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Josie Andrews 412 Midterm ProjectsMain MenuIntroductionThe Ideological Function of Stars: Contradictions and Promises of Individualism.Prompt AnalysisLittle Women (George Cukor 1933)Tomboyism: Negotiating and Celebrating a Strong, Sprited Woman in the Great DepressionSylvia Scarlett (George Cukor, 1936)"Woman of the Year" (George Stevens, 1942)ConclusionBibliographyCATCH ME IF YOU CANThe Contradictions and Promises of Individualism in the Films of Katharine Hepburn 1933-1942Josephine Andrews3a113b8327c230bc7c10dd21f21428c4f7bcd00c
Contradictions
12018-03-09T20:45:37-08:00Josephine Andrews3a113b8327c230bc7c10dd21f21428c4f7bcd00c286374plain2018-03-09T20:52:39-08:00Josephine Andrews3a113b8327c230bc7c10dd21f21428c4f7bcd00cThis scene undoubtedly made audiences in 1935 as uncomfortable as Sylvia appears in the film. Maude clearly finds the young teenage "boy" attractive. Not surprisingly, everyone is attracted to the highly sexual androgynous Hepburn. But, the clear contradiction of seeing two women on the screen engaged in flirtation would be uncomfortable for a heterosexual female audience.
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12018-03-04T03:41:50-08:00Josephine Andrews3a113b8327c230bc7c10dd21f21428c4f7bcd00cSylvia Scarlett 19353Shocking on-screen kiss between women in Hollywood in 1935.plain2018-03-11T17:46:48-07:00Josephine Andrews3a113b8327c230bc7c10dd21f21428c4f7bcd00c
