Museum of Resistance and Resilience Main MenuPraxis #1: Curation and Annotation (Group Project)details of Praxis #1 assignmentPraxis #1.1 War, Memory, And Identity: Beyond Victims and Voice Museum of Resistance and ResilienceProfessor Marjory Wentworth Honor's Class at College of CharlestonPraxis #2 Media Intervention, Multimedia Essay (Individual Project)Entry 2 in our Museum of Resistance and ResiliencePraxis #3 Manifesto of Future Resistance and ResilienceMedia Intervention/Media PostsFinal Course Reflection - A Letter to the FutureDue November 18Vicki Callahanf68c37bed83f129872c0216fae5c9d063d9e11baLisa Müller-Tredecc71af55f5122020f2b95396300e25feb73b6995
MEDIUMS
12020-09-23T13:10:38-07:00Quan Pham5397a0db6c0d89356aa3bfe1df14b02f00dd6765377844plain2020-09-23T16:02:02-07:00Quan Pham5397a0db6c0d89356aa3bfe1df14b02f00dd6765Pictured in the image below is a Canadian rock band by the name of “Neon Rome,” one of many groups that ushered the way for QueerCore. Through expressive lyrics, outspoken gay artists and a plethora of genres (ranging from punk rock, to indie, to alternative, to industrial), music served as a pivotal influence for the movement. It was another form of self-expression and a way to produce noise, literally and figuratively. It is also important to note the breadth of this movement. While music undoubtedly contributed a large role in its effect, avenues like magazines, film and writing were just as monumental. There were countless other magazines that followed suit in response of J.D’s, with each harping on the importance of individuality (i.e. Maximum RockNRoll, Holy Titclamps) (Plessis and Chapman, 1997).