Museum of Resistance and Resilience Main MenuPraxis #1: Curation and Annotation (Group Project)details of Praxis #1 assignmentPraxis #1.1 War, Memory, And Identity: Beyond Victims and Voice Museum of Resistance and ResilienceProfessor Marjory Wentworth Honor's Class at College of CharlestonPraxis #2 Media Intervention, Multimedia Essay (Individual Project)Entry 2 in our Museum of Resistance and ResiliencePraxis #3 Manifesto of Future Resistance and ResilienceMedia Intervention/Media PostsFinal Course Reflection - A Letter to the FutureDue November 18Vicki Callahanf68c37bed83f129872c0216fae5c9d063d9e11baLisa Müller-Tredecc71af55f5122020f2b95396300e25feb73b6995
Ubu Imperator - 1923
1media/ubu-imperator_thumb.jpg2020-09-23T12:30:48-07:00Alexander King1437124d36579509ca7e8b4ae04f5d51482112f93778431923 oil painting by Max Ernst. Inspired by the play Ubu Roi.plain2020-09-23T13:52:50-07:00Alexander King1437124d36579509ca7e8b4ae04f5d51482112f9
12020-09-23T13:44:03-07:00Ubu Imperator8plain2020-09-23T15:35:28-07:00The Ubu Imperator was painted by surrealist Max Ernst in 1923. Ernst, born in 1891, was one of the pioneers of the Dada movement in his home country of Germany. He was drafted into WWI, which heavily influenced his later works. He also developed a fascination with visiting insane asylums and viewing the work of the mentally ill. In 1919 he and several others founded the Cologne Dada group. A few years later he moved to Paris and became a part of the Surrealist movement.
The name of the painting comes from imperator, the Latin word for commander, and Ubu, the main character in Ubu Roi, a play written by Alfred Jarry in 1896. The play drew riotous responses because of its obscenity, but also because of the cultural norms which it challenged. It was a satirical commentary on the tendency of the bourgeoise to abuse their power. Ubu was representative of the modern man, who, in the words of Jane Taylor, "... is notorious for his infantile engagement with his world. Ubu inhabits a domain of greedy self-gratification". He was portrayed with many other negative traits, ones which Ernst clearly saw reflected in the real bourgeoise of his time, and laid the foundation for Ernst's Ubu Imperator.