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Marquee Survivals: A Multimodal Historiography of Cinema's Recycled SpacesMain MenuIntroductionMarquee Survivals: A Multimodal Historiography of Cinema's Recycled SpacesIntroduction, StartMarquee Survivals: A Multimodal Historiography of Cinema's Recycled SpacesHistories ConcealedHistories Concealed landing pageProjecting 1943Sense of PachucaBroadway as BackgroundSplash page for Broadway as Background / Background as BroadwayPhoto Essay: Marquee StoriesIntro to photo essay: Marquee StoriesPrototypesExploring project prototypesPortfolioEjected Spectators and Inactive Users: Locating Multimodal Historiography In Repurposed Media SpacesVeronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc
Mexican Caged (Gronk, 1974)
12015-06-01T22:41:43-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc34292Self-portrait of Gronk in movie theater lobbyplain2015-06-01T22:44:34-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bcVideo Gallery: EverydayClick on thumbnails to view clips or view through their linked annotations
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12015-06-03T08:17:21-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bcAlienationVeronica Paredes13Tag for Alienation images / section introductionstructured_gallery1586122015-06-03T09:14:11-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc
1media/bway-as-bg.jpg2015-06-02T08:03:30-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bcAppendix: Chican@ ArtVeronica Paredes5Tag for Chican@ Art (Broadway as Background)gallery2015-06-17T07:46:28-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc
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12015-06-03T08:17:21-07:00Contact Zone31Tag for contact zone images / section introductionstructured_gallery1586122015-06-06T18:34:33-07:00
