Museum of Resistance and Resilience Main MenuPraxis #1: Curation and Annotation (Group Project)details of Praxis #1 assignmentPraxis #1.1 War, Memory, And Identity: Beyond Victims and Voice Museum of Resistance and ResilienceProfessor Marjory Wentworth Honor's Class at College of CharlestonPraxis #2 Media Intervention, Multimedia Essay (Individual Project)Entry 2 in our Museum of Resistance and ResiliencePraxis #3 Manifesto of Future Resistance and ResilienceMedia Intervention/Media PostsFinal Course Reflection - A Letter to the FutureDue November 18Vicki Callahanf68c37bed83f129872c0216fae5c9d063d9e11baLisa Müller-Tredecc71af55f5122020f2b95396300e25feb73b6995
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12020-09-23T13:11:00-07:00Quan Pham5397a0db6c0d89356aa3bfe1df14b02f00dd6765377843plain2020-09-23T16:02:03-07:00Quan Pham5397a0db6c0d89356aa3bfe1df14b02f00dd6765The QueerCore aesthetic was largely distinguished by its DIY nature, as shown in the magazines, writings, and films (Plessis and Chapman, 1997). Every project that contributed to movement as a whole carried an evident sense of independence and individuality. This comes as no surprise considering that the primary motivations of QueerCore was to embrace the individual and to attack the norms that confined these communities. Though it is easier to see this unique style in the form of concrete media, the fashion in this subculture also adopted this style. While there were definite traces and influences of traditional punk fashion (i.e. anarcho-punk fashion, body modifications, grunge, and goth), DIY in the context of fashion meant wearing anything that suited the individual. The look of QueerCore was dynamic, unorthodox, revealing, often vulgar, and revolutionary.