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Josie Andrews 412 Midterm ProjectsMain MenuIntroductionThe Ideological Function of Stars: Contradictions and Promises of Individualism.Prompt AnalysisLittle Women (George Cukor 1933)Tomboyism: Negotiating and Celebrating a Strong, Sprited Woman in the Great DepressionSylvia Scarlett (George Cukor, 1936)"Woman of the Year" (George Stevens, 1942)ConclusionBibliographyCATCH ME IF YOU CANThe Contradictions and Promises of Individualism in the Films of Katharine Hepburn 1933-1942Josephine Andrews3a113b8327c230bc7c10dd21f21428c4f7bcd00c
Aunt March
12018-03-09T11:05:34-08:00Josephine Andrews3a113b8327c230bc7c10dd21f21428c4f7bcd00c286371Marching Off to Warplain2018-03-09T11:05:34-08:00Josephine Andrews3a113b8327c230bc7c10dd21f21428c4f7bcd00c
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12018-03-09T11:05:12-08:00Aunt March: Class Conflicts4Aunt March: Class conflictsplain2018-03-10T02:05:47-08:00This clip shows class issues that were paramount during the Great Depression. Jo and Meg must work to help support the family during the Civil War, and Jo’s “job” is to read to Aunt March. In contrast to Laurie’s opulence that is open and generously shared with the March family, Aunt March’s wealth is stingy and cold, just as her temperament. The film’s moral message about wealth, class and human character is clear, making it easy for the audience to identify with Jo and difficult to identify with her Aunt.
