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Josie Andrews 412 Midterm ProjectsMain MenuIntroductionThe Ideological Function of Stars: Contradictions and Promises of Individualism.Prompt AnalysisLittle Women (George Cukor 1933)Tomboyism: Negotiating and Celebrating a Strong, Sprited Woman in the Great DepressionSylvia Scarlett (George Cukor, 1936)"Woman of the Year" (George Stevens, 1942)ConclusionBibliographyCATCH ME IF YOU CANThe Contradictions and Promises of Individualism in the Films of Katharine Hepburn 1933-1942Josephine Andrews3a113b8327c230bc7c10dd21f21428c4f7bcd00c
This image reminded me of the Joan Crawford reflection image on the cover of Dyer's Heavenly Bodies. Sylvia's image in the mirror is slightly blurred reminding us that we can never truly know the star that gazes out to us from the screen. She looks into t
12018-03-09T20:34:54-08:00Josephine Andrews3a113b8327c230bc7c10dd21f21428c4f7bcd00c286375plain2018-03-10T01:56:19-08:00Josephine Andrews3a113b8327c230bc7c10dd21f21428c4f7bcd00cThis image reminded me of the Joan Crawford reflection image on the cover of Dyer's Heavenly Bodies. Sylvia's image in the mirror is slightly blurred reminding us that we can never truly know the star that gazes out to us from the screen. The "real" Hepburn gazes into the mirror in sharp focus. But we cannot see her eyes or emotions or know her.
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12018-03-08T14:13:16-08:00Josephine Andrews3a113b8327c230bc7c10dd21f21428c4f7bcd00cMirror Shot 12Sylvia Scarlett Kate looking in mirrormedia/mirror.jpgplain2018-03-09T21:24:35-08:00Josephine Andrews3a113b8327c230bc7c10dd21f21428c4f7bcd00c
