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Josie Andrews 412 Midterm ProjectsMain MenuIntroductionThe Ideological Function of Stars: Contradictions and Promises of Individualism.Prompt AnalysisLittle Women (George Cukor 1933)Tomboyism: Negotiating and Celebrating a Strong, Sprited Woman in the Great DepressionSylvia Scarlett (George Cukor, 1936)"Woman of the Year" (George Stevens, 1942)ConclusionBibliographyCATCH ME IF YOU CANThe Contradictions and Promises of Individualism in the Films of Katharine Hepburn 1933-1942Josephine Andrews3a113b8327c230bc7c10dd21f21428c4f7bcd00c
Film's Position on Marriage
12018-03-09T10:07:59-08:00Josephine Andrews3a113b8327c230bc7c10dd21f21428c4f7bcd00c286375Marriage is the "natural" ending for "happily ever after"plain2018-03-10T14:48:44-08:00Josephine Andrews3a113b8327c230bc7c10dd21f21428c4f7bcd00cJo finds the idea of marriage to a man who will expect her to be a real wife who has children and stays at home to be horrifying. She wants a career and adventure. She wants to write. This star image for Hepburn initially not wanting to marry is reinforced in the films discussed in this book and is reflective of her publicly known personal life.