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Micro-Landscapes of the AnthropoceneMain MenuMarginal WorldsPlant WorldsAnimal WorldsAmy Huang, Natasha Stavreski and Rose RzepaWatery WorldsInsect WorldsBird-Atmosphere WorldsContributed by Gemma and MerahExtinctionsMarginal WorldsSam, Zach and AlexE-ConceptsAn emergent vocabulary of eco-concepts for the late AnthropoceneSigi Jöttkandt4115726eb75e75e43252a5cbfc72a780d0304d7d
Plant Blindness and Tennyson’s The Flower
1media/flowers-1084983_960_720.jpg2018-08-24T09:54:57-07:00Sigi Jöttkandt4115726eb75e75e43252a5cbfc72a780d0304d7d3098616By Stephanie and Calestructured_gallery2021-04-06T17:34:33-07:00Sigi Jöttkandt4115726eb75e75e43252a5cbfc72a780d0304d7dPlant Blindness is the inability to appreciate the beauty and unique biological features of plants. Tennyson’s The Flower suggests that too much emphasis on the aesthetics of a plant leads to a decline of plant species that are deemed ‘unworthy of human consideration’. A façade is created through the anthropocentric tendency to rank plants based on their appearance over their environmental role. That is, people claim to have an extensive socio-cultural awareness of the plant species by referring to its scientific name and criticising its’ appearance. In reality, very few are able to comprehend its’ ‘real purpose’ in the natural world. This further highlights the notion that language, and the concept of plant blindness, have the power to exterminate the relationship between the human community and the natural environment.
1media/butterfly_16x9_0.jpg2021-04-06T17:34:25-07:00The power of a word11Concept creation and the way we see the worldimage_header2021-04-18T04:22:41-07:00