds is not clear.) Clicking on each bodypart link, the reader should be able to move to a passage associated with the part, or alternatively to an image of the part, which Jackson intended to be moveable around the reading screen, allowing the reader to re-assemble graphically her own monstrous body. The attempt to do this with "arm" proves unsuccessful, though "head" does work. This technical exploit represents a strong departure from the purely verbal register, reminding us why Patchwork Girl is often compared to graphic novels. It is also clear that Jackson pushed the presentation space as far as she could toward the compositional workspace in which she created the project: though Storyspace appears to have pushed back. Jackson reads lexias associated with the head, the lips ("my lips always get the joke") and the tongue. Then we leave the Graveyard: "a kind of resurrection has taken place." Jackson Traversal, Part 3, "Stitched Remix" Back to the start (title page). We move from there to the Quilt path, which appears as "a visual image made out of the basic structure of the Storyspace program itself," i.e., an array or grid of variously colored boxes. Quilt contains passages remixed from various sources: Frankenstein, The Patchwork Girl of Oz, critical commentaries, works of cultural theory, and even the Storyspace user manual. At the bottom of each lexia in the Quilt we are supposed to see "a series of hyphens," representing the stitches that draw passages together. For some reason, these do not appear in the CD-ROM edition Jackson used for this reading, though they can be seen in earlier editions. Monsters, hybrids, offspring: "Mosaic techniques of the maternal imagination, mistress of errors, aren't you the very demon of multiplicity?" Jackson's delight in this (lovely) passage is apparent, and she reads with a spontaneous smile. We leave the Quilt and travel "upstream" to the Map View again, descending once more into the Story path. Jackson explains that she wants to show how Story is built from two parallel threads that meet and diverge, one celebrating, the other resisting multiplicity. Jackson Traversal, Part 4, "Parallel Patches" Jackson returns to the Story thread, following the female monster in 19th-century America. Illustrating the split between celebration and resistance, she reads two lexias that both bear the name "Revelations." They are two versions of the same scene, in which Chancy, the sailor into whose company the monster has fallen, walks in on her in a state of undress. In one version, Chancy also strips, revealing that she too is a woman. The succeeding lexia after this has Chancy responding to the situation with laughter, and the two make love. In the alternative (resistant) version, Chancy responds to the monster's body with aversion, and the two part "distrustfully." Both versions of "Revelations" lead eventually to a lexia called "An Accident," which Jackson reads in its entirety. The monster is run down by a cab, and her left leg is separated -- in something less traumatic than a bloody severing -- from the rest of her body. In an earlier lexia (in the Graveyard), the monster hints that her left leg has always had a wayward impulse and seems ready to go its own way. The monster wonders at Chancy's astonished and fearful reaction to the accident and her survival: "Was there a right way to go to pieces?" Eventually the leg is found and receives a funeral, after which the monster heads west, and into something like the present day. In the final sequence, the monster takes up residence in a trailer near Death Valley, where she tries to "erase my history and be made new." The attempt to re-stitch herself surgically has not succeeded, so she attempts a psychological re-unification. "Files could be erased, pictures snipped. ... I thought I could grow into my oneness" -- but this is not to be. The monster falls apart again. In the final lexia, "Aftermath," she concludes: "And doubt and movement will be my life, as long as it lasts." |
default view | scalar:defaultView | structured_gallery |
was attributed to | prov:wasAttributedTo | https://scalar.usc.edu/works/pathfinders/users/3849 |
created | dcterms:created | 2015-05-29T10:23:03-07:00 |
type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
date | dcterms:date | October 18, 2013 (Date Filmed) |
type | dcterms:type | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
relation | dcterms:relation | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
subject | dcterms:subject | Digital Preservation with a focus on Electronic Literature |
contributor | dcterms:contributor | Dene Grigar and Stuart Moluthrop (Co-Principal Investigators); Aaron Wintersong (Videographer); Shelley Jackson (Author/Participant) |
language | dcterms:language | en-US |
bibliographic citation | dcterms:bibliographicCitation | Shelley Jackson's Traversal. (2013) [Video File]. |
medium | dcterms:medium | Video File |
format | dcterms:format | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
available | dcterms:available | 2015 |
coverage | dcterms:coverage | United States of America (C,V,O,English,U,N); Pre-web (circa 1986-1995) |
creator | dcterms:creator | Madeleine Brookman (Video Editor) |
is part of | dcterms:isPartOf | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
audience | dcterms:audience | Researchers; Academics; Students; Teachers; Professors; Electronic Literature Enthusiasts |
extent | dcterms:extent | 34:59 |
Version 71
resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/traversals.71 |
versionnumber | ov:versionnumber | 71 |
title | dcterms:title | Shelley Jackson's Traversal of Patchwork Girl |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. Jackson Traversal, Part 1, "Unweaving the Poetic Narrative" Jackson introduces Patchwork Girl, noting differences between the original and the CD-ROM edition she is using here, then starts the program. She notes that the opening image of the monstrous body was produced with MacPaint, the graphics program included with first-generation Apple Macintoshes. From the image she moves to the Map View (boxes and curved lines): "for me this is what the piece looks like, really." She notes that by holding down two keys (ALT and COMMAND, the two keys left of the spacebar) readers can reveal linked words. There are five paths from the first lexia, "evenly weighted for the reader." Jackson decides to choose a path that emphasizes story, and moves to a lexia called "Birth." From there she moves into passages appropriated from Mary Shelley's Frankenstein. The male creature demands that Frankenstein provide him a female mate. The next lexia mixes Mary Shelley's prose with an interjection by Shelley Jackson's monster, in which she asserting autonomy (more in the manner of the Patchwork Girl of Oz): "I forge my own links," living her life as a fabric that perhaps "will begin to resemble a web." Jackson's female monster then alludes to her love affair with Mary Shelley, and this part ends in one of those reminiscences. Jackson Traversal, Part 2, "Confronting the Monster" A link on the word "journal" leads to a section of a fictional Mary Shelley journal (invented by Jackson) describing Mary's first encounter with the female monster, who exists both as a real person (in Jackson's fiction) and as Mary's deliberate creation. From this section there are two links, displayed in a Storyspace link-selection dialog box, one labeled written, the other sewn. Jackson explains that this choice encapsulates her main metaphor in Patchwork Girl, the body as text, and text itself as a fabric or weaving. Jackson takes the link called writing. Jackson's Mary Shelley recalls the creation of her monster as an act of writing, but writing that quickly comes to resemble sewing, and thus leads to a reverie or digression (somewhat eroticized) about the ladies of the town sitting together at their work. Jackson backs up to take the other link, sewn. The making of the monster is now an act of needlework ("I had sewn her"), but sewing flips over into writing. From here we move to a lexia called "she stood," containing Jackson's Mary's description of her naked creature: "Various sectors of her skin were different hues and textures, no match perfect." She is monstrous, and yet "in this way she was beautiful." Jackson next clicks through a largely linear section, passing over a lexia in which her Mary makes love to the female monster. She returns to Map View and jumps to the path called Graveyard, which contains stories of the people from whom the monster's body parts have come. Here Jackson demonstrates a striking feature of her design that seems partly unrealized in the current version. (The cause of the problem Jackson finds is not clear.) Clicking on each bodypart link, the reader should be able to move to a passage associated with the part, or alternatively to an image of the part, which Jackson intended to be moveable around the reading screen, allowing the reader to re-assemble graphically her own monstrous body. The attempt to do this with "arm" proves unsuccessful, though "head" does work. This technical exploit represents a strong departure from the purely verbal register, reminding us why Patchwork Girl is often compared to graphic novels. It is also clear that Jackson pushed the presentation space as far as she could toward the compositional workspace in which she created the project: though Storyspace appears to have pushed back. Jackson reads lexias associated with the head, the lips ("my lips always get the joke") and the tongue. Then we leave the Graveyard: "a kind of resurrection has taken place." Jackson Traversal, Part 3, "Stitched Remix" Jackson Traversal, Part 4, "Parallel Patches"Back to the start (title page). We move from there to the Quilt path, which appears as "a visual image made out of the basic structure of the Storyspace program itself," i.e., an array or grid of variously colored boxes. Quilt contains passages remixed from various sources: Frankenstein, The Patchwork Girl of Oz, critical commentaries, works of cultural theory, and even the Storyspace user manual. At the bottom of each lexia in the Quilt we are supposed to see "a series of hyphens," representing the stitches that draw passages together. For some reason, these do not appear in the CD-ROM edition Jackson used for this reading, though they can be seen in earlier editions. Monsters, hybrids, offspring: "Mosaic techniques of the maternal imagination, mistress of errors, aren't you the very demon of multiplicity?" Jackson's delight in this (lovely) passage is apparent, and she reads with a spontaneous smile. We leave the Quilt and travel "upstream" to the Map View again, descending once more into the Story path. Jackson explains that she wants to show how Story is built from two parallel threads that meet and diverge, one celebrating, the other resisting multiplicity. Jackson returns to the Story thread, following the female monster in 19th-century America. Illustrating the split between celebration and resistance, she reads two lexias that both bear the name "Revelations." They are two versions of the same scene, in which Chancy, the sailor into whose company the monster has fallen, walks in on her in a state of undress. In one version, Chancy also strips, revealing that she too is a woman. The succeeding lexia after this has Chancy responding to the situation with laughter, and the two make love. In the alternative (resistant) version, Chancy responds to the monster's body with aversion, and the two part "distrustfully." Both versions of "Revelations" lead eventually to a lexia called "An Accident," which Jackson reads in its entirety. The monster is run down by a cab, and her left leg is separated -- in something less traumatic than a bloody severing -- from the rest of her body. In an earlier lexia (in the Graveyard), the monster hints that her left leg has always had a wayward impulse and seems ready to go its own way. The monster wonders at Chancy's astonished and fearful reaction to the accident and her survival: "Was there a right way to go to pieces?" Eventually the leg is found and receives a funeral, after which the monster heads west, and into something like the present day. In the final sequence, the monster takes up residence in a trailer near Death Valley, where she tries to "erase my history and be made new." The attempt to re-stitch herself surgically has not succeeded, so she attempts a psychological re-unification. "Files could be erased, pictures snipped. ... I thought I could grow into my oneness" -- but this is not to be. The monster falls apart again. In the final lexia, "Aftermath," she concludes: "And doubt and movement will be my life, as long as it lasts." |
default view | scalar:defaultView | structured_gallery |
was attributed to | prov:wasAttributedTo | https://scalar.usc.edu/works/pathfinders/users/3849 |
created | dcterms:created | 2015-05-29T10:21:04-07:00 |
type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
date | dcterms:date | October 18, 2013 (Date Filmed) |
type | dcterms:type | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
relation | dcterms:relation | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
subject | dcterms:subject | Digital Preservation with a focus on Electronic Literature |
contributor | dcterms:contributor | Dene Grigar and Stuart Moluthrop (Co-Principal Investigators); Aaron Wintersong (Videographer); Shelley Jackson (Author/Participant) |
language | dcterms:language | en-US |
bibliographic citation | dcterms:bibliographicCitation | Shelley Jackson's Traversal. (2013) [Video File]. |
medium | dcterms:medium | Video File |
format | dcterms:format | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
available | dcterms:available | 2015 |
coverage | dcterms:coverage | United States of America (C,V,O,English,U,N); Pre-web (circa 1986-1995) |
creator | dcterms:creator | Madeleine Brookman (Video Editor) |
is part of | dcterms:isPartOf | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
audience | dcterms:audience | Researchers; Academics; Students; Teachers; Professors; Electronic Literature Enthusiasts |
extent | dcterms:extent | 34:59 |
Version 70
resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/traversals.70 |
versionnumber | ov:versionnumber | 70 |
title | dcterms:title | Shelley Jackson's Traversal of Patchwork Girl |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. Jackson introduces Patchwork Girl, noting differences between the original and the CD-ROM edition she is using here, then starts the program. She notes that the opening image of the monstrous body was produced with MacPaint, the graphics program included with first-generation Apple Macintoshes. From the image she moves to the Map View (boxes and curved lines): "for me this is what the piece looks like, really." She notes that by holding down two keys (ALT and COMMAND, the two keys left of the spacebar) readers can reveal linked words. There are five paths from the first lexia, "evenly weighted for the reader." Jackson decides to choose a path that emphasizes story, and moves to a lexia called "Birth." From there she moves into passages appropriated from Mary Shelley's Frankenstein. The male creature demands that Frankenstein provide him a female mate. The next lexia mixes Mary Shelley's prose with an interjection by Shelley Jackson's monster, in which she asserting autonomy (more in the manner of the Patchwork Girl of Oz): "I forge my own links," living her life as a fabric that perhaps "will begin to resemble a web." Jackson's female monster then alludes to her love affair with Mary Shelley, and this part ends in one of those reminiscences. A link on the word "journal" leads to a section of a fictional Mary Shelley journal (invented by Jackson) describing Mary's first encounter with the female monster, who exists both as a real person (in Jackson's fiction) and as Mary's deliberate creation. From this section there are two links, displayed in a Storyspace link-selection dialog box, one labeled written, the other sewn. Jackson explains that this choice encapsulates her main metaphor in Patchwork Girl, the body as text, and text itself as a fabric or weaving. Jackson takes the link called writing. Jackson's Mary Shelley recalls the creation of her monster as an act of writing, but writing that quickly comes to resemble sewing, and thus leads to a reverie or digression (somewhat eroticized) about the ladies of the town sitting together at their work. Jackson backs up to take the other link, sewn. The making of the monster is now an act of needlework ("I had sewn her"), but sewing flips over into writing. From here we move to a lexia called "she stood," containing Jackson's Mary's description of her naked creature: "Various sectors of her skin were different hues and textures, no match perfect." She is monstrous, and yet "in this way she was beautiful." Jackson next clicks through a largely linear section, passing over a lexia in which her Mary makes love to the female monster. She returns to Map View and jumps to the path called Graveyard, which contains stories of the people from whom the monster's body parts have come. Here Jackson demonstrates a striking feature of her design that seems partly unrealized in the current version. (The cause of the problem Jackson finds is not clear.) Clicking on each bodypart link, the reader should be able to move to a passage associated with the part, or alternatively to an image of the part, which Jackson intended to be moveable around the reading screen, allowing the reader to re-assemble graphically her own monstrous body. The attempt to do this with "arm" proves unsuccessful, though "head" does work. This technical exploit represents a strong departure from the purely verbal register, reminding us why Patchwork Girl is often compared to graphic novels. It is also clear that Jackson pushed the presentation space as far as she could toward the compositional workspace in which she created the project: though Storyspace appears to have pushed back. Jackson reads lexias associated with the head, the lips ("my lips always get the joke") and the tongue. Then we leave the Graveyard: "a kind of resurrection has taken place." Jackson Traversal, Part 3, "Stitched Remix" Jackson Traversal, Part 4, "Parallel Patches"Back to the start (title page). We move from there to the Quilt path, which appears as "a visual image made out of the basic structure of the Storyspace program itself," i.e., an array or grid of variously colored boxes. Quilt contains passages remixed from various sources: Frankenstein, The Patchwork Girl of Oz, critical commentaries, works of cultural theory, and even the Storyspace user manual. At the bottom of each lexia in the Quilt we are supposed to see "a series of hyphens," representing the stitches that draw passages together. For some reason, these do not appear in the CD-ROM edition Jackson used for this reading, though they can be seen in earlier editions. Monsters, hybrids, offspring: "Mosaic techniques of the maternal imagination, mistress of errors, aren't you the very demon of multiplicity?" Jackson's delight in this (lovely) passage is apparent, and she reads with a spontaneous smile. We leave the Quilt and travel "upstream" to the Map View again, descending once more into the Story path. Jackson explains that she wants to show how Story is built from two parallel threads that meet and diverge, one celebrating, the other resisting multiplicity. Jackson returns to the Story thread, following the female monster in 19th-century America. Illustrating the split between celebration and resistance, she reads two lexias that both bear the name "Revelations." They are two versions of the same scene, in which Chancy, the sailor into whose company the monster has fallen, walks in on her in a state of undress. In one version, Chancy also strips, revealing that she too is a woman. The succeeding lexia after this has Chancy responding to the situation with laughter, and the two make love. In the alternative (resistant) version, Chancy responds to the monster's body with aversion, and the two part "distrustfully." Both versions of "Revelations" lead eventually to a lexia called "An Accident," which Jackson reads in its entirety. The monster is run down by a cab, and her left leg is separated -- in something less traumatic than a bloody severing -- from the rest of her body. In an earlier lexia (in the Graveyard), the monster hints that her left leg has always had a wayward impulse and seems ready to go its own way. The monster wonders at Chancy's astonished and fearful reaction to the accident and her survival: "Was there a right way to go to pieces?" Eventually the leg is found and receives a funeral, after which the monster heads west, and into something like the present day. In the final sequence, the monster takes up residence in a trailer near Death Valley, where she tries to "erase my history and be made new." The attempt to re-stitch herself surgically has not succeeded, so she attempts a psychological re-unification. "Files could be erased, pictures snipped. ... I thought I could grow into my oneness" -- but this is not to be. The monster falls apart again. In the final lexia, "Aftermath," she concludes: "And doubt and movement will be my life, as long as it lasts." |
default view | scalar:defaultView | structured_gallery |
was attributed to | prov:wasAttributedTo | https://scalar.usc.edu/works/pathfinders/users/3849 |
created | dcterms:created | 2015-05-29T10:17:54-07:00 |
type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
date | dcterms:date | October 18, 2013 (Date Filmed) |
type | dcterms:type | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
relation | dcterms:relation | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
subject | dcterms:subject | Digital Preservation with a focus on Electronic Literature |
contributor | dcterms:contributor | Dene Grigar and Stuart Moluthrop (Co-Principal Investigators); Aaron Wintersong (Videographer); Shelley Jackson (Author/Participant) |
language | dcterms:language | en-US |
bibliographic citation | dcterms:bibliographicCitation | Shelley Jackson's Traversal. (2013) [Video File]. |
medium | dcterms:medium | Video File |
format | dcterms:format | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
available | dcterms:available | 2015 |
coverage | dcterms:coverage | United States of America (C,V,O,English,U,N); Pre-web (circa 1986-1995) |
creator | dcterms:creator | Madeleine Brookman (Video Editor) |
is part of | dcterms:isPartOf | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
audience | dcterms:audience | Researchers; Academics; Students; Teachers; Professors; Electronic Literature Enthusiasts |
extent | dcterms:extent | 34:59 |
Version 69
resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/traversals.69 |
versionnumber | ov:versionnumber | 69 |
title | dcterms:title | Shelley Jackson's Traversal of Patchwork Girl |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. Jackson introduces Patchwork Girl, noting differences between the original and the CD-ROM edition she is using here, then starts the program. She notes that the opening image of the monstrous body was produced with MacPaint, the graphics program included with first-generation Apple Macintoshes. From the image she moves to the Map View (boxes and curved lines): "for me this is what the piece looks like, really." She notes that by holding down two keys (ALT and COMMAND, the two keys left of the spacebar) readers can reveal linked words. There are five paths from the first lexia, "evenly weighted for the reader." Jackson decides to choose a path that emphasizes story, and moves to a lexia called "Birth." From there she moves into passages appropriated from Mary Shelley's Frankenstein. The male creature demands that Frankenstein provide him a female mate. The next lexia mixes Mary Shelley's prose with an interjection by Shelley Jackson's monster, in which she asserting autonomy (more in the manner of the Patchwork Girl of Oz): "I forge my own links," living her life as a fabric that perhaps "will begin to resemble a web." Jackson's female monster then alludes to her love affair with Mary Shelley, and this part ends in one of those reminiscences. A link on the word "journal" leads to a section of a fictional Mary Shelley journal (invented by Jackson) describing Mary's first encounter with the female monster, who exists both as a real person (in Jackson's fiction) and as Mary's deliberate creation. From this section there are two links, displayed in a Storyspace link-selection dialog box, one labeled written, the other sewn. Jackson explains that this choice encapsulates her main metaphor in Patchwork Girl, the body as text, and text itself as a fabric or weaving. Jackson takes the link called writing. Jackson's Mary Shelley recalls the creation of her monster as an act of writing, but writing that quickly comes to resemble sewing, and thus leads to a reverie or digression (somewhat eroticized) about the ladies of the town sitting together at their work. Jackson backs up to take the other link, sewn. The making of the monster is now an act of needlework ("I had sewn her"), but sewing flips over into writing. From here we move to a lexia called "she stood," containing Jackson's Mary's description of her naked creature: "Various sectors of her skin were different hues and textures, no match perfect." She is monstrous, and yet "in this way she was beautiful." Jackson next clicks through a largely linear section, passing over a lexia in which her Mary makes love to the female monster. She returns to Map View and jumps to the path called Graveyard, which contains stories of the people from whom the monster's body parts have come. Here Jackson demonstrates a striking feature of her design that seems partly unrealized in the current version. (The cause of the problem Jackson finds is not clear.) Clicking on each bodypart link, the reader should be able to move to a passage associated with the part, or alternatively to an image of the part, which Jackson intended to be moveable around the reading screen, allowing the reader to re-assemble graphically her own monstrous body. The attempt to do this with "arm" proves unsuccessful, though "head" does work. This technical exploit represents a strong departure from the purely verbal register, reminding us why Patchwork Girl is often compared to graphic novels. It is also clear that Jackson pushed the presentation space as far as she could toward the compositional workspace in which she created the project: though Storyspace appears to have pushed back. Jackson reads lexias associated with the head, the lips ("my lips always get the joke") and the tongue. Then we leave the Graveyard: "a kind of resurrection has taken place." Jackson Traversal, Part 3, "Stitched Remix" Jackson Traversal, Part 4, "Parallel Patches"Back to the start (title page). We move from there to the Quilt path, which appears as "a visual image made out of the basic structure of the Storyspace program itself," i.e., an array or grid of variously colored boxes. Quilt contains passages remixed from various sources: Frankenstein, The Patchwork Girl of Oz, critical commentaries, works of cultural theory, and even the Storyspace user manual. At the bottom of each lexia in the Quilt we are supposed to see "a series of hyphens," representing the stitches that draw passages together. For some reason, these do not appear in the CD-ROM edition Jackson used for this reading, though they can be seen in earlier editions. Monsters, hybrids, offspring: "Mosaic techniques of the maternal imagination, mistress of errors, aren't you the very demon of multiplicity?" Jackson's delight in this (lovely) passage is apparent, and she reads with a spontaneous smile. We leave the Quilt and travel "upstream" to the Map View again, descending once more into the Story path. Jackson explains that she wants to show how Story is built from two parallel threads that meet and diverge, one celebrating, the other resisting multiplicity. Jackson returns to the Story thread, following the female monster in 19th-century America. Illustrating the split between celebration and resistance, she reads two lexias that both bear the name "Revelations." They are two versions of the same scene, in which Chancy, the sailor into whose company the monster has fallen, walks in on her in a state of undress. In one version, Chancy also strips, revealing that she too is a woman. The succeeding lexia after this has Chancy responding to the situation with laughter, and the two make love. In the alternative (resistant) version, Chancy responds to the monster's body with aversion, and the two part "distrustfully." Both versions of "Revelations" lead eventually to a lexia called "An Accident," which Jackson reads in its entirety. The monster is run down by a cab, and her left leg is separated -- in something less traumatic than a bloody severing -- from the rest of her body. In an earlier lexia (in the Graveyard), the monster hints that her left leg has always had a wayward impulse and seems ready to go its own way. The monster wonders at Chancy's astonished and fearful reaction to the accident and her survival: "Was there a right way to go to pieces?" Eventually the leg is found and receives a funeral, after which the monster heads west, and into something like the present day. In the final sequence, the monster takes up residence in a trailer near Death Valley, where she tries to "erase my history and be made new." The attempt to re-stitch herself surgically has not succeeded, so she attempts a psychological re-unification. "Files could be erased, pictures snipped. ... I thought I could grow into my oneness" -- but this is not to be. The monster falls apart again. In the final lexia, "Aftermath," she concludes: "And doubt and movement will be my life, as long as it lasts." |
default view | scalar:defaultView | structured_gallery |
was attributed to | prov:wasAttributedTo | https://scalar.usc.edu/works/pathfinders/users/3849 |
created | dcterms:created | 2015-05-28T13:43:46-07:00 |
type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
date | dcterms:date | October 18, 2013 (Date Filmed) |
type | dcterms:type | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
relation | dcterms:relation | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
subject | dcterms:subject | Digital Preservation with a focus on Electronic Literature |
contributor | dcterms:contributor | Dene Grigar and Stuart Moluthrop (Co-Principal Investigators); Aaron Wintersong (Videographer); Shelley Jackson (Author/Participant) |
language | dcterms:language | en-US |
bibliographic citation | dcterms:bibliographicCitation | Shelley Jackson's Traversal. (2013) [Video File]. |
medium | dcterms:medium | Video File |
format | dcterms:format | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
available | dcterms:available | 2015 |
coverage | dcterms:coverage | United States of America (C,V,O,English,U,N); Pre-web (circa 1986-1995) |
creator | dcterms:creator | Madeleine Brookman (Video Editor) |
is part of | dcterms:isPartOf | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
audience | dcterms:audience | Researchers; Academics; Students; Teachers; Professors; Electronic Literature Enthusiasts |
extent | dcterms:extent | 34:59 |
Version 68
resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/traversals.68 |
versionnumber | ov:versionnumber | 68 |
title | dcterms:title | Shelley Jackson's Traversal of Patchwork Girl |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. Jackson introduces Patchwork Girl, noting differences between the original and the CD-ROM edition she is using here, then starts the program. She notes that the opening image of the monstrous body was produced with MacPaint, the graphics program included with first-generation Apple Macintoshes. From the image she moves to the Map View (boxes and curved lines): "for me this is what the piece looks like, really." She notes that by holding down two keys (ALT and COMMAND, the two keys left of the spacebar) readers can reveal linked words. There are five paths from the first lexia, "evenly weighted for the reader." Jackson decides to choose a path that emphasizes story, and moves to a lexia called "Birth." From there she moves into passages appropriated from Mary Shelley's Frankenstein. The male creature demands that Frankenstein provide him a female mate. The next lexia mixes Mary Shelley's prose with an interjection by Shelley Jackson's monster, in which she asserting autonomy (more in the manner of the Patchwork Girl of Oz): "I forge my own links," living her life as a fabric that perhaps "will begin to resemble a web." Jackson's female monster then alludes to her love affair with Mary Shelley, and this part ends in one of those reminiscences. A link on the word "journal" leads to a section of a fictional Mary Shelley journal (invented by Jackson) describing Mary's first encounter with the female monster, who exists both as a real person (in Jackson's fiction) and as Mary's deliberate creation. From this section there are two links, displayed in a Storyspace link-selection dialog box, one labeled written, the other sewn. Jackson explains that this choice encapsulates her main metaphor in Patchwork Girl, the body as text, and text itself as a fabric or weaving. Jackson takes the link called writing. Jackson's Mary Shelley recalls the creation of her monster as an act of writing, but writing that quickly comes to resemble sewing, and thus leads to a reverie or digression (somewhat eroticized) about the ladies of the town sitting together at their work. Jackson backs up to take the other link, sewn. The making of the monster is now an act of needlework ("I had sewn her"), but sewing flips over into writing. From here we move to a lexia called "she stood," containing Jackson's Mary's description of her naked creature: "Various sectors of her skin were different hues and textures, no match perfect." She is monstrous, and yet "in this way she was beautiful." Jackson next clicks through a largely linear section, passing over a lexia in which her Mary makes love to the female monster. She returns to Map View and jumps to the path called Graveyard, which contains stories of the people from whom the monster's body parts have come. Here Jackson demonstrates a striking feature of her design that seems partly unrealized in the current version. (The cause of the problem Jackson finds is not clear.) Clicking on each bodypart link, the reader should be able to move to a passage associated with the part, or alternatively to an image of the part, which Jackson intended to be moveable around the reading screen, allowing the reader to re-assemble graphically her own monstrous body. The attempt to do this with "arm" proves unsuccessful, though "head" does work. This technical exploit represents a strong departure from the purely verbal register, reminding us why Patchwork Girl is often compared to graphic novels. It is also clear that Jackson pushed the presentation space as far as she could toward the compositional workspace in which she created the project: though Storyspace appears to have pushed back. Jackson reads lexias associated with the head, the lips ("my lips always get the joke") and the tongue. Then we leave the Graveyard: "a kind of resurrection has taken place." Jackson Traversal, Part 3, "Stitched Remix" Back to the start (title page). We move from there to the Quilt path, which appears as "a visual image made out of the basic structure of the Storyspace program itself," i.e., an array or grid of variously colored boxes. Quilt contains passages remixed from various sources: Frankenstein, The Patchwork Girl of Oz, critical commentaries, works of cultural theory, and even the Storyspace user manual. At the bottom of each lexia in the Quilt we are supposed to see "a series of hyphens," representing the stitches that draw passages together. For some reason, these do not appear in the CD-ROM edition Jackson used for this reading, though they can be seen in earlier editions. Monsters, hybrids, offspring: "Mosaic techniques of the maternal imagination, mistress of errors, aren't you the very demon of multiplicity?" Jackson's delight in this (lovely) passage is apparent, and she reads with a spontaneous smile. We leave the Quilt and travel "upstream" to the Map View again, descending once more into the Story path. Jackson explains that she wants to show how Story is built from two parallel threads that meet and diverge, one celebrating, the other resisting multiplicity. Jackson returns to the Story thread, following the female monster in 19th-century America. Illustrating the split between celebration and resistance, she reads two lexias that both bear the name "Revelations." They are two versions of the same scene, in which Chancy, the sailor into whose company the monster has fallen, walks in on her in a state of undress. In one version, Chancy also strips, revealing that she too is a woman. The succeeding lexia after this has Chancy responding to the situation with laughter, and the two make love. In the alternative (resistant) version, Chancy responds to the monster's body with aversion, and the two part "distrustfully." Both versions of "Revelations" lead eventually to a lexia called "An Accident," which Jackson reads in its entirety. The monster is run down by a cab, and her left leg is separated -- in something less traumatic than a bloody severing -- from the rest of her body. In an earlier lexia (in the Graveyard), the monster hints that her left leg has always had a wayward impulse and seems ready to go its own way. The monster wonders at Chancy's astonished and fearful reaction to the accident and her survival: "Was there a right way to go to pieces?" Eventually the leg is found and receives a funeral, after which the monster heads west, and into something like the present day. In the final sequence, the monster takes up residence in a trailer near Death Valley, where she tries to "erase my history and be made new." The attempt to re-stitch herself surgically has not succeeded, so she attempts a psychological re-unification. "Files could be erased, pictures snipped. ... I thought I could grow into my oneness" -- but this is not to be. The monster falls apart again. In the final lexia, "Aftermath," she concludes: "And doubt and movement will be my life, as long as it lasts." |
default view | scalar:defaultView | structured_gallery |
was attributed to | prov:wasAttributedTo | https://scalar.usc.edu/works/pathfinders/users/5411 |
created | dcterms:created | 2015-05-27T21:55:53-07:00 |
type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
date | dcterms:date | October 18, 2013 (Date Filmed) |
type | dcterms:type | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
relation | dcterms:relation | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
subject | dcterms:subject | Digital Preservation with a focus on Electronic Literature |
contributor | dcterms:contributor | Dene Grigar and Stuart Moluthrop (Co-Principal Investigators); Aaron Wintersong (Videographer); Shelley Jackson (Author/Participant) |
language | dcterms:language | en-US |
bibliographic citation | dcterms:bibliographicCitation | Shelley Jackson's Traversal. (2013) [Video File]. |
medium | dcterms:medium | Video File |
format | dcterms:format | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
available | dcterms:available | 2015 |
coverage | dcterms:coverage | United States of America (C,V,O,English,U,N); Pre-web (circa 1986-1995) |
creator | dcterms:creator | Madeleine Brookman (Video Editor) |
is part of | dcterms:isPartOf | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
audience | dcterms:audience | Researchers; Academics; Students; Teachers; Professors; Electronic Literature Enthusiasts |
extent | dcterms:extent | 34:59 |
Version 67
resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/traversals.67 |
versionnumber | ov:versionnumber | 67 |
title | dcterms:title | Shelley Jackson's Traversal of Patchwork Girl |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. Jackson introduces Patchwork Girl, noting differences between the original and the CD-ROM edition she is using here, then starts the program. She notes that the opening image of the monstrous body was produced with MacPaint, the graphics program included with first-generation Apple Macintoshes. From the image she moves to the Map View (boxes and curved lines): "for me this is what the piece looks like, really." She notes that by holding down two keys (ALT and COMMAND, the two keys left of the spacebar) readers can reveal linked words. There are five paths from the first lexia, "evenly weighted for the reader." Jackson decides to choose a path that emphasizes story, and moves to a lexia called "Birth." From there she moves into passages appropriated from Mary Shelley's Frankenstein. The male creature demands that Frankenstein provide him a female mate. The next lexia mixes Mary Shelley's prose with an interjection by Shelley Jackson's monster, in which she asserting autonomy (more in the manner of the Patchwork Girl of Oz): "I forge my own links," living her life as a fabric that perhaps "will begin to resemble a web." Jackson's female monster then alludes to her love affair with Mary Shelley, and this part ends in one of those reminiscences. A link on the word "journal" leads to a section of a fictional Mary Shelley journal (invented by Jackson) describing Mary's first encounter with the female monster, who exists both as a real person (in Jackson's fiction) and as Mary's deliberate creation. From this section there are two links, displayed in a Storyspace link-selection dialog box, one labeled written, the other sewn. Jackson explains that this choice encapsulates her main metaphor in Patchwork Girl, the body as text, and text itself as a fabric or weaving. Jackson takes the link called writing. Jackson's Mary Shelley recalls the creation of her monster as an act of writing, but writing that quickly comes to resemble sewing, and thus leads to a reverie or digression (somewhat eroticized) about the ladies of the town sitting together at their work. Jackson backs up to take the other link, sewn. The making of the monster is now an act of needlework ("I had sewn her"), but sewing flips over into writing. From here we move to a lexia called "she stood," containing Jackson's Mary's description of her naked creature: "Various sectors of her skin were different hues and textures, no match perfect." She is monstrous, and yet "in this way she was beautiful." Jackson next clicks through a largely linear section, passing over a lexia in which her Mary makes love to the female monster. She returns to Map View and jumps to the path called Graveyard, which contains stories of the people from whom the monster's body parts have come. Here Jackson demonstrates a striking feature of her design that seems partly unrealized in the current version. (The cause of the problem Jackson finds is not clear.) Clicking on each bodypart link, the reader should be able to move to a passage associated with the part, or alternatively to an image of the part, which Jackson intended to be moveable around the reading screen, allowing the reader to re-assemble graphically her own monstrous body. The attempt to do this with "arm" proves unsuccessful, though "head" does work. This technical exploit represents a strong departure from the purely verbal register, reminding us why Patchwork Girl is often compared to graphic novels. It is also clear that Jackson pushed the presentation space as far as she could toward the compositional workspace in which she created the project: though Storyspace appears to have pushed back. Jackson reads lexias associated with the head, the lips ("my lips always get the joke") and the tongue. Then we leave the Graveyard: "a kind of resurrection has taken place." Jackson Traversal, Part 3, "Stitched Remix" Back to the start (title page). We move from there to the Quilt path, which appears as "a visual image made out of the basic structure of the Storyspace program itself," i.e., an array or grid of variously colored boxes. Quilt contains passages remixed from various sources: Frankenstein, The Patchwork Girl of Oz, critical commentaries, works of cultural theory, and even the Storyspace user manual. At the bottom of each lexia in the Quilt we are supposed to see "a series of hyphens," representing the stitches that draw passages together. For some reason, these do not appear in the CD-ROM edition Jackson used for this reading, though they can be seen in earlier editions. Monsters, hybrids, offspring: "Mosaic techniques of the maternal imagination, mistress of errors, aren't you the very demon of multiplicity?" Jackson's delight in this (lovely) passage is apparent, and she reads with a spontaneous smile. We leave the Quilt and travel "upstream" to the Map View again, descending once more into the Story path. Jackson explains that she wants to show how Story is built from two parallel threads that meet and diverge, one celebrating, the other resisting multiplicity. Jackson returns to the Story thread, following the female monster in 19th-century America. Illustrating the split between celebration and resistance, she reads two lexias that both bear the name "Revelations." They are two versions of the same scene, in which Chancy, the sailor into whose company the monster has fallen, walks in on her in a state of undress. In one version, Chancy also strips, revealing that she too is a woman. The succeeding lexia after this has Chancy responding to the situation with laughter, and the two make love. In the alternative (resistant) version, Chancy responds to the monster's body with aversion, and the two part "distrustfully." Both versions of "Revelations" lead eventually to a lexia called "An Accident," which Jackson reads in its entirety. The monster is run down by a cab, and her left leg is separated -- in something less traumatic than a bloody severing -- from the rest of her body. In an earlier lexia (in the Graveyard), the monster hints that her left leg has always had a wayward impulse and seems ready to go its own way. The monster wonders at Chancy's astonished and fearful reaction to the accident and her survival: "Was there a right way to go to pieces?" Eventually the leg is found and receives a funeral, after which the monster heads west, and into something like the present day. In the final sequence, the monster takes up residence in a trailer near Death Valley, where she tries to "erase my history and be made new." The attempt to re-stitch herself surgically has not succeeded, so she attempts a psychological re-unification. "Files could be erased, pictures snipped. ... I thought I could grow into my oneness" -- but this is not to be. The monster falls apart again. In the final lexia, "Aftermath," she concludes: "And doubt and movement will be my life, as long as it lasts." |
default view | scalar:defaultView | structured_gallery |
was attributed to | prov:wasAttributedTo | https://scalar.usc.edu/works/pathfinders/users/5411 |
created | dcterms:created | 2015-05-27T21:54:36-07:00 |
type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
date | dcterms:date | October 18, 2013 (Date Filmed) |
type | dcterms:type | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
relation | dcterms:relation | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
subject | dcterms:subject | Digital Preservation with a focus on Electronic Literature |
contributor | dcterms:contributor | Dene Grigar and Stuart Moluthrop (Co-Principal Investigators); Aaron Wintersong (Videographer); Shelley Jackson (Author/Participant) |
language | dcterms:language | en-US |
bibliographic citation | dcterms:bibliographicCitation | Shelley Jackson's Traversal. (2013) [Video File]. |
medium | dcterms:medium | Video File |
format | dcterms:format | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
available | dcterms:available | 2015 |
coverage | dcterms:coverage | United States of America (C,V,O,English,U,N); Pre-web (circa 1986-1995) |
creator | dcterms:creator | Madeleine Brookman (Video Editor) |
is part of | dcterms:isPartOf | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
audience | dcterms:audience | Researchers; Academics; Students; Teachers; Professors; Electronic Literature Enthusiasts |
extent | dcterms:extent | 34:59 |
Version 66
resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/traversals.66 |
versionnumber | ov:versionnumber | 66 |
title | dcterms:title | Shelley Jackson's Traversal of Patchwork Girl |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content |
This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work.
Jackson introduces Patchwork Girl, noting differences between the original and the CD-ROM edition she is using here, then starts the program. She notes that the opening image of the monstrous body was produced with MacPaint, the graphics program included with first-generation Apple Macintoshes. From the image she moves to the Map View (boxes and curved lines): "for me this is what the piece looks like, really." She notes that by holding down two keys (ALT and COMMAND, the two keys left of the spacebar) readers can reveal linked words. There are five paths from the first lexia, "evenly weighted for the reader." Jackson decides to choose a path that emphasizes story, and moves to a lexia called "Birth." From there she moves into passages appropriated from Mary Shelley's Frankenstein. The male creature demands that Frankenstein provide him a female mate. The next lexia mixes Mary Shelley's prose with an interjection by Shelley Jackson's monster, in which she asserting autonomy (more in the manner of the Patchwork Girl of Oz): "I forge my own links," living her life as a fabric that perhaps "will begin to resemble a web." Jackson's female monster then alludes to her love affair with Mary Shelley, and this part ends in one of those reminiscences. The video file is saved as a high-quality 1280x720, compressed MPEG-4 Movie (.mp4) H.264 codec, with a high-quality audio track (.aac). The duration is 10:30 minutes, streaming from the Vimeo video-sharing site. A link on the word "journal" leads to a section of a fictional Mary Shelley journal (invented by Jackson) describing Mary's first encounter with the female monster, who exists both as a real person (in Jackson's fiction) and as Mary's deliberate creation. From this section there are two links, displayed in a Storyspace link-selection dialog box, one labeled written, the other sewn. Jackson explains that this choice encapsulates her main metaphor in Patchwork Girl, the body as text, and text itself as a fabric or weaving. Jackson takes the link called writing. Jackson's Mary Shelley recalls the creation of her monster as an act of writing, but writing that quickly comes to resemble sewing, and thus leads to a reverie or digression (somewhat eroticized) about the ladies of the town sitting together at their work. Jackson backs up to take the other link, sewn. The making of the monster is now an act of needlework ("I had sewn her"), but sewing flips over into writing. From here we move to a lexia called "she stood," containing Jackson's Mary's description of her naked creature: "Various sectors of her skin were different hues and textures, no match perfect." She is monstrous, and yet "in this way she was beautiful." Jackson next clicks through a largely linear section, passing over a lexia in which her Mary makes love to the female monster. She returns to Map View and jumps to the path called Graveyard, which contains stories of the people from whom the monster's body parts have come. Here Jackson demonstrates a striking feature of her design that seems partly unrealized in the current version. (The cause of the problem Jackson finds is not clear.) Clicking on each bodypart link, the reader should be able to move to a passage associated with the part, or alternatively to an image of the part, which Jackson intended to be moveable around the reading screen, allowing the reader to re-assemble graphically her own monstrous body. The attempt to do this with "arm" proves unsuccessful, though "head" does work. This technical exploit represents a strong departure from the purely verbal register, reminding us why Patchwork Girl is often compared to graphic novels. It is also clear that Jackson pushed the presentation space as far as she could toward the compositional workspace in which she created the project: though Storyspace appears to have pushed back. Jackson reads lexias associated with the head, the lips ("my lips always get the joke") and the tongue. Then we leave the Graveyard: "a kind of resurrection has taken place." Jackson Traversal, Part 3
The video file is saved as a high-quality 1280x720, compressed MPEG-4 Movie (.mp4) H.264 codec, with a high-quality audio track (.aac). The duration is 7:09 minutes, streaming from the Vimeo video-sharing site. Back to the start (title page). We move from there to the Quilt path, which appears as "a visual image made out of the basic structure of the Storyspace program itself," i.e., an array or grid of variously colored boxes. Quilt contains passages remixed from various sources: Frankenstein, The Patchwork Girl of Oz, critical commentaries, works of cultural theory, and even the Storyspace user manual. At the bottom of each lexia in the Quilt we are supposed to see "a series of hyphens," representing the stitches that draw passages together. For some reason, these do not appear in the CD-ROM edition Jackson used for this reading, though they can be seen in earlier editions. Monsters, hybrids, offspring: "Mosaic techniques of the maternal imagination, mistress of errors, aren't you the very demon of multiplicity?" Jackson's delight in this (lovely) passage is apparent, and she reads with a spontaneous smile. We leave the Quilt and travel "upstream" to the Map View again, descending once more into the Story path. Jackson explains that she wants to show how Story is built from two parallel threads that meet and diverge, one celebrating, the other resisting multiplicity. The video file is saved as a high-quality 1280x720, compressed MPEG-4 Movie (.mp4) H.264 codec, with a high-quality audio track (.aac). The duration is 8:49 minutes, streaming from the Vimeo video-sharing site. Jackson returns to the Story thread, following the female monster in 19th-century America. Illustrating the split between celebration and resistance, she reads two lexias that both bear the name "Revelations." They are two versions of the same scene, in which Chancy, the sailor into whose company the monster has fallen, walks in on her in a state of undress. In one version, Chancy also strips, revealing that she too is a woman. The succeeding lexia after this has Chancy responding to the situation with laughter, and the two make love. In the alternative (resistant) version, Chancy responds to the monster's body with aversion, and the two part "distrustfully." Both versions of "Revelations" lead eventually to a lexia called "An Accident," which Jackson reads in its entirety. The monster is run down by a cab, and her left leg is separated -- in something less traumatic than a bloody severing -- from the rest of her body. In an earlier lexia (in the Graveyard), the monster hints that her left leg has always had a wayward impulse and seems ready to go its own way. The monster wonders at Chancy's astonished and fearful reaction to the accident and her survival: "Was there a right way to go to pieces?" Eventually the leg is found and receives a funeral, after which the monster heads west, and into something like the present day. In the final sequence, the monster takes up residence in a trailer near Death Valley, where she tries to "erase my history and be made new." The attempt to re-stitch herself surgically has not succeeded, so she attempts a psychological re-unification. "Files could be erased, pictures snipped. ... I thought I could grow into my oneness" -- but this is not to be. The monster falls apart again. In the final lexia, "Aftermath," she concludes: "And doubt and movement will be my life, as long as it lasts." |
default view | scalar:defaultView | structured_gallery |
was attributed to | prov:wasAttributedTo | https://scalar.usc.edu/works/pathfinders/users/3848 |
created | dcterms:created | 2015-05-27T11:41:39-07:00 |
type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
date | dcterms:date | October 18, 2013 (Date Filmed) |
type | dcterms:type | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
relation | dcterms:relation | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
subject | dcterms:subject | Digital Preservation with a focus on Electronic Literature |
contributor | dcterms:contributor | Dene Grigar and Stuart Moluthrop (Co-Principal Investigators); Aaron Wintersong (Videographer); Shelley Jackson (Author/Participant) |
language | dcterms:language | en-US |
bibliographic citation | dcterms:bibliographicCitation | Shelley Jackson's Traversal. (2013) [Video File]. |
medium | dcterms:medium | Video File |
format | dcterms:format | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
available | dcterms:available | 2015 |
coverage | dcterms:coverage | United States of America (C,V,O,English,U,N); Pre-web (circa 1986-1995) |
creator | dcterms:creator | Madeleine Brookman (Video Editor) |
is part of | dcterms:isPartOf | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
audience | dcterms:audience | Researchers; Academics; Students; Teachers; Professors; Electronic Literature Enthusiasts |
extent | dcterms:extent | 34:59 |
Version 65
resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/traversals.65 |
versionnumber | ov:versionnumber | 65 |
title | dcterms:title | Shelley Jackson's Traversal of Patchwork Girl |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. Jackson Traversal, Part 3
The video file is saved as a high-quality 1280x720, compressed MPEG-4 Movie (.mp4) H.264 codec, with a high-quality audio track (.aac). The duration is 7:09 minutes, streaming from the Vimeo video-sharing site.
Back to the start (title page). We move from there to the Quilt path, which appears as "a visual image made out of the basic structure of the Storyspace program itself," i.e., an array or grid of variously colored boxes.
Quilt contains passages remixed from various sources: Frankenstein, The Patchwork Girl of Oz, critical commentaries, works of cultural theory, and even the Storyspace user manual. At the bottom of each lexia in the Quilt we are supposed to see "a series of hyphens," representing the stitches that draw passages together. For some reason, these do not appear in the CD-ROM edition Jackson used for this reading, though they can be seen in earlier editions.
Monsters, hybrids, offspring: "Mosaic techniques of the maternal imagination, mistress of errors, aren't you the very demon of multiplicity?" Jackson's delight in this (lovely) passage is apparent, and she reads with a spontaneous smile.
We leave the Quilt and travel "upstream" to the Map View again, descending once more into the Story path. Jackson explains that she wants to show how Story is built from two parallel threads that meet and diverge, one celebrating, the other resisting multiplicity.
Jackson Traversal, Part 4
The video file is saved as a high-quality 1280x720, compressed MPEG-4 Movie (.mp4) H.264 codec, with a high-quality audio track (.aac). The duration is 8:49 minutes, streaming from the Vimeo video-sharing site.
Jackson returns to the Story thread, following the female monster in 19th-century America. Illustrating the split between celebration and resistance, she reads two lexias that both bear the name "Revelations." They are two versions of the same scene, in which Chancy, the sailor into whose company the monster has fallen, walks in on her in a state of undress.
In one version, Chancy also strips, revealing that she too is a woman. The succeeding lexia after this has Chancy responding to the situation with laughter, and the two make love. In the alternative (resistant) version, Chancy responds to the monster's body with aversion, and the two part "distrustfully."
Both versions of "Revelations" lead eventually to a lexia called "An Accident," which Jackson reads in its entirety. The monster is run down by a cab, and her left leg is separated -- in something less traumatic than a bloody severing -- from the rest of her body. In an earlier lexia (in the Graveyard), the monster hints that her left leg has always had a wayward impulse and seems ready to go its own way.
The monster wonders at Chancy's astonished and fearful reaction to the accident and her survival: "Was there a right way to go to pieces?" Eventually the leg is found and receives a funeral, after which the monster heads west, and into something like the present day.
In the final sequence, the monster takes up residence in a trailer near Death Valley, where she tries to "erase my history and be made new." The attempt to re-stitch herself surgically has not succeeded, so she attempts a psychological re-unification. "Files could be erased, pictures snipped. ... I thought I could grow into my oneness" -- but this is not to be. The monster falls apart again.
In the final lexia, "Aftermath," she concludes: "And doubt and movement will be my life, as long as it lasts."
|
default view | scalar:defaultView | structured_gallery |
was attributed to | prov:wasAttributedTo | https://scalar.usc.edu/works/pathfinders/users/3847 |
created | dcterms:created | 2015-05-25T12:44:09-07:00 |
type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
date | dcterms:date | October 18, 2013 (Date Filmed) |
type | dcterms:type | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
relation | dcterms:relation | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
subject | dcterms:subject | Digital Preservation with a focus on Electronic Literature |
contributor | dcterms:contributor | Dene Grigar and Stuart Moluthrop (Co-Principal Investigators); Aaron Wintersong (Videographer); Shelley Jackson (Author/Participant) |
language | dcterms:language | en-US |
bibliographic citation | dcterms:bibliographicCitation | Shelley Jackson's Traversal. (2013) [Video File]. |
medium | dcterms:medium | Video File |
format | dcterms:format | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
available | dcterms:available | 2015 |
coverage | dcterms:coverage | United States of America (C,V,O,English,U,N); Pre-web (circa 1986-1995) |
creator | dcterms:creator | Madeleine Brookman (Video Editor) |
is part of | dcterms:isPartOf | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
audience | dcterms:audience | Researchers; Academics; Students; Teachers; Professors; Electronic Literature Enthusiasts |
extent | dcterms:extent | 34:59 |
Version 64
resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/traversals.64 |
versionnumber | ov:versionnumber | 64 |
title | dcterms:title | Shelley Jackson's Traversal of Patchwork Girl |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. Jackson Traversal, Part 3
The video file is saved as a high-quality 1280x720, compressed MPEG-4 Movie (.mp4) H.264 codec, with a high-quality audio track (.aac). The duration is 7:09 minutes, streaming from the Vimeo video-sharing site.
Back to the start (title page). We move from there to the Quilt path, which appears as "a visual image made out of the basic structure of the Storyspace program itself," i.e., an array or grid of variously colored boxes.
Quilt contains passages remixed from various sources: Frankenstein, The Patchwork Girl of Oz, critical commentaries, works of cultural theory, and even the Storyspace user manual. At the bottom of each lexia in the Quilt we are supposed to see "a series of hyphens," representing the stitches that draw passages together. For some reason, these do not appear in the CD-ROM edition Jackson used for this reading, though they can be seen in earlier editions.
Monsters, hybrids, offspring: "Mosaic techniques of the maternal imagination, mistress of errors, aren't you the very demon of multiplicity?" Jackson's delight in this (lovely) passage is apparent, and she reads with a spontaneous smile.
We leave the Quilt and travel "upstream" to the Map View again, descending once more into the Story path. Jackson explains that she wants to show how Story is built from two parallel threads that meet and diverge, one celebrating, the other resisting multiplicity.
Jackson Traversal, Part 4
The video file is saved as a high-quality 1280x720, compressed MPEG-4 Movie (.mp4) H.264 codec, with a high-quality audio track (.aac). The duration is 7:54 minutes, streaming from the Vimeo video-sharing site.
Jackson returns to the Story thread, following the female monster in 19th-century America. Illustrating the split between celebration and resistance, she reads two lexias that both bear the name "Revelations." They are two versions of the same scene, in which Chancy, the sailor into whose company the monster has fallen, walks in on her in a state of undress.
In one version, Chancy also strips, revealing that she too is a woman. The succeeding lexia after this has Chancy responding to the situation with laughter, and the two make love. In the alternative (resistant) version, Chancy responds to the monster's body with aversion, and the two part "distrustfully."
Both versions of "Revelations" lead eventually to a lexia called "An Accident," which Jackson reads in its entirety. The monster is run down by a cab, and her left leg is separated -- in something less traumatic than a bloody severing -- from the rest of her body. In an earlier lexia (in the Graveyard), the monster hints that her left leg has always had a wayward impulse and seems ready to go its own way.
The monster wonders at Chancy's astonished and fearful reaction to the accident and her survival: "Was there a right way to go to pieces?" Eventually the leg is found and receives a funeral, after which the monster heads west, and into something like the present day.
In the final sequence, the monster takes up residence in a trailer near Death Valley, where she tries to "erase my history and be made new." The attempt to re-stitch herself surgically has not succeeded, so she attempts a psychological re-unification. "Files could be erased, pictures snipped. ... I thought I could grow into my oneness" -- but this is not to be. The monster falls apart again.
In the final lexia, "Aftermath," she concludes: "And doubt and movement will be my life, as long as it lasts."
|
default view | scalar:defaultView | structured_gallery |
was attributed to | prov:wasAttributedTo | https://scalar.usc.edu/works/pathfinders/users/3847 |
created | dcterms:created | 2015-05-25T12:43:21-07:00 |
type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
date | dcterms:date | October 18, 2013 (Date Filmed) |
type | dcterms:type | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
relation | dcterms:relation | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
subject | dcterms:subject | Digital Preservation with a focus on Electronic Literature |
contributor | dcterms:contributor | Dene Grigar and Stuart Moluthrop (Co-Principal Investigators); Aaron Wintersong (Videographer); Shelley Jackson (Author/Participant) |
language | dcterms:language | en-US |
bibliographic citation | dcterms:bibliographicCitation | Shelley Jackson's Traversal. (2013) [Video File]. |
medium | dcterms:medium | Video File |
format | dcterms:format | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
available | dcterms:available | 2015 |
coverage | dcterms:coverage | United States of America (C,V,O,English,U,N); Pre-web (circa 1986-1995) |
creator | dcterms:creator | Madeleine Brookman (Video Editor) |
is part of | dcterms:isPartOf | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
audience | dcterms:audience | Researchers; Academics; Students; Teachers; Professors; Electronic Literature Enthusiasts |
extent | dcterms:extent | 34:59 |
Version 63
resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/traversals.63 |
versionnumber | ov:versionnumber | 63 |
title | dcterms:title | Shelley Jackson's Traversal of Patchwork Girl |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. Jackson Traversal, Part 3
The video file is saved as a high-quality 1280x720, compressed MPEG-4 Movie (.mp4) H.264 codec, with a high-quality audio track (.aac). The duration is 7:09 minutes, streaming from the Vimeo video-sharing site.
Back to the start (title page). We move from there to the Quilt path, which appears as "a visual image made out of the basic structure of the Storyspace program itself," i.e., an array or grid of variously colored boxes.
Quilt contains passages remixed from various sources: Frankenstein, The Patchwork Girl of Oz, critical commentaries, works of cultural theory, and even the Storyspace user manual. At the bottom of each lexia in the Quilt we are supposed to see "a series of hyphens," representing the stitches that draw passages together. For some reason, these do not appear in the CD-ROM edition Jackson used for this reading, though they can be seen in earlier editions.
Monsters, hybrids, offspring: "Mosaic techniques of the maternal imagination, mistress of errors, aren't you the very demon of multiplicity?" Jackson's delight in this (lovely) passage is apparent, and she reads with a spontaneous smile.
We leave the Quilt and travel "upstream" to the Map View again, descending once more into the Story path. Jackson explains that she wants to show how Story is built from two parallel threads that meet and diverge, one celebrating, the other resisting multiplicity.
Jackson Traversal, Part 4
Jackson returns to the Story thread, following the female monster in 19th-century America. Illustrating the split between celebration and resistance, she reads two lexias that both bear the name "Revelations." They are two versions of the same scene, in which Chancy, the sailor into whose company the monster has fallen, walks in on her in a state of undress.
In one version, Chancy also strips, revealing that she too is a woman. The succeeding lexia after this has Chancy responding to the situation with laughter, and the two make love. In the alternative (resistant) version, Chancy responds to the monster's body with aversion, and the two part "distrustfully."
Both versions of "Revelations" lead eventually to a lexia called "An Accident," which Jackson reads in its entirety. The monster is run down by a cab, and her left leg is separated -- in something less traumatic than a bloody severing -- from the rest of her body. In an earlier lexia (in the Graveyard), the monster hints that her left leg has always had a wayward impulse and seems ready to go its own way.
The monster wonders at Chancy's astonished and fearful reaction to the accident and her survival: "Was there a right way to go to pieces?" Eventually the leg is found and receives a funeral, after which the monster heads west, and into something like the present day.
In the final sequence, the monster takes up residence in a trailer near Death Valley, where she tries to "erase my history and be made new." The attempt to re-stitch herself surgically has not succeeded, so she attempts a psychological re-unification. "Files could be erased, pictures snipped. ... I thought I could grow into my oneness" -- but this is not to be. The monster falls apart again.
In the final lexia, "Aftermath," she concludes: "And doubt and movement will be my life, as long as it lasts."
|
default view | scalar:defaultView | structured_gallery |
was attributed to | prov:wasAttributedTo | https://scalar.usc.edu/works/pathfinders/users/3847 |
created | dcterms:created | 2015-05-25T12:39:02-07:00 |
type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
date | dcterms:date | October 18, 2013 (Date Filmed) |
type | dcterms:type | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
relation | dcterms:relation | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
subject | dcterms:subject | Digital Preservation with a focus on Electronic Literature |
contributor | dcterms:contributor | Dene Grigar and Stuart Moluthrop (Co-Principal Investigators); Aaron Wintersong (Videographer); Shelley Jackson (Author/Participant) |
language | dcterms:language | en-US |
bibliographic citation | dcterms:bibliographicCitation | Shelley Jackson's Traversal. (2013) [Video File]. |
medium | dcterms:medium | Video File |
format | dcterms:format | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
available | dcterms:available | 2015 |
coverage | dcterms:coverage | United States of America (C,V,O,English,U,N); Pre-web (circa 1986-1995) |
creator | dcterms:creator | Madeleine Brookman (Video Editor) |
is part of | dcterms:isPartOf | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
audience | dcterms:audience | Researchers; Academics; Students; Teachers; Professors; Electronic Literature Enthusiasts |
extent | dcterms:extent | 34:59 |
Version 62
resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/traversals.62 |
versionnumber | ov:versionnumber | 62 |
title | dcterms:title | Shelley Jackson's Traversal of Patchwork Girl |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. Jackson Traversal, Part 3
The video file is saved as a high-quality 1280x720, compressed MPEG-4 Movie (.mp4) H.264 codec, with a high-quality audio track (.aac). The duration is 7:09 minutes, streaming from the Vimeo video-sharing site.
Back to the start (title page). We move from there to the Quilt path, which appears as "a visual image made out of the basic structure of the Storyspace program itself," i.e., an array or grid of variously colored boxes.
Quilt contains passages remixed from various sources: Frankenstein, The Patchwork Girl of Oz, critical commentaries, works of cultural theory, and even the Storyspace user manual. At the bottom of each lexia in the Quilt we are supposed to see "a series of hyphens," representing the stitches that draw passages together. For some reason, these do not appear in the CD-ROM edition Jackson used for this reading, though they can be seen in earlier editions.
Monsters, hybrids, offspring: "Mosaic techniques of the maternal imagination, mistress of errors, aren't you the very demon of multiplicity?" Jackson's delight in this (lovely) passage is apparent, and she reads with a spontaneous smile.
We leave the Quilt and travel "upstream" to the Map View again, descending once more into the Story path. Jackson explains that she wants to show how Story is built from two parallel threads that meet and diverge, one celebrating, the other resisting multiplicity.
Jackson Traversal, Part 4
Jackson returns to the Story thread, following the female monster in 19th-century America. Illustrating the split between celebration and resistance, she reads two lexias that both bear the name "Revelations." They are two versions of the same scene, in which Chancy, the sailor into whose company the monster has fallen, walks in on her in a state of undress.
In one version, Chancy also strips, revealing that she too is a woman. The succeeding lexia after this has Chancy responding to the situation with laughter, and the two make love. In the alternative (resistant) version, Chancy responds to the monster's body with aversion, and the two part "distrustfully."
Both versions of "Revelations" lead eventually to a lexia called "An Accident," which Jackson reads in its entirety. The monster is run down by a cab, and her left leg is separated -- in something less traumatic than a bloody severing -- from the rest of her body. In an earlier lexia (in the Graveyard), the monster hints that her left leg has always had a wayward impulse and seems ready to go its own way.
The monster wonders at Chancy's astonished and fearful reaction to the accident and her survival: "Was there a right way to go to pieces?" Eventually the leg is found and receives a funeral, after which the monster heads west, and into something like the present day.
In the final sequence, the monster takes up residence in a trailer near Death Valley, where she tries to "erase my history and be made new." The attempt to re-stitch herself surgically has not succeeded, so she attempts a psychological re-unification. "Files could be erased, pictures snipped. ... I thought I could grow into my oneness" -- but this is not to be. The monster falls apart again.
In the final lexia, "Aftermath," she concludes: "And doubt and movement will be my life, as long as it lasts."
|
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date | dcterms:date | October 18, 2013 (Date Filmed) |
type | dcterms:type | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
relation | dcterms:relation | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
subject | dcterms:subject | Digital Preservation with a focus on Electronic Literature |
contributor | dcterms:contributor | Dene Grigar and Stuart Moluthrop (Co-Principal Investigators); Aaron Wintersong (Videographer); Shelley Jackson (Author/Participant) |
language | dcterms:language | en-US |
bibliographic citation | dcterms:bibliographicCitation | Shelley Jackson's Traversal. (2013) [Video File]. |
medium | dcterms:medium | Video File |
format | dcterms:format | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
available | dcterms:available | 2015 |
coverage | dcterms:coverage | United States of America (C,V,O,English,U,N); Pre-web (circa 1986-1995) |
creator | dcterms:creator | Madeleine Brookman (Video Editor) |
is part of | dcterms:isPartOf | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
audience | dcterms:audience | Researchers; Academics; Students; Teachers; Professors; Electronic Literature Enthusiasts |
extent | dcterms:extent | 34:59 |
Version 61
resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/traversals.61 |
versionnumber | ov:versionnumber | 61 |
title | dcterms:title | Shelley Jackson's Traversal of Patchwork Girl |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. Jackson Traversal, Part 3
The video file is saved as a high-quality 1280x720, compressed MPEG-4 Movie (.mp4) H.264 codec, with a high-quality audio track (.aac). The duration is 7:09 minutes, streaming from the Vimeo video-sharing site.
Back to the start (title page). We move from there to the Quilt path, which appears as "a visual image made out of the basic structure of the Storyspace program itself," i.e., an array or grid of variously colored boxes.
Quilt contains passages remixed from various sources: Frankenstein, The Patchwork Girl of Oz, critical commentaries, works of cultural theory, and even the Storyspace user manual. At the bottom of each lexia in the Quilt we are supposed to see "a series of hyphens," representing the stitches that draw passages together. For some reason, these do not appear in the CD-ROM edition Jackson used for this reading, though they can be seen in earlier editions.
Monsters, hybrids, offspring: "Mosaic techniques of the maternal imagination, mistress of errors, aren't you the very demon of multiplicity?" Jackson's delight in this (lovely) passage is apparent, and she reads with a spontaneous smile.
We leave the Quilt and travel "upstream" to the Map View again, descending once more into the Story path. Jackson explains that she wants to show how Story is built from two parallel threads that meet and diverge, one celebrating, the other resisting multiplicity.
Jackson Traversal, Part 4
|
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date | dcterms:date | October 18, 2013 (Date Filmed) |
type | dcterms:type | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
relation | dcterms:relation | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
subject | dcterms:subject | Digital Preservation with a focus on Electronic Literature |
contributor | dcterms:contributor | Dene Grigar and Stuart Moluthrop (Co-Principal Investigators); Aaron Wintersong (Videographer); Shelley Jackson (Author/Participant) |
language | dcterms:language | en-US |
bibliographic citation | dcterms:bibliographicCitation | Shelley Jackson's Traversal. (2013) [Video File]. |
medium | dcterms:medium | Video File |
format | dcterms:format | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
available | dcterms:available | 2015 |
coverage | dcterms:coverage | United States of America (C,V,O,English,U,N); Pre-web (circa 1986-1995) |
creator | dcterms:creator | Madeleine Brookman (Video Editor) |
is part of | dcterms:isPartOf | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
audience | dcterms:audience | Researchers; Academics; Students; Teachers; Professors; Electronic Literature Enthusiasts |
extent | dcterms:extent | 34:59 |
Version 60
resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/traversals.60 |
versionnumber | ov:versionnumber | 60 |
title | dcterms:title | Shelley Jackson's Traversal of Patchwork Girl |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. Jackson Traversal, Part 3
The video file is saved as a high-quality 1280x720, compressed MPEG-4 Movie (.mp4) H.264 codec, with a high-quality audio track (.aac). The duration is 7:09 minutes, streaming from the Vimeo video-sharing site.
Back to the start (title page). We move from there to the Quilt path, which appears as "a visual image made out of the basic structure of the Storyspace program itself," i.e., an array or grid of variously colored boxes.
Quilt contains passages remixed from various sources: Frankenstein, The Patchwork Girl of Oz, critical commentaries, works of cultural theory, and even the Storyspace user manual. At the bottom of each lexia in the Quilt we are supposed to see "a series of hyphens," representing the stitches that draw passages together. For some reason, these do not appear in the CD-ROM edition Jackson used for this reading, though they can be seen in earlier editions.
Monsters, hybrids, offspring: "Mosaic techniques of the maternal imagination, mistress of errors, aren't you the very demon of multiplicity?" Jackson's delight in this (lovely) passage is apparent, and she reads with a spontaneous smile.
We leave the Quilt and travel "upstream" to the Map View again, descending once more into the Story path. Jackson explains that she wants to show how Story is built from two parallel threads that meet and diverge, one celebrating, the other resisting multiplicity. |
default view | scalar:defaultView | structured_gallery |
was attributed to | prov:wasAttributedTo | https://scalar.usc.edu/works/pathfinders/users/5411 |
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type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
date | dcterms:date | October 18, 2013 (Date Filmed) |
type | dcterms:type | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
relation | dcterms:relation | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
subject | dcterms:subject | Digital Preservation with a focus on Electronic Literature |
contributor | dcterms:contributor | Dene Grigar and Stuart Moluthrop (Co-Principal Investigators); Aaron Wintersong (Videographer); Shelley Jackson (Author/Participant) |
language | dcterms:language | en-US |
bibliographic citation | dcterms:bibliographicCitation | Shelley Jackson's Traversal. (2013) [Video File]. |
medium | dcterms:medium | Video File |
format | dcterms:format | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
available | dcterms:available | 2015 |
coverage | dcterms:coverage | United States of America (C,V,O,English,U,N); Pre-web (circa 1986-1995) |
creator | dcterms:creator | Madeleine Brookman (Video Editor) |
is part of | dcterms:isPartOf | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
audience | dcterms:audience | Researchers; Academics; Students; Teachers; Professors; Electronic Literature Enthusiasts |
extent | dcterms:extent | 34:59 |
Version 59
resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/traversals.59 |
versionnumber | ov:versionnumber | 59 |
title | dcterms:title | Shelley Jackson's Traversal of Patchwork Girl |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. Jackson Traversal, Part 3
The video file is saved as a high-quality 1280x720, compressed MPEG-4 Movie (.mp4) H.264 codec, with a high-quality audio track (.aac). The duration is 7:09 minutes, streaming from the Vimeo video-sharing site.
Back to the start (title page). We move from there to the Quilt path, which appears as "a visual image made out of the basic structure of the Storyspace program itself," i.e., an array or grid of variously colored boxes.
Quilt contains passages remixed from various sources: Frankenstein, The Patchwork Girl of Oz, critical commentaries, works of cultural theory, and even the Storyspace user manual. At the bottom of each lexia in the Quilt we are supposed to see "a series of hyphens," representing the stitches that draw passages together. For some reason, these do not appear in the CD-ROM edition Jackson used for this reading, though they can be seen in earlier editions.
Monsters, hybrids, offspring: "Mosaic techniques of the maternal imagination, mistress of errors, aren't you the very demon of multiplicity?" Jackson's delight in this (lovely) passage is apparent, and she reads with a spontaneous smile.
We leave the Quilt and travel "upstream" to the Map View again, descending once more into the Story path. Jackson explains that she wants to show how Story is built from two parallel threads that meet and diverge, one celebrating, the other resisting multiplicity.
|
default view | scalar:defaultView | structured_gallery |
was attributed to | prov:wasAttributedTo | https://scalar.usc.edu/works/pathfinders/users/3847 |
created | dcterms:created | 2015-05-24T15:49:05-07:00 |
type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
date | dcterms:date | October 18, 2013 (Date Filmed) |
type | dcterms:type | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
relation | dcterms:relation | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
subject | dcterms:subject | Digital Preservation with a focus on Electronic Literature |
contributor | dcterms:contributor | Dene Grigar and Stuart Moluthrop (Co-Principal Investigators); Aaron Wintersong (Videographer); Shelley Jackson (Author/Participant) |
language | dcterms:language | en-US |
bibliographic citation | dcterms:bibliographicCitation | Shelley Jackson's Traversal. (2013) [Video File]. |
medium | dcterms:medium | Video File |
format | dcterms:format | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
available | dcterms:available | 2015 |
coverage | dcterms:coverage | United States of America (C,V,O,English,U,N); Pre-web (circa 1986-1995) |
creator | dcterms:creator | Madeleine Brookman (Video Editor) |
is part of | dcterms:isPartOf | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
audience | dcterms:audience | Researchers; Academics; Students; Teachers; Professors; Electronic Literature Enthusiasts |
extent | dcterms:extent | 34:59 |
Version 58
resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/traversals.58 |
versionnumber | ov:versionnumber | 58 |
title | dcterms:title | Shelley Jackson's Traversal of Patchwork Girl |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. Jackson Traversal, Part 3
The video file is saved as a high-quality 1280x720, compressed MPEG-4 Movie (.mp4) H.264 codec, with a high-quality audio track (.aac). The duration is 7:09 minutes, streaming from the Vimeo video-sharing site.
Back to the start (title page). We move from there to the Quilt path, which appears as "a visual image made out of the basic structure of the Storyspace program itself," i.e., an array or grid of variously colored boxes.
Quilt contains passages remixed from various sources: Frankenstein, The Patchwork Girl of Oz, critical commentaries, works of cultural theory, and even the Storyspace user manual. At the bottom of each lexia in the Quilt we are supposed to see "a series of hyphens," representing the stitches that draw passages together. For some reason, these do not appear in the CD-ROM edition Jackson used for this reading, though they can be seen in earlier editions.
Monsters, hybrids, offspring: "Mosaic techniques of the maternal imagination, mistress of errors, aren't you the very demon of multiplicity?" Jackson's delight in this (lovely) passage is apparent, and she reads with a spontaneous smile.
We leave the Quilt and travel "upstream" to the Map View again, descending once more into the Story path. Jackson explains that she wants to show how Story is built from two parallel threads that meet and diverge, one celebrating, the other resisting multiplicity.
|
default view | scalar:defaultView | structured_gallery |
was attributed to | prov:wasAttributedTo | https://scalar.usc.edu/works/pathfinders/users/3847 |
created | dcterms:created | 2015-05-24T14:02:05-07:00 |
type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
date | dcterms:date | October 18, 2013 (Date Filmed) |
type | dcterms:type | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
relation | dcterms:relation | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
subject | dcterms:subject | Digital Preservation with a focus on Electronic Literature |
contributor | dcterms:contributor | Dene Grigar and Stuart Moluthrop (Co-Principal Investigators); Aaron Wintersong (Videographer); Shelley Jackson (Author/Participant) |
language | dcterms:language | en-US |
bibliographic citation | dcterms:bibliographicCitation | Shelley Jackson's Traversal. (2013) [Video File]. |
medium | dcterms:medium | Video File |
format | dcterms:format | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
available | dcterms:available | 2015 |
coverage | dcterms:coverage | United States of America (C,V,O,English,U,N); Pre-web (circa 1986-1995) |
creator | dcterms:creator | Madeleine Brookman (Video Editor) |
is part of | dcterms:isPartOf | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
audience | dcterms:audience | Researchers; Academics; Students; Teachers; Professors; Electronic Literature Enthusiasts |
extent | dcterms:extent | 34:59 |
Version 57
resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/traversals.57 |
versionnumber | ov:versionnumber | 57 |
title | dcterms:title | Shelley Jackson's Traversal of Patchwork Girl |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. Jackson Traversal, Part 3
The video file is saved as a high-quality 1280x720, compressed MPEG-4 Movie (.mp4) H.264 codec, with a high-quality audio track (.aac). The duration is 7:09 minutes, streaming from the Vimeo video-sharing site.
Back to the start (title page). We move from there to the Quilt path, which appears as "a visual image made out of the basic structure of the Storyspace program itself," i.e., an array or grid of variously colored boxes.
Quilt contains passages remixed from various sources: Frankenstein, The Patchwork Girl of Oz, critical commentaries, works of cultural theory, and even the Storyspace user manual. At the bottom of each lexia in the Quilt we are supposed to see "a series of hyphens," representing the stitches that draw passages together. For some reason, these do not appear in the CD-ROM edition Jackson used for this reading, though they can be seen in earlier editions.
Monsters, hybrids, offspring: "Mosaic techniques of the maternal imagination, mistress of errors, aren't you the very demon of multiplicity?" Jackson's delight in this (lovely) passage is apparent, and she reads with a spontaneous smile.
We leave the Quilt and travel "upstream" to the Map View again, descending once more into the Story path. Jackson explains that she wants to show how Story is built from two parallel threads that meet and diverge, one celebrating, the other resisting multiplicity.
Jackson Traversal, Part 4
The video file is saved as a high-quality 1280x720, compressed MPEG-4 Movie (.mp4) H.264 codec, with a high-quality audio track (.aac). The duration is 7:54 minutes, streaming from the Vimeo video-sharing site.
|
default view | scalar:defaultView | structured_gallery |
was attributed to | prov:wasAttributedTo | https://scalar.usc.edu/works/pathfinders/users/3847 |
created | dcterms:created | 2015-05-24T13:57:59-07:00 |
type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
date | dcterms:date | October 18, 2013 (Date Filmed) |
type | dcterms:type | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
relation | dcterms:relation | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
subject | dcterms:subject | Digital Preservation with a focus on Electronic Literature |
contributor | dcterms:contributor | Dene Grigar and Stuart Moluthrop (Co-Principal Investigators); Aaron Wintersong (Videographer); Shelley Jackson (Author/Participant) |
language | dcterms:language | en-US |
bibliographic citation | dcterms:bibliographicCitation | Shelley Jackson's Traversal. (2013) [Video File]. |
medium | dcterms:medium | Video File |
format | dcterms:format | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
available | dcterms:available | 2015 |
coverage | dcterms:coverage | United States of America (C,V,O,English,U,N); Pre-web (circa 1986-1995) |
creator | dcterms:creator | Madeleine Brookman (Video Editor) |
is part of | dcterms:isPartOf | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
audience | dcterms:audience | Researchers; Academics; Students; Teachers; Professors; Electronic Literature Enthusiasts |
extent | dcterms:extent | 34:59 |
Version 56
resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/traversals.56 |
versionnumber | ov:versionnumber | 56 |
title | dcterms:title | Shelley Jackson's Traversal of Patchwork Girl |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. Jackson Traversal, Part 3
The video file is saved as a high-quality 1280x720, compressed MPEG-4 Movie (.mp4) H.264 codec, with a high-quality audio track (.aac). The duration is 7:09 minutes, streaming from the Vimeo video-sharing site.
Back to the start (title page). We move from there to the Quilt path, which appears as "a visual image made out of the basic structure of the Storyspace program itself," i.e., an array or grid of variously colored boxes.
Quilt contains passages remixed from various sources: Frankenstein, The Patchwork Girl of Oz, critical commentaries, works of cultural theory, and even the Storyspace user manual. At the bottom of each lexia in the Quilt we are supposed to see "a series of hyphens," representing the stitches that draw passages together. For some reason, these do not appear in the CD-ROM edition Jackson used for this reading, though they can be seen in earlier editions.
Monsters, hybrids, offspring: "Mosaic techniques of the maternal imagination, mistress of errors, aren't you the very demon of multiplicity?" Jackson's delight in this (lovely) passage is apparent, and she reads with a spontaneous smile.
We leave the Quilt and travel "upstream" to the Map View again, descending once more into the Story path. Jackson explains that she wants to show how Story is built from two parallel threads that meet and diverge, one celebrating, the other resisting multiplicity.
Jackson Traversal, Part 4
The video file is saved as a high-quality 1280x720, compressed MPEG-4 Movie (.mp4) H.264 codec, with a high-quality audio track (.aac). The duration is 7:54 minutes, streaming from the Vimeo video-sharing site.
|
default view | scalar:defaultView | structured_gallery |
was attributed to | prov:wasAttributedTo | https://scalar.usc.edu/works/pathfinders/users/3847 |
created | dcterms:created | 2015-05-24T13:55:48-07:00 |
type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
date | dcterms:date | October 18, 2013 (Date Filmed) |
type | dcterms:type | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
relation | dcterms:relation | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
subject | dcterms:subject | Digital Preservation with a focus on Electronic Literature |
contributor | dcterms:contributor | Dene Grigar and Stuart Moluthrop (Co-Principal Investigators); Aaron Wintersong (Videographer); Shelley Jackson (Author/Participant) |
language | dcterms:language | en-US |
bibliographic citation | dcterms:bibliographicCitation | Shelley Jackson's Traversal. (2013) [Video File]. |
medium | dcterms:medium | Video File |
format | dcterms:format | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
available | dcterms:available | 2015 |
coverage | dcterms:coverage | United States of America (C,V,O,English,U,N); Pre-web (circa 1986-1995) |
creator | dcterms:creator | Madeleine Brookman (Video Editor) |
is part of | dcterms:isPartOf | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
audience | dcterms:audience | Researchers; Academics; Students; Teachers; Professors; Electronic Literature Enthusiasts |
extent | dcterms:extent | 34:59 |
Version 55
resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/traversals.55 |
versionnumber | ov:versionnumber | 55 |
title | dcterms:title | Shelley Jackson's Traversal of Patchwork Girl |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. Jackson Traversal, Part 3
The video file is saved as a high-quality 1280x720, compressed MPEG-4 Movie (.mp4) H.264 codec, with a high-quality audio track (.aac). The duration is 7:09 minutes, streaming from the Vimeo video-sharing site.
Back to the start (title page). We move from there to the Quilt path, which appears as "a visual image made out of the basic structure of the Storyspace program itself," i.e., an array or grid of variously colored boxes.
Quilt contains passages remixed from various sources: Frankenstein, The Patchwork Girl of Oz, critical commentaries, works of cultural theory, and even the Storyspace user manual. At the bottom of each lexia in the Quilt we are supposed to see "a series of hyphens," representing the stitches that draw passages together. For some reason, these do not appear in the CD-ROM edition Jackson used for this reading, though they can be seen in earlier editions.
Monsters, hybrids, offspring: "Mosaic techniques of the maternal imagination, mistress of errors, aren't you the very demon of multiplicity?" Jackson's delight in this (lovely) passage is apparent, and she reads with a spontaneous smile.
We leave the Quilt and travel "upstream" to the Map View again, descending once more into the Story path. Jackson explains that she wants to show how Story is built from two parallel threads that meet and diverge, one celebrating, the other resisting multiplicity.
|
default view | scalar:defaultView | structured_gallery |
was attributed to | prov:wasAttributedTo | https://scalar.usc.edu/works/pathfinders/users/3847 |
created | dcterms:created | 2015-05-24T13:53:50-07:00 |
type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
date | dcterms:date | October 18, 2013 (Date Filmed) |
type | dcterms:type | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
relation | dcterms:relation | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
subject | dcterms:subject | Digital Preservation with a focus on Electronic Literature |
contributor | dcterms:contributor | Dene Grigar and Stuart Moluthrop (Co-Principal Investigators); Aaron Wintersong (Videographer); Shelley Jackson (Author/Participant) |
language | dcterms:language | en-US |
bibliographic citation | dcterms:bibliographicCitation | Shelley Jackson's Traversal. (2013) [Video File]. |
medium | dcterms:medium | Video File |
format | dcterms:format | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
available | dcterms:available | 2015 |
coverage | dcterms:coverage | United States of America (C,V,O,English,U,N); Pre-web (circa 1986-1995) |
creator | dcterms:creator | Madeleine Brookman (Video Editor) |
is part of | dcterms:isPartOf | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
audience | dcterms:audience | Researchers; Academics; Students; Teachers; Professors; Electronic Literature Enthusiasts |
extent | dcterms:extent | 34:59 |
Version 54
resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/traversals.54 |
versionnumber | ov:versionnumber | 54 |
title | dcterms:title | Shelley Jackson's Traversal of Patchwork Girl |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. Jackson Traversal, Part 3
The video file is saved as a high-quality 1280x720, compressed MPEG-4 Movie (.mp4) H.264 codec, with a high-quality audio track (.aac). The duration is 7:09 minutes, streaming from the Vimeo video-sharing site.
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type | dcterms:type | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
relation | dcterms:relation | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
subject | dcterms:subject | Digital Preservation with a focus on Electronic Literature |
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language | dcterms:language | en-US |
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available | dcterms:available | 2015 |
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extent | dcterms:extent | 34:59 |
Version 53
resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/traversals.53 |
versionnumber | ov:versionnumber | 53 |
title | dcterms:title | Shelley Jackson's Traversal of Patchwork Girl |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. Jackson Traversal, Part 3
The video file is saved as a high-quality 1280x720, compressed MPEG-4 Movie (.mp4) H.264 codec, with a high-quality audio track (.aac). The duration is 7:09 minutes, streaming from the Vimeo video-sharing site.
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Version 52
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versionnumber | ov:versionnumber | 52 |
title | dcterms:title | Shelley Jackson's Traversal of Patchwork Girl |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. Jackson Traversal, Part 3
The video file is saved as a high-quality 1280x720, compressed MPEG-4 Movie (.mp4) H.264 codec, with a high-quality audio track (.aac). The duration is 7:09 minutes, streaming from the Vimeo video-sharing site.
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Version 51
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versionnumber | ov:versionnumber | 51 |
title | dcterms:title | Shelley Jackson's Traversal of Patchwork Girl |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. Jackson Traversal, Part 3
The video file is saved as a high-quality 1280x720, compressed MPEG-4 Movie (.mp4) H.264 codec, with a high-quality audio track (.aac). The duration is 7:09 minutes, streaming from the Vimeo video-sharing site.
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Version 50
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versionnumber | ov:versionnumber | 50 |
title | dcterms:title | Shelley Jackson's Traversal of Patchwork Girl |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. Jackson Traversal, Part 3
The video file is saved as a high-quality 1280x720, compressed MPEG-4 Movie (.mp4) H.264 codec, with a high-quality audio track (.aac). The duration is 7:09 minutes, streaming from the Vimeo video-sharing site.
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Version 49
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versionnumber | ov:versionnumber | 49 |
title | dcterms:title | Jackson's Traversal |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. Jackson Traversal, Part 3
The video file is saved as a high-quality 1280x720, compressed MPEG-4 Movie (.mp4) H.264 codec, with a high-quality audio track (.aac). The duration is 7:09 minutes, streaming from the Vimeo video-sharing site.
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Version 48
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versionnumber | ov:versionnumber | 48 |
title | dcterms:title | Jackson's Traversal |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
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creator | dcterms:creator | Madeleine Brookman (Video Editor) |
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audience | dcterms:audience | Researchers; Academics; Students; Teachers; Professors; Electronic Literature Enthusiasts |
extent | dcterms:extent | 34:59 |
Version 47
resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/traversals.47 |
versionnumber | ov:versionnumber | 47 |
title | dcterms:title | Jackson's Traversal |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. Part 2
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Donec consectetur ex at pharetra pretium. Nam at lorem nec massa luctus pulvinar id eu lorem. Curabitur eu purus leo. Integer tincidunt justo ac orci dapibus, sit amet bibendum justo viverra. Part 3
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Donec consectetur ex at pharetra pretium. Nam at lorem nec massa luctus pulvinar id eu lorem. Curabitur eu purus leo. Integer tincidunt justo ac orci dapibus, sit amet bibendum justo viverra. Part 4
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Version 46
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versionnumber | ov:versionnumber | 46 |
title | dcterms:title | Jackson's Traversal |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. |
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available | dcterms:available | 2015 |
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audience | dcterms:audience | Researchers; Academics; Students; Teachers; Professors; Electronic Literature Enthusiasts |
extent | dcterms:extent | 34:59 |
Version 45
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versionnumber | ov:versionnumber | 45 |
title | dcterms:title | Jackson's Traversal |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. |
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extent | dcterms:extent | 34:59 |
Version 44
resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/traversals.44 |
versionnumber | ov:versionnumber | 44 |
title | dcterms:title | Jackson's Traversal |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. |
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subject | dcterms:subject | Digital Preservation with a focus on Electronic Literature |
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Version 43
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title | dcterms:title | Jackson's Traversal |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
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Version 42
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versionnumber | ov:versionnumber | 42 |
title | dcterms:title | Jackson's Traversal |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
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Version 41
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description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
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Version 40
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versionnumber | ov:versionnumber | 40 |
title | dcterms:title | Jackson's Traversal |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
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Version 39
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versionnumber | ov:versionnumber | 39 |
title | dcterms:title | Jackson's Traversal |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
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Version 38
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versionnumber | ov:versionnumber | 38 |
title | dcterms:title | Jackson's Traversal |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
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extent | dcterms:extent | 34:59 |
Version 37
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versionnumber | ov:versionnumber | 37 |
title | dcterms:title | Jackson's Traversal |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work.
Part 1
Part 2
|
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extent | dcterms:extent | 34:59 |
Version 36
resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/traversals.36 |
versionnumber | ov:versionnumber | 36 |
title | dcterms:title | Jackson's Traversal |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work.
Part 1
Part 2
|
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Version 35
resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/traversals.35 |
versionnumber | ov:versionnumber | 35 |
title | dcterms:title | Jackson's Traversal |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work.
Part 1
Part 2
|
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Version 34
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versionnumber | ov:versionnumber | 34 |
title | dcterms:title | Jackson's Traversal |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. |
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language | dcterms:language | en-US |
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extent | dcterms:extent | 34:59 |
Version 33
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versionnumber | ov:versionnumber | 33 |
title | dcterms:title | Jackson's Traversal |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. |
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language | dcterms:language | en-US |
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extent | dcterms:extent | 34:59 |
Version 32
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versionnumber | ov:versionnumber | 32 |
title | dcterms:title | Jackson's Traversal |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
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This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work.
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date | dcterms:date | October 18, 2013 (Date Filmed) |
type | dcterms:type | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
relation | dcterms:relation | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
subject | dcterms:subject | Digital Preservation with a focus on Electronic Literature |
contributor | dcterms:contributor | Dene Grigar and Stuart Moluthrop (Co-Principal Investigators); Aaron Wintersong (Videographer); Shelley Jackson (Author/Participant) |
language | dcterms:language | en-US |
bibliographic citation | dcterms:bibliographicCitation | Shelley Jackson's Traversal. (2013) [Video File]. |
medium | dcterms:medium | Video File |
format | dcterms:format | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
available | dcterms:available | 2015 |
coverage | dcterms:coverage | United States of America (C,V,O,English,U,N); Pre-web (circa 1986-1995) |
creator | dcterms:creator | Madeleine Brookman (Video Editor) |
is part of | dcterms:isPartOf | Jackson's Interview; Jackson's Readers' Traversals & Interviews |
audience | dcterms:audience | Researchers; Academics; Students; Teachers; Professors; Electronic Literature Enthusiasts |
extent | dcterms:extent | 34:59 |
Version 31
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versionnumber | ov:versionnumber | 31 |
title | dcterms:title | Jackson's Traversal |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. |
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date | dcterms:date | October 18, 2013 (Date Filmed) |
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subject | dcterms:subject | Digital Preservation with a focus on Electronic Literature |
contributor | dcterms:contributor | Dene Grigar and Stuart Moluthrop (Co-Principal Investigators); Aaron Wintersong (Videographer); Shelley Jackson (Author/Participant) |
language | dcterms:language | en-US |
bibliographic citation | dcterms:bibliographicCitation | Shelley Jackson's Traversal. (2013) [Video File]. |
medium | dcterms:medium | Video File |
format | dcterms:format | 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
available | dcterms:available | 2015 |
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extent | dcterms:extent | 34:59 |
Version 30
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versionnumber | ov:versionnumber | 30 |
title | dcterms:title | Jackson's Traversal |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. |
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subject | dcterms:subject | Digital Preservation with a focus on Electronic Literature |
contributor | dcterms:contributor | Dene Grigar and Stuart Moluthrop (Co-Principal Investigators); Aaron Wintersong (Videographer); Shelley Jackson (Author/Participant) |
language | dcterms:language | en-US |
bibliographic citation | dcterms:bibliographicCitation | Shelley Jackson's Traversal. (2013) [Video File]. |
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available | dcterms:available | 2015 |
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extent | dcterms:extent | 34:59 |
Version 29
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versionnumber | ov:versionnumber | 29 |
title | dcterms:title | Jackson's Traversal |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. |
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subject | dcterms:subject | Digital Preservation with a focus on Electronic Literature |
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language | dcterms:language | en-US |
bibliographic citation | dcterms:bibliographicCitation | Shelley Jackson's Traversal. (2013) [Video File]. |
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extent | dcterms:extent | 34:59 |
Version 28
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versionnumber | ov:versionnumber | 28 |
title | dcterms:title | Jackson's Traversal |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. |
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Version 27
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versionnumber | ov:versionnumber | 27 |
title | dcterms:title | Jackson's Traversal |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of the hypertext Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. |
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Version 26
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title | dcterms:title | Jackson's Traversal |
description | dcterms:description | A collection of video files documenting Shelley Jackson's reading of her piece, "Patchwork Girl." |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of the hypertext Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. |
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language | dcterms:language | en-US |
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extent | dcterms:extent | 34:59 |
Version 25
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versionnumber | ov:versionnumber | 25 |
title | dcterms:title | Jackson's Traversal |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of the hypertext Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. |
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extent | dcterms:extent | 34:59 |
Version 24
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versionnumber | ov:versionnumber | 24 |
title | dcterms:title | Jackson's Traversal |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of the hypertext Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. |
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language | dcterms:language | en-US |
bibliographic citation | dcterms:bibliographicCitation | Shelley Jackson Traversal. (2013) [Video File]. |
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Version 23
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versionnumber | ov:versionnumber | 23 |
title | dcterms:title | Jackson's Traversal |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of the hypertext Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. |
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Version 22
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versionnumber | ov:versionnumber | 22 |
title | dcterms:title | Jackson's Traversal |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of the hypertext Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. |
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language | dcterms:language | en-US |
bibliographic citation | dcterms:bibliographicCitation | Shelley Jackson Traversal. (2013) [Video File]. |
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available | dcterms:available | N/a |
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extent | dcterms:extent | 34:59 |
Version 21
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versionnumber | ov:versionnumber | 21 |
title | dcterms:title | Jackson's Traversal |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of the hypertext Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. |
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subject | dcterms:subject | Digital Preservation with a focus on Electronic Literature |
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language | dcterms:language | en-US |
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Version 20
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title | dcterms:title | Jackson's Traversal |
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Version 19
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title | dcterms:title | Jackson's Traversal |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of the hypertext Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. Jackson's Interview; Jackson's Readers' Traversals & Interviews |
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Version 18
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content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of the hypertext Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. Shelley Jackson Traversal. (2013) [Video File]. 1280x720 MPEG-4 Movie; H.264, AAC (codecs) |
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Version 17
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title | dcterms:title | Jackson's Traversal |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of the hypertext Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. |
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Version 16
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title | dcterms:title | Jackson's Traversal |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of the hypertext Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. |
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Version 15
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title | dcterms:title | Jackson's Traversal |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of the hypertext Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. |
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Version 14
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title | dcterms:title | Jackson's Traversal |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of the hypertext Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work. |
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Version 13
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title | dcterms:title | Jackson's Traversal |
content | sioc:content | This traversal of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of the hypertext Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The traversal is divided into four parts and reveals to us the intricacies and nuances of the work.
Shelley Jackson Traversal, Part 1 from Dene Grigar on Vimeo. Shelley Jackson Traversal, Part 2 from Dene Grigar on Vimeo. Shelley Jackson Traversal, Part 3 from Dene Grigar on Vimeo. Shelley Jackson Traversal, Part 4 from Dene Grigar on Vimeo. |
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Version 12
resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/traversals.12 |
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title | dcterms:title | Jackson's Traversal |
content | sioc:content | This video-interview of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of the hypertext Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The interview is divided into four parts and provides insights into the development of the work.
Shelley Jackson Traversal, Part 1 from Dene Grigar on Vimeo. Shelley Jackson Traversal, Part 2 from Dene Grigar on Vimeo. Shelley Jackson Traversal, Part 3 from Dene Grigar on Vimeo. Shelley Jackson Traversal, Part 4 from Dene Grigar on Vimeo. |
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Version 11
resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/traversals.11 |
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title | dcterms:title | Jackson's Traversal |
content | sioc:content | This video-interview of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of the hypertext Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The interview is divided into four parts and provides insights into the development of the work.
Shelley Jackson Traversal, Part 1 from Dene Grigar on Vimeo. Shelley Jackson Traversal, Part 2 from Dene Grigar on Vimeo. |
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Version 10
resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/traversals.10 |
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title | dcterms:title | Jackson's Traversal |
description | dcterms:description | This video-interview of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of the hypertext Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The interview is divided into four parts and provides insights into the development of the work. |
content | sioc:content | Shelley Jackson Traversal, Part 1 from Dene Grigar on Vimeo. Shelley Jackson Traversal, Part 2 from Dene Grigar on Vimeo. |
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Version 9
resource | rdf:resource | https://scalar.usc.edu/works/pathfinders/traversals.9 |
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title | dcterms:title | Jackson's Traversal |
content | sioc:content | Shelley Jackson Traversal, Part 1 from Dene Grigar on Vimeo. This video-interview of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of the hypertext Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The interview is divided into four parts and provides insights into the development of the work. Shelley Jackson Traversal, Part 2 from Dene Grigar on Vimeo. This video-interview of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of the hypertext Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The interview is divided into four parts and provides insights into the development of the work. |
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Version 8
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title | dcterms:title | Jackson's Traversal |
content | sioc:content | Shelley Jackson Traversal, Part 1 from Dene Grigar on Vimeo. This video-interview of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of the hypertext Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The interview is divided into four parts and provides insights into the development of the work. |
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Version 7
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title | dcterms:title | Jackson's Traversal |
content | sioc:content | Shelley Jackson Traversal, Part 1 from Dene Grigar on Vimeo. This video-interview of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of the hypertext Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The interview is divided into four parts and provides insights into the development of the work. |
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Version 6
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title | dcterms:title | Jackson's Traversal |
content | sioc:content | Shelley Jackson Traversal, Part 1 from Dene Grigar on Vimeo. This video-interview of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of the hypertext Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The interview is divided into four parts and provides insights into the development of the work. |
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Version 5
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title | dcterms:title | Jackson's Traversal |
content | sioc:content | Shelley Jackson Traversal, Part 1 from Dene Grigar on Vimeo. This video-interview of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of the hypertext Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The interview is divided into four parts and provides insights into the development of the work. |
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Version 4
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title | dcterms:title | Jackson's Traversal |
content | sioc:content | Shelley Jackson Traversal, Part 1 from Dene Grigar on Vimeo. This video-interview of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of the hypertext Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The interview is divided into four parts and provides insights into the development of the work. |
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Version 3
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title | dcterms:title | Jackson's Traversal |
content | sioc:content | Shelley Jackson Traversal, Part 1 from Dene Grigar on Vimeo. This video-interview of Shelley Jackson, conducted by Dene Grigar and Stuart Moulthrop, took place on Friday, October 18, 2013 in the Electronic Literature Lab at Washington State University Vancouver as part of the Pathfinders project. Jackson is the author of the hypertext Patchwork Girl, a hypertext poem riffing off Mary Shelley's Frankenstein that represents a high mark of the genre. The interview is divided into four parts and provides insights into the development of the work. |
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Version 2
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Version 1
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