Josie Andrews 412 Midterm Projects Main Menu Introduction The Ideological Function of Stars: Contradictions and Promises of Individualism. Prompt Analysis Little Women (George Cukor 1933) Tomboyism: Negotiating and Celebrating a Strong, Sprited Woman in the Great Depression Sylvia Scarlett (George Cukor, 1936) "Woman of the Year" (George Stevens, 1942) Conclusion CATCH ME IF YOU CAN The Contradictions and Promises of Individualism in the Films of Katharine Hepburn 1933-1942

Bibliography

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                                                                      Bibliography


Bakerman, S. (2015, Fall). Too good for the fan rags: The argument for agency in the stardom of katharine hepburn. The Spectator, 35, 18-26.
 
Basinger, Jeanine.  A Woman’s View: How Hollywood Spoke to Women 1930-1960. London: Wesleyan University Press, 1993.
 
Boyer, Paul S.  Promises to Keep; The United States Since World War II, 2nd ed.  Boston: Houghton Mifflin Company, 1999.
 
Britton, Andrew. Katharine Hepburn: Star as Feminist. New York: Columbia, 1994. Print.
 
DiBattista, Maria. Fast-Talking-Dames. USA: R.R. Donnelley & Sons, 2001.
 
Dickens, The Films of Katharine Hepburn. Citadel Press: 1991.
 
Dyer, Richard. Stars. London: British Film Institute, 1998. Print
 
Dyer, Richard. Heavenly Bodies: Film Stars and Societies. New York: Routledge, 2004. Print.
 
Eliot, Marc. Cary Grant: A Biography. Harmony, 2005. Print.
 
Fashion: "Little Women" Dresses/Sweet and sentimental. (1934, Dec 15). Vogue, 84, 28-28, 29. Online.
 
Haskell, Molly.  From Reverence to Rape: The Treatment of Women in the Movies, 2nd ed.  Chicago: University of Chicago Press, 1987.
 
Helford, Elyce Rae. “Theatricality and Female Drag in Three Films by George Cukor.” Feminist Media Studies, vol. 14, no. 4, 2014, pp. 593–607.
 
Higham, Charles. Kate: The Life of Katharine Hepburn. W. W. Norton & Company: 2004.
 
Landy, Marcia. ed.  The Historical Film: History and Memory in Media. USA: Rutgers, The  State University, 2001.
 
Monaco, James. How to Read a Film: Movies, Media, Multimedia, 3rd ed.  New York: Oxford University Press, 2000.
 
Pierpont, Claudia. Born for the Part: Roles Katharine Hepburn Played. The New Yorker Magazine.  14 July 2003.
 
Pierpont, Claudia Roth. American Rhapsody: Writers, Musicians, Movie Stars, and One Great Building.
 
Sklar, Robert.  Movie-Made America: A Cultural History of American Movies. New York: Vintage Books, 1994, 170-172.
 
Thumim, J. (1986). 'Miss Hepburn is humanized': The star persona of Katharine Hepburn. Feminist Review, 0(24), 71.
 
 Walsh, Andrea S.  Women’s Film and Female Experience 1940-1950.New York: Praeger Publisher, 1984, pp. 23-29.
 
“Women, Impact of the Great Depression On.” Encyclopedia of the Great Depression. Gale Group. Online.
 
Young, Willam H. and Nancy K. Young. The 1930s. Westport, CT: Greenwood Press, 2002, 185.
 
 
Filmography
 
Little Women. Dir. George Cucor. RKO, 1933.
 
Sylvia Scarlett. Dir. George Cucor. RKO, 1935.
 
The Philadelphia Story. Dir. George Cucor. RKO, 1940.
 
Woman of the Year. Dir. George Stevens. MGM, 1942.

Media History Project
This Bibliography does not include the hundreds of images reviewed on the Media History Project's Digital website between the years 1931 and 1943 that mentioned "Katharine Hepburn," "Katherine Hepburn," "Kate" and "Hepburn," and only "Hepburn." Dates and Titles of relevant publications are specifically referred to in this book and are accessible at http://mediahistoryproject.org/.

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