Opening Up Space: A Lovely Technofeminist OpportunityMain MenuSelectionsVisit for Text SelectionsThemesRecurring Ideas throughout the textEditor ReflectionsOn Embodiment and MaterialityA Handy MapPlaces that Intersect at/within this WorkTimelineAmy Lueck557d200a410ce28daf395646ea7883ee44337c9eMeghan Adamsef5f31bc97e10f55dcbb2d5e9f4c0b1674ced7e6Catherine Cunhacc5dc9b7774b6a676a31715e1bbd86b0ae5b91c6McKenzie Mann-Woodc69d4948241c0a4fc69152fa3867f5402153c636Avery Curet6f22f13dd9ba083c16859e6b566856a5c51f220fCarson Nadash7aea0539bbe3d7ece9f384cc1a10b9983f34e173Shreya Ded47ccd6c8c910db6d40f61ef36aeb6f1171b1c0eSarah Marguerite Abbott2b91d1b0347205046f781d8865a38000ebf61eefGabrielle DeSistob2b21606e19d89fce36af03c2217183600be42dbSperry McQuaid9b65baacbd9cf36d32c1c148d04ea14126e0909cSamantha Rusnakb632734dc1931d4a79c24dbc2870e3cdd82d93cdRaquel Gutierrez Valdes9517c9e0110746252391b83230d52ad0925e0a3fNathan Barnes0e719f6a1e610969996849ea375b39e16ac456d5Asha Broetje Bairstowdb9e5329cb3926d8d17e6de07ff6ac4a52f334c4Paige Clement7344d13f5fd016a4a372f60421a4730eb48642b9Elizabeth Conn659f543fa9d4053a4ab7bd6c8815181ad7c026b8Teresa Contino0b2bed8aa9c7a37efb70737c883238f6591a58ceAlyse Greenbaum66447668ccfeebc98ea4f70159518992fe38e088Callie McKennac05905e85e57fd3ec21b6839a5d220e18af2ff7aChloe Wilsonbcfb25fcf34a7a2b68717d2832320d91018d8b17Jessica Joudy3f0e1b6bb5ac4a0dc560f480bebf2ca72a5e08b2Natalie Granito4b673dbf20f535f4981b0f6ce2e5b30621c93c0cBrigid McNally0959955d4f6904c085c10fd9a7cb4fee423e01ef
Elizabeth Conn
12020-12-01T17:48:33-08:00Teresa Contino0b2bed8aa9c7a37efb70737c883238f6591a58ce378234Reflection on embodiment and materialityplain2020-12-12T05:21:52-08:0033.494171,-111.926048Elizabeth Conn659f543fa9d4053a4ab7bd6c8815181ad7c026b8This year has been extremely challenging for me due to a variety reasons, some of which, I assume are very obvious to anyone living through the year 2020. As I have watched my tangible world be digitized into a virtual one as Camino, Zoom, and Postmates (to name a few) have stood as second-rate replacements for the seemingly mundane parts of life that I seem to have taken for granted, like learning alongside my peers in a classroom, being able to hug my family and friends, or even having my water refilled at a restaurant. As the world adjusts to the new normal, our classes and professors have learned to adjust in their own way. Although required by such challenging circumstances, the shift to online-learning actually posed an excellent opportunity in this class to use Scalar to collaborate on our anthology. At first, I was extremely intimidated by the concept of our entire class working on one project. Especially considering the challenges of trying to work as a group over Zoom. Reflecting on the anthology now, I am proud of our work and our ability to create such a collaborative piece that incorporates everything we have learned this year in the classroom and in our own lives. A global pandemic is certainly not what any of us expected or wanted would orient us to the future of literature in the digital age, but I have found it important within these past few months to focus on the positive. This anthology was actually quite refreshing to work on because it felt so relevant, even though I was writing about a text from 1820, and I am thankful to have had this experience and formed (virtual) connections with my peers.
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1media/Photo on 12-12-20 at 6.13 AM #2_thumb.jpg2020-12-12T05:13:49-08:00Elizabeth Conn Photo1This is a photo of what I look like in class these days (trapped in a Zoom square with unbrushed hair, still in my pajamas)media/Photo on 12-12-20 at 6.13 AM #2.jpgplain2020-12-12T05:13:50-08:00Photo Booth