Inside Decoys from Shelburne MuseumMain MenuDecoy MakingMakers represented in this projectDecoys included in this projectThe rationale behind which decoys were included in the project.About the RadiographsThe nitty gritty about how the radiography was done.BibliographyCited works and works that informed this project.About the AuthorsAbout Nancie Ravenel and Lesley Day MirlingNancie Ravenelbc84e2b969fab7c5f039797f42318c7fcfc8159bLesley Day Mirling3670b61b9eba655d6cf36db8e509081714fc05b1Shelburne Museum
underside of black duck by Stephen Verity 27.FD4-120
12015-02-01T12:10:55-08:00Nancie Ravenelbc84e2b969fab7c5f039797f42318c7fcfc8159bBlack Duck, 27.FD4-120Nancie Ravenel30A cork black duck made by Stephen Verity, c. 1890.plain2015-09-05T20:48:11-07:00Nancie Ravenelbc84e2b969fab7c5f039797f42318c7fcfc8159b
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12015-01-31T14:13:51-08:00Stephen Verity (1865-1950)20Islip, NYplain2017-08-04T11:12:22-07:0040.707125, -73.220842Stephen Verity, of Seaford, New York, was born to a family with strong connections to decoy making, gun boat and skiff building, and guiding (Baldwin 2000, 210). His father, Obadiah Verity, is known for the shore birds he carved, three of which are found in the Long Island Museum collection.
According to former Shelburne Museum curator Bob Shaw, Stephen Verity was, at one time, a superintendent on the Bayberry Point, Islip, New York estate of H.O. Havemeyer, the father of Shelburne Museum's founder, Electra Havemeyer Webb.
