Save Our Santa Monica Mountains
1 media/CSPG_2391.jpg 2021-10-11T10:17:48-07:00 Curtis Fletcher 3225f3b99ebb95ebd811595627293f68f680673e 39590 3 Circa 1970, the City of Los Angeles planned to widen scenic, two-lane Mulholland Drive, opening the Santa Monica Mountains for massive development. Three women—Margot Feuer of Malibu, Sue Nelson of Brentwood, and Jill Swift of Tarzana—organized opposition, including 5,000 marching in protest in 1971. The Santa Monica Mountains National Recreation Area, approved in November 1978 is the world's largest urban national park and the most heavily used National Park facility in the nation. plain 2021-10-14T14:29:08-07:00 1971 Center for the Study of Political Graphics Copyright unknown 34.0923517 , -118.7346102 J. Sellery Collection of the Center for the Study of Political Graphics, www.politicalgraphics.org Curtis Fletcher 3225f3b99ebb95ebd811595627293f68f680673eThis page has paths:
- 1 2021-10-14T10:03:33-07:00 Curtis Fletcher 3225f3b99ebb95ebd811595627293f68f680673e Individuals Curtis Fletcher 16 Los Angeles is a mosaic. This section, just like the one prior, reflects and celebrates the differences among those who have impacted and continue to impact this city. This exhibit features many unique and accomplished Angelenos. Not surprisingly, given LA’s primacy as a center of entertainment, many of the noteworthy people featured here include artists, creative souls, and people in the movie industry. Additionally, librarians, educators, activists, environmentalists, scientists, and sports personalities from diverse backgrounds are represented in this exhibit. These Angelenos include immigrants, locals, people from numerous cultures, and many women. structured_gallery 2021-10-22T11:13:25-07:00 Curtis Fletcher 3225f3b99ebb95ebd811595627293f68f680673e
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Curtis Fletcher
3225f3b99ebb95ebd811595627293f68f680673e
Center for the Study of Political Graphics
Curtis Fletcher
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The Center for the Study of Political Graphics is an educational and research archive that collects, preserves, documents, and exhibits domestic and international poster art. The Center's domestic and international collection of more than 90,000 political posters dates from the early 20th century to the present, and includes the largest collection of post World War II political posters in the United States. The posters are produced in a variety of artistic mediums- offset, silk screen, lithography, woodblock, linocut, stencil, photocopy, and computer-generated prints. The collection is focused on international, domestic, and Los Angeles-specific human rights issues, with an emphasis on progressive movements in the United States, Latin America, Europe, the Middle East, Asia, Africa, and Australia. Poster topics include the women's movement, racism, peace, apartheid, labor, liberation theology, AIDS, gay and lesbian rights, immigrants' rights, children's rights, and ecology. Between one and two thousand posters are acquired annually, primarily through donation. Approximately half of these are given by collectors in Los Angeles and reflect the diverse political interests of the donors. This has yielded a collection that, in part, documents important but often underrepresented aspects of local history and life in the Los Angeles area. The collection contains approximately three thousand human rights and protest posters produced in Los Angeles from 1965 to the present. The earliest of these came out of the Watts Uprising of 1965, while the more recent posters not only reflect prevailing concerns but commemorate older events, such as the U.S. government's internment of Japanese Americans during World War II. Altogether, the posters illustrate the commitment of many Los Angeles-based artists, organizations, and individuals to a variety of social and political issues over the last five decades.
http://www.politicalgraphics.org/ structured_gallery 2021-10-19T11:16:22-07:00 Curtis Fletcher 3225f3b99ebb95ebd811595627293f68f680673e