Gospel Thrillers: Conspiracy, Fiction, and the Vulnerable BibleMain MenuInside the Gospel ThrillersAn exploration of the contents of the novels and their genreBehind the Gospel Thrillers: "Discovering" the BibleHistorical and social context for themes in the novelsBeyond the Novels: Gospel Thrills and U.S. CultureCultural spaces outside the novels in which the impulses of gospel thrillers are foundExtras: Reviews, interviews, and other mediaAndrew S. Jacobs45edf76073fc8204ba5adec5870047f3453dfd28
New York Times review of The Judas Testament
12018-04-04T20:04:43-07:00Andrew S. Jacobs45edf76073fc8204ba5adec5870047f3453dfd28124581plain2018-04-04T20:04:43-07:00Andrew S. Jacobs45edf76073fc8204ba5adec5870047f3453dfd28
This page is referenced by:
1media/1994 Judas Testament PB.jpg2018-03-26T18:20:27-07:00(1994) Daniel Easterman, The Judas Testament (Harper)7plain2022-06-04T11:00:23-07:00 Daniel Easterman is one the of noms de plume of Belfast-born Islamicist Denis MacEoin (who also writes ghost stories under the name Jonathan Aycliffe). After a youthful conversion to Baha'i, Easterman studied Islamic religion and briefly taught as a lecturer at the University of Newcastle. MacEoin still publishes on Baha'i, Shi'i Islam, and Middle Eastern studies. MacEoin's ongoing affiliations with the neoconservative Gatestone Institute and Middle East Forum give a sense of his political leanings, which occasionally make their way into the thrillers written under the Easterman pseudonym.
Already by the time he resigned his academic post in the 1980s MacEoin was a successful author; The Judas Testament was his seventh Easterman novel, and many of his dozens of novels have been bestsellers. While the hero of The Judas Testament is also an Irish scholar (although notably part Jewish), it is difficult to say how much MacEoin influences Easterman. Like most of his novels, The Judas Testament has a healthy mix of political intrigue, spycraft, and international conspiracy at its heart. Although written in the 1990s, the novel manages to conjure Nazis, and their post-War European intellectual descendants, as the paradigmatic villains of the piece.
Hero: Jack Gould, a widowed half-Jewish Irish Semitics scholar who lost his daughter with his young wife Villains: Stefan Rosewicz (and his various henchmen and associates), a mysterious collector of antiquities in the U.K. who turns out to be an ex-Nazi collaborator, father of Gould's dead wife, vicious anti-Semite, part of a Euro-fascist group called the Crux Orientalis, in league with conservative Catholic forces working to establish a Catholic-Nazi Holy Roman Empire Gospel: An authentic Dead Sea Scroll, a first-person testament by Jesus revealing him to be a non-divine, very Jewish Essene leader; through various machinations it had ended up in a Soviet library uncovered as the USSR was collapsing