Marcel Duchamp's Boîte-en-valise: The Museum of MetamorphosisMain MenuIntroductionThe Museum of MetamorphosisCatalogue essayThe Seven Series of BoîtesBoîtes in Museum Collections around the World…and OnlineFurther Reading[bibliography page]Lauren Rooney597ff088ef1db884d9e8445c7e06bd004b6c1250
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12023-06-20T14:54:14-07:00Lauren Rooney597ff088ef1db884d9e8445c7e06bd004b6c1250427002Kiesler device footnote 2plain2023-06-20T14:55:24-07:00Lauren Rooney597ff088ef1db884d9e8445c7e06bd004b6c1250Bonk, Marcel Duchamp: The Box in a Valise, 166.
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12023-06-20T14:48:13-07:00Frederick Kiesler's Viewing Device3plain2023-06-20T14:54:21-07:00When Duchamp exhibited the Boîte at Peggy Guggenheim's Art of This Century Gallery in 1942, it appeared in a case alongside a special contraption designed by Frederick Kiesler, then Duchamp's close friend and roommate, that allowed one viewer at a time, peering through a peephole, to cycle through fourteen feuilles libres by turning a wheel.1 This early installation of the Boîte, with its "peepshow effect,"2 thematized the distance established by the context of exhibition at an art gallery between the portable, collectible object and its beholder.