Italian American Culture_SP18Main MenuIntroductionIntroduction to the bookJust a Boat Ride Away: A Book of Three Short StoriesBy Ivy Wood, Daniela Anastasi, and Gianna CrivelloEmigrationDominic GialdiniItalian Military Citizenship in the U.S.This is a page about the history of Italians serving in the U.S. military during WWI and WWII. Along with some family ties connected with serving in the military to gain citizenship. (By: Briana Santangelo)The Old Man and the SeaMarlene's textThe Italian American Mafia and FilmRacial diversity among the Mafia by Alison DoyleTaking a look at the benefits of racial diversity in the Mob.The American Dream in Christ in ConcreteItalian Americans and FoodIn this section we will present the importance of of the Italian cuisine in the American culture, how the original recipes arrived to the United States and had to be adapted in order to be accepted by Americans.The Meaning of Italian Food by Karla TorresThe Benefits of Migration & The Costs of Assimilation, By Taylor ParkerBy: Taylor ParkerStruggles of Assimilation For Immigrants. By Alexander LutzComparing how immigrants assimilate into America. By Alexander LutzHomophobiaHomophobia within the Italian-American CommunityVulnerability in Italian American Culture by Keitel Del RosarioBy Keitel Del RosarioItalians in HollywoodClarissa Clòdb886ad53bc7213a988f9e7e4415f782ea7c35a2
12018-04-30T14:51:10-07:00The Godfather11gallery2018-04-30T22:01:28-07:00 The Godfather not only romanticized the Mafia lifestyle in a way that had never been done before, it did more just than that. Before the movie most portrayals of Italians were shallow, inaccurate and gave little thought about the culture or its people. Francis Ford Coppola, the director of the film, and Mario Puzo wanted to present a more accurate image of Italians even if it happened to be behind a gangster movie backdrop. In the documentary piece The Making of Godfather Trilogy, Coppola even admitted that he didn’t particularly like violence and was often pushed by the studios to make it more violent than he intended. His vision was more of an Italian family drama piece, that just so happened to star the head of a mafia family. He wanted it to be authentic, or least have an air of authenticity so he provided the film with more diversity opting out of the usual whitewashing. This sort of representation had never been done for the community up to this point, and after the movie became wildly successful, most Italians were more than happy to support this film about the mafia as it made their race out as intelligent and capable like no film had done before. Thomas Ferraro author of Feeling Italian: The Art of Ethnicity in America described this reaction by saying that “Italian Americans saw their histories, their hopes, their foibles, their worries, their strengths, their beauty, and their ugliness reflected on the national screen.”