Ghost Metropolis: Los Angeles from Clovis to Nixon Main Menu Regimes: Ruling the Los Angeles Region from the Late Pleistocene to the 21st Century Places and Paths of Los Angeles Manna From Hell: Power and Politics from Region to World Power Shadows: Visual Cultures and Mass Media of a Regional and Global Power Segregated Diversity: The Geosocial Formation of Social Justice in the Late Twentieth Century Richard 37th: Nixon, Los Angeles, and World Power The American 1989: Los Angeles at the Climax of the 20th Century Narrative Essay Bibliographies, Filmographies, Gazeteers, Indexes Mapping the Past: Theory, Methods, Historiography Path Credits Root

White Shadows Bibliography

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Altman, Diana (1992) Hollywood East: Louis B. Mayer and the Origins of the Studio System. New York: Carol Publishing Group.

Biskind, Peter.  1998. Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock'n'Roll Generation Saved Hollywood.  New York: Simon and Schuster.

Bogle, Donald. (2005) Bright Boulevards, Bold Dreams: The Story of Black Hollywood New York. One World Ballentine Books.

Cannom, Robert C. (1948) Van Dyke and the Mythical City of Hollywood. Culver City: Murray and Gee, Publishers.

Cantril, Hadley. (1940) The Invasion From Mars: A Study in the Psychology of Panic. With the complete script of the famous Orson Welles broadcast. With the assistance of Hazel Gaudet & Herta Herzog. Princeton, Princeton University Press.

Carey, Gary (1981) All The Stars in Heaven: Louis B. Mayer’s M-­G-M. New York: E.P. Dutton.

Casper, Drew. 2007. Postwar Hollywood: 1946-1962.  Malden, Mass: Blackwell Publishing.

Casper, Drew. 2011.  Hollywood Film 1963-1976: Years of Revolution and Reaction.  Chichester, UK: Wiley-Blackwell. 

Denning, Michael. (1997) The Cultural Front: The Laboring of American Culture in the Twentieth Century. New York: Verso.

Drew, William M. (2001) D.W. Griffith's Intolerance: Its Genesis and Its Vision. New York: McFarland & Company.

Duberman, Martin Bauml. (1988) Paul Robeson. New York: Alfred A. Knopf.

Edmonds I.G. (1977) Big U: Universal in the Silent Days. New York: A.S. Barnes.

Gish, Lillian (1971) “The Making of The Birth of a Nation,” in Silva (1971): 52-3.

Haskin, Byron. (1984) Byron Haskin Interviewed by Joe Adamson. Metuchen, N.J.: Directors Guild of America and Scarecrow Press.

Hickman, Gail Morgan (1977) The Films of George Pal (New York: A.S. Barnes and Co.

Hershfield, Joanne. (2000) The Invention of Dolores del Río. Minneapolis: University of Minnesota Press.

Holtzmark, Erling B. (1981) Tarzan and Tradition: Classical Myth in Popular Literature Westport, CT: Greenwood Press.

Holtzmark, Erling B. (1986) Edgar Rice Burroughs. Boston: Twayne Publishers.

Horne, Gerald. (2001) Class Struggle in Hollywood, 1930-1950: Moguls, Mobsters, Stars, Reds and Trade Unionists Austin: University of Texas Press.

Krauze, Helen (2004) “Dolores del Río: a 100 años de su nacimiento,” Actual (1 Sept). 11:132, pp. 76-82.

Lahue, Kalton C. (1973) Motion Picture Pioneer: The Selig Polyscope Company. South Brunswick, New Jersey: A.S. Barnes.

Lewis, Ethrelda editor. ([1927] 1932) Trader Horn: Being the Life and Works of Alfred Aloysius Horn With Illustrations from the Metro­Goldwyn-Mayer Production. New York: Gorsset and Dunlap.

Lupoff, Richard A. (1965) Edgar Rice Burroughs: Master of Adventure New York: Carnival Press.

Marx, Samuel. (1975) Mayer and Thalberg: The Make­ Believe Saints New York: Random House.

May, Lary (1983) Screening Out the Past: The Birth of Mass Culture and the Motion Picture Industry (Chicago: University of Chicago Press.

May, Lary. (2000) The Big Tomorrow: Hollywood and the Politics of the American Way. Chicago: University of Chicago Press.

Pintar, Laurie (2001) “Behind the Scenes: Bronco Billy and the Realities of Open Shop Hollywood,” in Sitton and Deverell (2001): 322-323.

Pizzitola, Louis. (2002) Hearst Over Hollywood: Power, Passion, and Propaganda in the Movies. (New York: Columbia University Press.

Porges, Irwin (1975) Edgar Rice Burroughs: The Man Who Created Tarzan. Provo, UT: Brigham Young University Press.

Rogin, Michael. (1985) “’The Sword Became a Flashing Vision’: D.W. Griffith’s Birth of a Nation.” Representations 9 (Winter): 150-95.

Rogin, Michael Paul. (1987) Ronald Reagan, The Movie: And Other Episodes in Political Demonology. Berkeley: University of California Press.

Ross, Steven J. (1998) Working-Class Hollywood: Silent Film and the Making of Class in America Princeton University Press.

Ross, Steven J. (2001) “How Hollywood became Hollywood: Money, Politics, and the Movies.” In Sitton and Deverell (2001): 255-76.

Ross, Steven J. (2004) "Confessions of a Nazi Spy: Warner Brothers, Anti-Fascism, and the Politicization of Hollywood," in Warners' War: Politics, Pop Culture & Propaganda in Wartime Hollywood. pp. 48-59. Los Angeles CA: Norman Lear Center Press.

Rosten, Leo (1941) The Movie Colony, The Movie Makers. New York: Harcourt, Brace, and Company.

Schwartz Vanessa R. (2007) It's So French!: Hollywood, Paris, and the Making of Cosmopolitan Film Culture. Chicago: University of Chicago Press.

Sedgwick, John. (2002) “Product Differentiation at the Movies: Hollywood, 1946-1965.” The Journal of Economic History 62:3 (September): 676-705.

Schmeltz, Irene Hermer (1973) “Tarzan El Hombre Mito,” Revista Mexicana de Ceincia Política 19:4, pp. 29-35.

Silva, Fred, ed. (1971) Focus on The Birth of a Nation. Englewood Cliffs, N.J., Prenctice Hall.

Slide, Anthony (1986) The American Film Industry: A Historical Dictionary (New York: Greenwood Press.

Sperling, Cass Warner and Cork Millner (1998) Hollywood Be Thy Name: the Warner Brothers Story Lexington: University Press of Kentucky.

Stone, Robert. (2004) Guerilla: The Taking of Patty Hearst (documentary film) The American Experience First air date: January 2004 (Season 17, Episode 11).

Tuska, John. (1971). “Trader Horn: A Cinematograph,” in Views and Reviews 3:1 (Summer, 1971): 51-58.

Van Dyke, W.S. (1933) Horning into Africa. Los Angeles.

Van Dyke, W.S. (1996) W.S. Van Dyke’s Journal White Shadows in the South Seas (1927-1928) and Other Van Dyke on Van Dyke. Edited and Annotated by Rudy Behlmer. (Lanham, Maryland: Scarecrow Press.

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