A Girl Walks Home Alone at Night. Ana Lily Amirpour. 2014. Film.

Be the Cowboy. Mitski. Dead Oceans, 2018. Album.

Cohen, Jeffrey Jerome. "Monster Culture: Seven Theses." From Monster Theory: Reading Culture. Minneapolis: University of Minnesota Press, 1996. 3-25.

Crawford, Anwen. Hole's Live Through This (33 1/3). Bloomsbury Academic, 2014. 

Creed, Barbara. The Monstrous-Feminine: Film, Feminism, Psychoanalysis. London: Routledge, 1993. 

Cut Piece. Yoko Ono. 1964. Video. 

Dirty Computer. Janelle Monáe. Atlantic Records. 2018. Album.

Doyle, Sady. Dead Blondes and Bad Mothers. Melville House, 2019. 

Federici, Silvia. Witches, Witch Hunting, and Women. Common Notions, PM Press, 2018.

Janisse, Kier-La. House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films. Godalming: FAB Press, 2012. 

Jennifer's Body. Karen Kusama. 2009. Film. 

Kristeva, Julia. Powers of Horror: An Essay On Abjection. New York: Columbia University Press, 1982.

Live Through This. Hole. DGC Records, 1994. Album.

Ma. Tate Taylor. 2019. Film. 

McClary, Susan. Feminine Endings: Music, Gender, and Sexuality. Minnesota: U of Minnesota Press, 1991.

Moore, Anne Elizabeth. Body Horror: Capitalism, Fear, Misogyny, Jokes. Chicago: Curbside Splendor Publishing Co, 2017. 

Mulvey, Laura. “Visual Pleasure and Narrative Cinema.” Film Theory and Criticism: Introductory Readings. Eds. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999: 833-44.

Raw. Julia Ducournau. 2017. Film. 

Rhythm 0. Marina Abramovic. 1974. Performance art. 

Teeth. Mitchell Lichtenstein. 2007. Film. 

The Witch. Robert Eggers. 2015. Film.